<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-5133566289887482688</id><updated>2012-02-17T23:07:50.445Z</updated><category term='Vengerov -Maxim'/><category term='WOLF-FERRARI'/><category term='SCHUBERT'/><category term='VARESE'/><category term='Suzan -Maurice'/><category term='Groves -Charles'/><category term='STRAUSS -Josef'/><category term='THOMAS'/><category term='Hind -Rolf'/><category term='Ferras -Christian'/><category term='Durjan -Ogan'/><category term='BACH - J.S.'/><category term='BLISS'/><category term='Fiorentino -Sergio'/><category term='Drouet -Jean-Pierre'/><category term='London Wind Quintet'/><category term='FALLA'/><category term='Jorda -Enrique'/><category term='BBC SO'/><category term='Francis -Sarah'/><category term='Downes -Edward'/><category term='Lewis -Richard'/><category term='VERDI'/><category term='WAGNER'/><category term='HANSON'/><category term='Demessieux -Jeanne'/><category term='Johnston -James'/><category term='Grenadier Guards Band'/><category term='BEETHOVEN'/><category term='WEILL'/><category term='MENDELSSOHN'/><category term='Cantelli -Guido'/><category term='Fistoulari -Anatole'/><category term='SCHEIDT'/><category term='Noseda -Gianandrea'/><category term='TELEMANN'/><category term='MILHAUD'/><category term='Germani -Fernando'/><category term='Czech PO'/><category term='Pleeth -William'/><category term='Zimbler Sinfonietta'/><category term='Schwarzkopf -Elisabeth'/><category term='Fenyves -Lorand'/><category term='Pepin -Andre'/><category term='Pritchard -John'/><category term='Novak Quartet'/><category term='Martinon -Jean'/><category term='Lanchbery -John'/><category term='HANDEL'/><category term='GIORDANO'/><category term='CHAUSSON'/><category term='Tjeknavorian -Loris'/><category term='Jones -Philip'/><category term='Katin -Peter'/><category term='New SO'/><category term='USSR SO'/><category term='Andre -Maurice'/><category term='Kisch'/><category term='Doktor -Paul'/><category term='SHCHEDRIN'/><category term='Morel -Jean'/><category term='Brno'/><category term='SARASATE'/><category term='Del Mar -Norman'/><category term='Jouve'/><category term='Marshall -Wayne'/><category term='RAF Central Band'/><category term='RPO'/><category term='DEBUSSY'/><category term='Walter -Bruno'/><category term='BMC Oxford Band'/><category term='Equale Brass'/><category term='Wallace Collection'/><category term='Voicu -Ion'/><category term='Royal Opera House'/><category term='ENESCU'/><category term='Champs-Elysees'/><category term='BERG'/><category term='BERLIOZ'/><category term='Philomusica of London'/><category term='Atherton -David'/><category term='Foss'/><category term='Young -Alexander'/><category term='ROSSINI'/><category term='Philharmonia Hungarica'/><category term='PONCHIELLI'/><category term='BBC PO'/><category term='Robin -Jacqueline'/><category term='Desormiere -Roger'/><category term='Golschmann'/><category term='WALTON'/><category term='Gugolz -Robert'/><category term='BENNETT -Richard Rodney'/><category term='BBC Concert'/><category term='DON&apos;T PANIC'/><category term='Kolassi -Irma'/><category term='Davis -Colin'/><category term='FRICKER'/><category term='BIZET'/><category term='French National'/><category term='Wallfisch -Ernst'/><category term='HOLST'/><category term='DVORAK'/><category term='Bournemouth SO'/><category term='St.Petersburg PO'/><category term='RAMEAU'/><category term='MAHLER'/><category term='Stewart -Jean'/><category term='BRAHMS'/><category term='Buketoff -Igor'/><category term='Berlin PO'/><category term='R.STRAUSS'/><category term='CHABRIER'/><category term='Munchinger -Karl'/><category term='HEROLD'/><category term='St. Louis SO'/><category term='MacMILLAN'/><category term='VAUGHAN WILLIAMS'/><category term='Dart -Thurston'/><category term='PORPORA'/><category term='Isserlis -Steven'/><category term='USSR Ministry of Defence Symphonic Band'/><category term='Rakhlin -Natan'/><category term='KODALY'/><category term='MARTINU'/><category term='Lord Birkett'/><category term='GERHARD'/><category term='MOZART'/><category term='ANTHEIL'/><category term='VIVALDI'/><category term='STRAUSS - Johann'/><category term='SCHUMANN'/><category term='RAVEL'/><category term='MUSSORGSKY'/><category term='TURINA'/><category term='Susskind -Walter'/><category term='Gitlis -Ivry'/><category term='Purcell Singers'/><category term='Collins -Anthony'/><category term='Salter -Lionel'/><category term='Belohlavek -Jiri'/><category term='Adler'/><category term='Rignold -Hugo'/><category term='Vienna SO'/><category term='London Harpsichord Ensemble'/><category term='GLINKA'/><category term='Handley -Vernon'/><category term='GERSHWIN'/><category term='Pazmandi -Paul'/><category term='VITALI'/><category term='LALANDE'/><category term='Accardo -Salvatore'/><category term='Eastman-Rochester'/><category term='MORERA'/><category term='ALBENIZ'/><category term='HINDEMITH'/><category term='Sargent -Malcolm'/><category term='Hatto -Joyce'/><category term='Philip Jones Brass Ensemble'/><category term='Otterloo'/><category term='Leipzig Gewandhaus'/><category term='Ansermet -Ernest'/><category term='SMETANA'/><category term='SEIBER'/><category term='Howarth -Elgar'/><category term='Hvorostovsky -Dmitri'/><category term='STRAVINSKY'/><category term='DELIUS'/><category term='Horenstein -Jascha'/><category term='BARTOK'/><category term='Dorati -Antal'/><category term='Alsop -Marin'/><category term='Minneapolis SO'/><category term='Gamba -Rumon'/><category term='JANACEK'/><category term='TANEYEV'/><category term='Suisse Romande'/><category term='CORIGLIANO'/><category term='Pirot -Jean'/><category term='Wordworth -Barry'/><category term='Karajan -Herbert von'/><category term='Bunting -Christopher'/><category term='BARBER'/><category term='MARTIN'/><category term='Tuckwell -Barry'/><category term='GRETRY'/><category term='LISZT'/><category term='Waldhans -Jiri'/><category term='SHOSTAKOVICH'/><category term='Gilbert -Geoffrey'/><category term='de Peyer -Gervase'/><category term='BANKS'/><category term='CLARKE -Jeremiah'/><category term='HAMILTON'/><category term='PAGANINI'/><category term='BRITTEN'/><category term='Hurst -George'/><category term='Brosa -Antonio'/><category term='Mitropoulos -Dimitri'/><category term='McCABE'/><category term='Kopatchinskaja -Patricia'/><category term='O R G A N S'/><category term='RACHMANINOV'/><category term='YSAYE'/><category term='Ibbott -Daphne'/><category term='Zurich RO'/><category term='Foldes'/><category term='Hanson -Howard'/><category term='Bliss-Arthur'/><category term='BUSH -Alan'/><category term='FRESCOBALDI'/><category term='Scherman'/><category term='RIMSKY-KORSAKOV'/><category term='de Froment -Louis'/><category term='BBC Scottish'/><category term='Anosov'/><category term='SCRIABIN'/><category term='Joy -Genevieve'/><category term='Rev -Livia'/><category term='Beecham -Thomas'/><category term='Boyd Neel Orchestra'/><category term='Collard -Andre'/><category term='Slatkin -Leonard'/><category term='MASCAGNI'/><category term='EWALD'/><category term='TATE'/><category term='Isserlis -Julius'/><category term='Pryor -Gwynneth'/><category term='Temirkanov -Yuri'/><category term='Milhaud -Darius'/><category term='Adler -Larry'/><category term='BLOCH'/><category term='WIENIAWSKI'/><category term='Hague PO'/><category term='McPHEE'/><category term='PASQUINI'/><category term='Moiseiwitsch -Benno'/><category term='Prausnitz -Frederik'/><category term='Argo Chamber Ensemble'/><category term='Ogeas - Francoise'/><category term='Deak -Josef'/><category term='Maga -Othmar'/><category term='Boult -Adrian'/><category term='CASINI'/><category term='Vienna PO'/><category term='LSO Brass Ensemble'/><category term='GERMAN'/><category term='GABRIELI'/><category term='Gould -Morton'/><category term='BBC Welsh'/><category term='Ludwig'/><category term='Enescu -Georges'/><category term='GRANADOS'/><category term='Colonne'/><category term='BALAKIREV'/><category term='NIELSEN'/><category term='Chicago SO'/><category term='Cherkassky -Shura'/><category term='Kletzki -Paul'/><category term='Philharmonia'/><category term='New York PO'/><category term='Hopkins -Antony'/><category term='NDR SO Hamburg'/><category term='PROKOFIEV'/><category term='GOUNOD'/><category term='SAINT-SAENS'/><category term='SUPPE'/><category term='LAMBERT'/><category term='PUCCINI'/><category term='ARNOLD'/><category term='Weldon -George'/><category term='Weathers -Felicia'/><category term='Stuttgart CO'/><category term='BRUCH'/><category term='BAX'/><category term='Silver -Millicent'/><category term='Campoli -Alfredo'/><category term='Watson -Gordon'/><category term='London SO'/><category term='Shuard -Amy'/><category term='BENCINI'/><category term='Casadesus -Jean-Claude'/><category term='Goldberg -Syzmon'/><category term='CARTER'/><category term='HARRIS'/><category term='Irving -Robert'/><category term='Bell -Joshua'/><category term='SCHOENBERG'/><category term='ZIPOLI'/><category term='GLUCK'/><category term='OFFENBACH'/><category term='HOLBORNE'/><category term='Holst -Imogen'/><category term='London Jazz Ensemble'/><category term='TCHAIKOVSKY'/><category term='La Scala'/><category term='BENJAMIN'/><category term='London Philharmonic'/><category term='Whyte -Ian'/><category term='Malko -Nicolai'/><category term='Walton -William'/><category term='ELGAR'/><category term='Paris Conservatoire'/><category term='PISTON'/><category term='Concerts Lamoureux'/><title type='text'>The Music Parlour</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default?start-index=101&amp;max-results=100'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>105</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-3358420151767147441</id><published>2012-02-16T20:08:00.008Z</published><updated>2012-02-17T23:06:42.036Z</updated><title type='text'>Beethoven. Violoncello Sonatas - Pierre Fournier -&amp;- Artur Schnabel - HMV 1947/8 - over on HISTORICAL</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-LYGSvN79ivY/Tz1iH2xPsVI/AAAAAAAAB5E/iaWMF5OuXao/s1600/Beethoven++-+Fournier+-+Schnabel.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="199" src="http://1.bp.blogspot.com/-LYGSvN79ivY/Tz1iH2xPsVI/AAAAAAAAB5E/iaWMF5OuXao/s200/Beethoven++-+Fournier+-+Schnabel.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Sonata no.1 in F major, op.5/1&amp;nbsp;&lt;/b&gt; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; &lt;i&gt;Adagio sostenuto ~ Allegro ~ Allegro vivace&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Sonata no.2 in G minor, op.5/2&lt;/b&gt;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp; &lt;i&gt;Adagio sostenuto ed espressivo ~ Allegro molto piu tosto presto ~ Rondo (Allegro)&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Sonata no.3 in A major, op.69&lt;/b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;i&gt;Allegro ma non tanto ~ Scherzo (Allegro molto) ~ Adagio cantabile ~ Allegro vivace&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Sonata no.4 in C major, op.102/1&lt;/b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;i&gt;Andante ~ Allegro vivace ~ Adagio ~ Tempo d'Andante ~ Allegro vivace&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Sonata no.5 in D major, op.102/2&lt;/b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;i&gt;Allegro con brio ~ Adagio con molto sentimento d'affeto ~ Allegro ~ Allegro fugato&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;EMI Electrola 'Dacapo' 1C 147-01 382/83 M&lt;/b&gt;&amp;nbsp; c.1978 German matrices/pressings.&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;FLAC/WAV&lt;/i&gt;&lt;/span&gt; &lt;b&gt;files&lt;/b&gt; @ &lt;a href="http://musicparlourhistorical.blogspot.com/"&gt;http://musicparlourhistorical.blogspot.com&lt;/a&gt;&lt;br /&gt;Presumably these excellent performances aren't currently available judging by the CD/LP prices being asked!&lt;br /&gt;The files are on Sendspace as uploading to MediaFire is currently hopeless... so the files will take slightly longer to download&amp;nbsp; &lt;i&gt;(but infinitely less time than it took me to edit the LP's...)&lt;/i&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-3358420151767147441?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/3358420151767147441'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/3358420151767147441'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2012/02/beethoven-violoncello-sonatas-pierre.html' title='Beethoven. Violoncello Sonatas - Pierre Fournier -&amp;- Artur Schnabel - HMV 1947/8 - over on HISTORICAL'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-LYGSvN79ivY/Tz1iH2xPsVI/AAAAAAAAB5E/iaWMF5OuXao/s72-c/Beethoven++-+Fournier+-+Schnabel.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-6857199039944486640</id><published>2012-01-31T23:40:00.028Z</published><updated>2012-02-17T23:07:50.452Z</updated><title type='text'>Pablo Casals plays... J.S.Bach. 6 Suites for Violoncello - HMV 1936-1939 - over on HISTORICAL</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-6egTNEtW3L0/Tyh7ErGNoJI/AAAAAAAAB4A/3cPO5xhRP7I/s1600/Casals+-+Bach+-+HMV.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://2.bp.blogspot.com/-6egTNEtW3L0/Tyh7ErGNoJI/AAAAAAAAB4A/3cPO5xhRP7I/s200/Casals+-+Bach+-+HMV.jpg" width="198" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;J.S.Bach. Six Suites for solo violoncello, BWV 1007 - 1012&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;no.1 in G major:&amp;nbsp;&amp;nbsp;&lt;/b&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; (HMV DB.3671-3673 - Paris, 2 June 1938)&lt;br /&gt;&lt;b&gt;no.2 in D minor:&lt;/b&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; (HMV DB.3399-3401 - Abbey Road, 25 November 1936) &amp;nbsp;&amp;nbsp; &lt;br /&gt;&lt;b&gt;no.3 in C major:&lt;/b&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; (HMV DB.3402-3404 - Abbey Road, 25 November 1936) &lt;br /&gt;&lt;b&gt;no.4 in E flat major:&lt;/b&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; (HMV DB.6538-6540 - Paris, 13 June 1939) &amp;nbsp; &lt;br /&gt;&lt;b&gt;no.5 in C minor:&amp;nbsp;&lt;/b&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; (HMV DB.6541-6544s - Paris, 13 June 1939) &amp;nbsp; &lt;br /&gt;&lt;b&gt;no.6 in D major:&amp;nbsp;&lt;/b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; (HMV DB.3674-3677 - Paris, 3 June 1938)&lt;br /&gt;&lt;b&gt;HMV RLS 712&lt;/b&gt;&amp;nbsp; (3LP box: 1974 pressings). Matrices: EMI Germany (from: EMI Electrola 'Dacapo' 1C 147-00 892/4 M).&amp;nbsp;&amp;nbsp; &lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;FLAC/WAV&lt;/i&gt;&lt;/span&gt;&lt;b&gt; files&amp;nbsp; &lt;/b&gt;@ &lt;a href="http://musicparlourhistorical.blogspot.com/"&gt;http://musicparlourhistorical.blogspot.com&lt;/a&gt;&lt;br /&gt;You can compare these with an allegedly 'tremendous improvements' transfer/s from a downloadable &lt;b&gt;'Pristine'&lt;/b&gt;&lt;i&gt; (sic)&lt;/i&gt; sample mp3 from &lt;b&gt;Suite 1&lt;/b&gt; which is linked from &lt;a href="http://groups.google.com/group/rec.music.classical.recordings/browse_thread/thread/86c55387270f390e?hl=en"&gt;HERE...&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-6857199039944486640?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/6857199039944486640'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/6857199039944486640'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2012/01/pablo-casals-plays-jsbach-6-suites-for_31.html' title='Pablo Casals plays... J.S.Bach. 6 Suites for Violoncello - HMV 1936-1939 - over on HISTORICAL'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-6egTNEtW3L0/Tyh7ErGNoJI/AAAAAAAAB4A/3cPO5xhRP7I/s72-c/Casals+-+Bach+-+HMV.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-1156318669968840677</id><published>2012-01-27T22:56:00.023Z</published><updated>2012-02-05T18:04:36.610Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='DON&apos;T PANIC'/><title type='text'>MEGAUPLOAD FIASCO: All files now re-instated to PRISTINE CLASSICS -&amp;- HISTORICAL....Cumulative listing of THIS blogs re-uploaded files</title><content type='html'>&lt;div style="color: cyan;"&gt;&lt;b&gt;Listing of re-instated files&lt;/b&gt;: &lt;i&gt;Some older files may take quite some time to appear as, when the WAV has been retained, I may wish to re-edit them. (29 Jan: - total so far - 260 files). &amp;nbsp;&lt;b&gt;SENDSPACE is being used for 200-300MB files; however download speeds are likely to be slow...&lt;/b&gt;&lt;/i&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-jsbwU49ej94/Tx7n8FtZahI/AAAAAAAAB2Y/5czgF3Wyzgg/s1600/FBI.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="240" src="http://1.bp.blogspot.com/-jsbwU49ej94/Tx7n8FtZahI/AAAAAAAAB2Y/5czgF3Wyzgg/s320/FBI.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://themusicparlour.blogspot.com/2010/08/richard-rodney-bennett-jazz-calendar.html"&gt;Richard Rodney Bennett - Jazz Calendar - FLAC&lt;/a&gt; &amp;nbsp;(massively popular)&lt;br /&gt;&lt;a href="http://themusicparlour.blogspot.com/2011/04/jean-martinon-chicago-symphony.html"&gt;Martinon/Chicago - Varese &amp;amp; Martin  - WAV&lt;/a&gt; &amp;nbsp; (ditto)&lt;br /&gt;&lt;a href="http://themusicparlour.blogspot.com/2011/03/larry-adler-rpo-morton-gould-harmonica.html"&gt;Larry Adler/RPO/Gould - WAV&lt;/a&gt; &amp;nbsp; &amp;nbsp; (ditto....)&lt;br /&gt;&lt;a href="http://themusicparlour.blogspot.com/2011/12/joyca-hatto-plays-bax-piano-sonatas-1-4.html"&gt;Joyce Hatto - Bax. Sonatas, etc - FLAC/WAV&lt;/a&gt;&lt;br /&gt;&lt;a href="http://themusicparlour.blogspot.com/2010/03/soldier-tale-glyndebournepritchard-hmv.html"&gt;Stravinsky. Soldiers Tale - Ansermet / Pritchard - FLAC&lt;/a&gt;&lt;br /&gt;&lt;a href="http://themusicparlour.blogspot.com/2010/11/gordon-watson-alexander-young-charles.html"&gt;Lambert. Piano Concerto and Li-Po Poems - WAV&lt;/a&gt;&lt;br /&gt;&lt;a href="http://themusicparlour.blogspot.com/2011/10/ussr-ministry-of-defence-symphonic-band.html"&gt;USSR Ministry of Defence Band - WAV&lt;/a&gt;&lt;br /&gt;&lt;a href="http://themusicparlour.blogspot.com/2010/11/kurt-weill-chansons-catherine-sauvage_12.html"&gt;Weill. Chansons - Sauvage, etc - FLAC&lt;/a&gt;&lt;br /&gt;&lt;a href="http://themusicparlour.blogspot.com/2011/04/philip-jones-memorial-concert-ewald.html"&gt;Philip Jones - FLAC&lt;/a&gt; &amp;nbsp;(The 1979 Arnold Symphony for Brass added from the Arnold Symphonies post)&lt;br /&gt;&lt;a href="http://themusicparlour.blogspot.com/2010/07/malcolm-sargent-rpo-vaughan-williams.html"&gt;Vaughan Williams. Symphony 9. RPO/Sargent - FLAC&lt;/a&gt;&lt;br /&gt;&lt;a href="http://themusicparlour.blogspot.com/2010/05/antonio-brosa-violin-plays-britten_21.html"&gt;Antonio Brosa - Britten.Violin Concerto / Ysaye - FLAC&lt;/a&gt;&lt;br /&gt;&lt;a href="http://themusicparlour.blogspot.com/2010/06/leos-janacek-jiri-waldhans-brno.html"&gt;Janacek. Jiri Waldhans and Belohlavek - FLAC&lt;/a&gt;&lt;br /&gt;&lt;a href="http://themusicparlour.blogspot.com/2011/01/macmillan-scotch-bestiary-wayne.html"&gt;The Red Violin and Scotch Bestiary - FLAC&lt;/a&gt;&lt;br /&gt;&lt;a href="http://themusicparlour.blogspot.com/2010/04/antal-dorati-conducts-kodaly-bartok_04.html"&gt;MERCURY - Dorati - Bartok  and Kodaly - FLAC&lt;/a&gt;&lt;br /&gt;&lt;a href="http://themusicparlour.blogspot.com/2010/04/karl-munchinger-stuttgart-co-bach-2.html"&gt;Munchinger - Bach Suites 2 and 3 1949/50 - WAV&lt;/a&gt;&lt;br /&gt;&lt;a href="http://themusicparlour.blogspot.com/2010/02/jeanne-demessieux-plays-jsbach-decca.html"&gt;Jeanne Demessieux plays JS Bach - WAV&lt;/a&gt;&lt;br /&gt;&lt;a href="http://themusicparlour.blogspot.com/2011/08/nielsen-clarinet-flute-concertos-deak.html"&gt;Nielsen.Clarinet and Flute concertos - Turnabout - FLAC&lt;/a&gt;&lt;br /&gt;&lt;a href="http://themusicparlour.blogspot.com/2010/03/andre-jouve-champs-elysees-prokofiev_27.html"&gt;Andre Jouve: Prokofiev. Ugly Duckling/Summers Day/Hebrew - WAV&lt;/a&gt;&lt;br /&gt;&lt;i&gt;RE-EDITED FILES: &amp;nbsp; &lt;/i&gt;&lt;a href="http://themusicparlour.blogspot.com/2010/01/walter-susskind-roho-hmv-1954.html"&gt;Walter Susskind / ROHO. Gaite Parisienne - FLAC&lt;/a&gt; &lt;br /&gt;&lt;a href="http://themusicparlour.blogspot.com/2010/09/malcolm-arnold-philip-jones-brass.html"&gt;Arnold. Symphonies 1 - 7 . BBC PO / Gamba - FLAC&lt;/a&gt;&lt;br /&gt;&lt;i&gt;RE-EDITED FILES: &amp;nbsp; &lt;/i&gt;&lt;a href="http://themusicparlour.blogspot.com/2011/06/fernando-germani-italian-organ.html"&gt;Fernando Germani. Italian Organ  - WAV&lt;/a&gt;&lt;br /&gt;&lt;i&gt;RE-EDITED FILES: &amp;nbsp; &lt;/i&gt;&lt;a href="http://themusicparlour.blogspot.com/2011/06/robert-simpson-carl-nielsen.html"&gt;Robert Simpson - Carl Nielsen. An Introduction to the Symphonies - FLAC&lt;/a&gt;&lt;i&gt; &amp;nbsp; &amp;nbsp; &lt;/i&gt;&lt;b&gt;Now also as individual 320 mp3 files for each Symphony&lt;/b&gt;.&lt;br /&gt;&lt;a href="http://themusicparlour.blogspot.com/2011/11/dmitri-hvorostovsky-yuri-temirkanov.html"&gt;Dmitri Hvorostovsky / Yuri Temirkanov - St.Petersburg Philharmonic -FLAC&lt;/a&gt;&lt;br /&gt;&lt;a href="http://themusicparlour.blogspot.com/2009/10/george-weldon-lso-columbia-1952-54_29.html"&gt;George Weldon/LSO - Elgar. In the South, etc - FLAC&lt;/a&gt;&lt;br /&gt;&lt;a href="http://themusicparlour.blogspot.com/2011/01/imogen-holst-conducts-gustav-holst.html"&gt;Imogen Holst conducts Gustav Holst. Military band - WAV&lt;/a&gt;&lt;br /&gt;&lt;a href="http://themusicparlour.blogspot.com/2010/10/novak-quartet-prokofiev-string-quartets.html"&gt;Prokofiev. Quartets - Novak Qt - FLAC&lt;/a&gt;&lt;br /&gt;&lt;a href="http://themusicparlour.blogspot.com/2010/04/robert-irving-new-so-gluck-gretry.html"&gt;Gluck - Gretry - NSO/Irving - FLAC&lt;/a&gt;&lt;br /&gt;&lt;a href="http://themusicparlour.blogspot.com/2010/04/sir-adrian-boult-lpo-paris_12.html"&gt;Prokofiev. Kije / Oranges - Boult - FLAC&lt;/a&gt;&lt;br /&gt;&lt;a href="http://themusicparlour.blogspot.com/2010/03/georges-enescu-conducts-his-dixtuor-2.html"&gt;Enescu conducts Dixtuor / 2 Rhapsodies - FLAC&lt;/a&gt;&lt;br /&gt;&lt;a href="http://themusicparlour.blogspot.com/2010/11/ogan-durjan-leipzig-gewandhaus.html"&gt;Shostakovich Symphony 12. Leipzig - Durjan - FLAC&lt;/a&gt;&lt;br /&gt;&lt;a href="http://themusicparlour.blogspot.com/2009/10/julius-isserlis-plays-scriabin-delta_30.html"&gt;Julius Isserlis plays Scriabin - FLAC&lt;/a&gt;&lt;br /&gt;&lt;a href="http://themusicparlour.blogspot.com/2010/04/thurston-dart-philomusica-water-music-l.html"&gt;Thurston Dart - Water Music  - FLAC&lt;/a&gt;&lt;br /&gt;&lt;i&gt;RE-EDITED FILES: &amp;nbsp;&lt;/i&gt;&lt;a href="http://themusicparlour.blogspot.com/2010/08/gerhard-symphonies-3-4-concerto-for.html"&gt;Gerhard. Symphonies 3 -  4 - Conc for Orch - FLAC&lt;/a&gt; &amp;nbsp; Highly recommended....&lt;br /&gt;&lt;i&gt;RE-EDITED FILES: &amp;nbsp;&lt;/i&gt;&lt;a href="http://themusicparlour.blogspot.com/2011/04/london-harpsichord-ens-bach-musical.html"&gt;Bach. Musical Offering.  London Harpsichord Ens.  - FLAC&lt;/a&gt; &amp;nbsp;Minimal re-editing required...&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;SENDSPACE &amp;nbsp; &lt;a href="http://themusicparlour.blogspot.com/2011/09/elgar-starlight-express-bbc-welsh.html"&gt;Elgar. Starlight Express - BBC - FLAC&lt;/a&gt;&lt;br /&gt;SENDSPACE &amp;nbsp; &lt;a href="http://themusicparlour.blogspot.com/2010/12/maxim-vengerov-recital-barbican-hall.html"&gt;Maxim Vengerov -Barbican recital - FLAC&lt;/a&gt;&lt;br /&gt;SENDSPACE &amp;nbsp; &lt;a href="http://themusicparlour.blogspot.com/2010/04/leonard-slatkin-bbc-so-alan-bush-piano.html"&gt;Alan Bush. Piano Concerto - BBC - FLAC&lt;/a&gt;&lt;br /&gt;SENDSPACE &amp;nbsp; &lt;a href="http://operaparlour.blogspot.com/2011/09/john-harle-angel-magick-fretwork.html"&gt;Harle. Angel Magick - FLAC&lt;/a&gt; &amp;nbsp; &amp;nbsp; OPERA&lt;br /&gt;SENDSPACE &amp;nbsp; &lt;a href="http://operaparlour.blogspot.com/2011/09/harrison-birtwistle-last-supper.html"&gt;Birtwistle. The Last Supper - BBC - FLAC&lt;/a&gt; &amp;nbsp; &amp;nbsp;OPERA&lt;b&gt;&lt;span style="font-size: small;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-1156318669968840677?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/1156318669968840677/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2012/01/all-megaupload-files-are-now.html#comment-form' title='18 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/1156318669968840677'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/1156318669968840677'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2012/01/all-megaupload-files-are-now.html' title='MEGAUPLOAD FIASCO: All files now re-instated to PRISTINE CLASSICS -&amp;- HISTORICAL....Cumulative listing of THIS blogs re-uploaded files'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-jsbwU49ej94/Tx7n8FtZahI/AAAAAAAAB2Y/5czgF3Wyzgg/s72-c/FBI.jpg' height='72' width='72'/><thr:total>18</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-3739008867673206178</id><published>2012-01-26T11:00:00.008Z</published><updated>2012-01-25T17:09:45.745Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Mitropoulos -Dimitri'/><category scheme='http://www.blogger.com/atom/ns#' term='STRAVINSKY'/><category scheme='http://www.blogger.com/atom/ns#' term='New York PO'/><category scheme='http://www.blogger.com/atom/ns#' term='PROKOFIEV'/><title type='text'>Dimitri Mitropoulos / New York PO - Petrushka -&amp;- Romeo &amp; Juliet - CBS 1951/1957</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_kROXkz4fwrw/TQSq4VH3v1I/AAAAAAAAA2o/DyomGKyzqYo/s1600/Mitropoulos+-+Petrushka.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://2.bp.blogspot.com/_kROXkz4fwrw/TQSq4VH3v1I/AAAAAAAAA2o/DyomGKyzqYo/s200/Mitropoulos+-+Petrushka.jpg" width="196" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Igor Stravinsky:&amp;nbsp;&amp;nbsp; &lt;/b&gt;&lt;b&gt;"Petrushka" &lt;/b&gt;- Ballet - 1911 version.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;First Tableau:&lt;/b&gt; &amp;nbsp;The Shrove-Tide Fair &amp;nbsp;~ &amp;nbsp;Danse Russe&lt;br /&gt;&lt;b&gt;Second Tableau&lt;/b&gt;: &amp;nbsp;Petrushka's Room&lt;br /&gt;&lt;b&gt;Third Tableau:&lt;/b&gt; &amp;nbsp;The Moor's Room&lt;br /&gt;&lt;b&gt;Fourth Tableau: &lt;/b&gt;&amp;nbsp;The Shrove-Tide Fair (towards evening) ~ Grand Carnival&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.mediafire.com/?3h9t7j7bgx3uo9r"&gt;http://www.mediafire.com/?3h9t7j7bgx3uo9r&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Philips GBL 6519&lt;/b&gt; (10")&amp;nbsp; &amp;nbsp;1958 Philips UK matrices/pressing: -4/-1.&amp;nbsp; Recorded: Columbia Studios, N.Y. &amp;nbsp;5 March 1951&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;a href="http://4.bp.blogspot.com/_kROXkz4fwrw/TQSq_Z08EVI/AAAAAAAAA2s/yQEMe2mfa9U/s1600/ABL+R%252BJ+-+Mitropoulos.jpg" imageanchor="1" style="clear: right; cssfloat: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/_kROXkz4fwrw/TQSq_Z08EVI/AAAAAAAAA2s/yQEMe2mfa9U/s200/ABL+R%252BJ+-+Mitropoulos.jpg" width="198" /&gt;&lt;/a&gt;&lt;b&gt;Serge Prokofiev:&amp;nbsp; &lt;/b&gt;&lt;b&gt;"Romeo &amp;amp; Juliet", op.64&lt;/b&gt; - Ballet suite (excerpts)&lt;/div&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;b&gt;Suite 2/1&lt;/b&gt;&lt;b&gt;: &lt;/b&gt;&amp;nbsp;The Montagues &amp;amp; Capulets &amp;nbsp;~&amp;nbsp; &lt;b&gt;Suite 2/2: &lt;/b&gt;&amp;nbsp;Juliet: The little girl&amp;nbsp; ~ &amp;nbsp;&lt;b&gt;Suite 1/1&lt;/b&gt;&lt;b&gt;:&lt;/b&gt; Folk dance &amp;nbsp;~ &amp;nbsp;&lt;b&gt;Suite 1/5:&lt;/b&gt; &amp;nbsp;Masks &amp;nbsp;~ &amp;nbsp;&lt;b&gt;Suite 1/6&lt;/b&gt;&lt;b&gt;:&lt;/b&gt;&amp;nbsp; Romeo &amp;amp; Juliet &amp;nbsp;//&lt;br /&gt;&lt;b&gt;Suite 1/7: &lt;/b&gt;The Death of Tybalt&amp;nbsp; ~ &amp;nbsp;&lt;b&gt;Suite 2/5:&lt;/b&gt;&amp;nbsp; Romeo &amp;amp; Juliet before parting &amp;nbsp;~ &lt;b&gt;&amp;nbsp;Suite 2/3:&lt;/b&gt; &amp;nbsp;Friar Lawrence &amp;nbsp;~ &amp;nbsp;&lt;b&gt;Suite 2/7: &lt;/b&gt;&amp;nbsp;Romeo at Juliet's grave&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;a href="http://www.mediafire.com/?hro4s3wwh92leab"&gt;http://www.mediafire.com/?hro4s3wwh92leab&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;b&gt;Philips ABL 3236&lt;/b&gt; (no UK stereo) &amp;nbsp;1959 Philips UK matrices/pressing: -1/-1.&amp;nbsp; Recorded: St.Georges Hotel, N.Y. &amp;nbsp;11 November 1957&lt;/div&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;b&gt;The New York Philharmonic Orchestra&lt;/b&gt; &lt;i&gt;&amp;nbsp;conducted by&lt;/i&gt; &amp;nbsp;&lt;b&gt;Dimitri Mitropoulos&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;December 2010 WAV's further edited January 2012. &amp;nbsp; &lt;/b&gt;&lt;b&gt;mono&lt;/b&gt; &lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC&lt;/span&gt;&lt;/i&gt;&lt;b&gt; files&lt;/b&gt; &lt;b&gt;&amp;nbsp; &amp;nbsp; "EMG Monthly Letter" review of 'Petrushka' &amp;gt;&amp;gt;&amp;gt;&lt;/b&gt; &lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/-FbKSSulLgLA/TyAlrGnv13I/AAAAAAAAB2g/if_dq-72i5k/s200/Shostakovich+10+Mitropoulos+-+ABL.jpg" width="198" /&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;b&gt;The NYPO/Mitropoulos Shostakovich: Symphony 10 should be uploaded to &lt;i&gt;'Pristine Classics' &lt;/i&gt;&amp;nbsp;blog by early next month &amp;nbsp;- possibly also the Violin Concerto no.1&amp;nbsp; (Oistrakh) &amp;nbsp;- from new/original Philips ABL &amp;nbsp;pressings. &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_kROXkz4fwrw/TQiFAhVzv4I/AAAAAAAAA20/VRN_Hyj95Zo/s1600/Petrushka.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="208" src="http://2.bp.blogspot.com/_kROXkz4fwrw/TQiFAhVzv4I/AAAAAAAAA20/VRN_Hyj95Zo/s640/Petrushka.jpg" width="640" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-3739008867673206178?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/3739008867673206178/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/12/dimitri-mitropoulos-new-york-po.html#comment-form' title='25 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/3739008867673206178'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/3739008867673206178'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/12/dimitri-mitropoulos-new-york-po.html' title='Dimitri Mitropoulos / New York PO - Petrushka -&amp;- Romeo &amp; Juliet - CBS 1951/1957'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_kROXkz4fwrw/TQSq4VH3v1I/AAAAAAAAA2o/DyomGKyzqYo/s72-c/Mitropoulos+-+Petrushka.jpg' height='72' width='72'/><thr:total>25</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-3954415433121944939</id><published>2012-01-25T23:17:00.010Z</published><updated>2012-01-25T11:20:21.171Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Minneapolis SO'/><category scheme='http://www.blogger.com/atom/ns#' term='Dorati -Antal'/><category scheme='http://www.blogger.com/atom/ns#' term='RIMSKY-KORSAKOV'/><title type='text'>Antal Dorati / Minneapolis - Rimsky-Korsakov. Scheherazade - Mercury 1952</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_kROXkz4fwrw/TBf7UU1rOSI/AAAAAAAAAhc/WOD8_pHgN18/s1600/dorati+-+scheherazade.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://2.bp.blogspot.com/_kROXkz4fwrw/TBf7UU1rOSI/AAAAAAAAAhc/WOD8_pHgN18/s200/dorati+-+scheherazade.jpg" width="199" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Nicolai Rimsky-Korsakov: &amp;nbsp;"Scheherazade", &amp;nbsp;&lt;/b&gt;Symphonic suite, op.35&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;I:&lt;/b&gt; The Sea &amp;amp; Sinbad's Ship &amp;nbsp;~ &amp;nbsp;&lt;b&gt;II&lt;/b&gt;: The Tale of the Kalandar Prince&lt;br /&gt;&lt;br /&gt;&lt;b&gt;III&lt;/b&gt;: &amp;nbsp;The Young Prince &amp;amp; the Young Princess &amp;nbsp;~ &amp;nbsp;&lt;b&gt;IV&lt;/b&gt;: &amp;nbsp;Festival of Baghdad. &amp;nbsp;The Sea. &amp;nbsp;The Ship goes to pieces on a Rock surmounted by a Bronze Warrior. &amp;nbsp;Conclusion. &amp;nbsp; &lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC&lt;/span&gt;&lt;/i&gt; &lt;b&gt;file&lt;/b&gt;: &amp;nbsp; &lt;a href="http://www.mediafire.com/?iid9g9xgiuyyid5"&gt;http://www.mediafire.com/?iid9g9xgiuyyid5&lt;/a&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; (The WAV file @ 204MB is slightly over MediaFire's limit)&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Rafael Druian&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;, violin&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt; &amp;nbsp;&lt;/b&gt;- &lt;b&gt;Minneapolis Symphony Orchestra &amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;conducted by&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;&amp;nbsp; Antal Dorati &amp;nbsp; &lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;b&gt;EMI / Mercury &amp;nbsp;MMA 11022 &amp;nbsp; &lt;/b&gt;1959 re-issue&amp;nbsp; (John Johnson &amp;nbsp;transfers). &amp;nbsp;Recorded: 27-29 April 1952 - Northrop Auditorium, Minneapolis.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;WAV's &lt;i&gt;extensively&lt;/i&gt; re-edited January 2012&lt;/b&gt; &amp;nbsp;(so should now be 'flawless') &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;b&gt;Sleeve-note&lt;/b&gt;&lt;i&gt; &amp;gt;&amp;gt;&amp;gt; &amp;nbsp;&lt;/i&gt;(Audacity screen-shots: 18 Oct. 2010)&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_kROXkz4fwrw/TLy1QvubA5I/AAAAAAAAAu4/I6LAAGzlaqg/s1600/R-K+Dorati+-+full+length.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="147" src="http://4.bp.blogspot.com/_kROXkz4fwrw/TLy1QvubA5I/AAAAAAAAAu4/I6LAAGzlaqg/s320/R-K+Dorati+-+full+length.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_kROXkz4fwrw/TLy1WiSMXrI/AAAAAAAAAu8/H7r6Jm-IE3M/s1600/R-K+Dorati+-+one+of+4+instances+of+clipping+-+by+one+sample.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="206" src="http://2.bp.blogspot.com/_kROXkz4fwrw/TLy1WiSMXrI/AAAAAAAAAu8/H7r6Jm-IE3M/s320/R-K+Dorati+-+one+of+4+instances+of+clipping+-+by+one+sample.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_kROXkz4fwrw/TLzgAY25qJI/AAAAAAAAAvA/eohC6UZ0D5I/s1600/R-K+Dorati.+Originating+WAV+files+-+combined+as+one+file.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="149" src="http://2.bp.blogspot.com/_kROXkz4fwrw/TLzgAY25qJI/AAAAAAAAAvA/eohC6UZ0D5I/s320/R-K+Dorati.+Originating+WAV+files+-+combined+as+one+file.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;Of Rimsky-Korsakov's fifteen major orchestral works, the three most celebrated were put to-paper within the space of a single year -the Capriccio Espagnol in 1887, and in 1888 Scheherazade and the Russian Easter Overture. Had he written only these three masterpieces, Rimsky-Korsakov would still he renowned as the greatest tone colorist of his day. Here are none of the dark hues favored by the romantic German masters; instead we have an orchestral palette of incredible brightness and transparency -derived from Berlioz, Liszt and Glinka and enriched by the distinctive harmonic textures of Russian and Oriental folksong idiom. In a matter of a few years, the rising young French composers were to discover the intoxicating tonal delights of Rimsky-Korsakov and his other Russian colleagues, and this influence was to play a decisive role in the development of French music during the early 20th century.&lt;br /&gt;&lt;br /&gt;Scheherazade is, of course, the name of the lovely narrator of the fabulous collection of The Thousand Nights and One Nights -the Arabian Nights tales by which the vengeful Sultan Shakriar was distracted from his avowed purpose of putting to death each one of his wives after the first night. After one thousand and one nights of absorbing tales from the lips of the steadfast and courageous Scheherazade, we are told that she and the Sultan lived on together in great happiness until "there took them the Destroyer of Delights and the Severer of Societies, the Desolator of dwelling places and Carnerer of graveyards, and they were translated into the truth of Almighty Allah."&lt;br /&gt;&lt;br /&gt;The four sections of Rimsky-Korsakov's symphonic suite consist in essence of poetic evocation rather than direct musical narrative, the titles of which provide ample springboard for the listener's imagination:&lt;br /&gt;&lt;br /&gt;1. The Sea and Sinbad's Ship&lt;br /&gt;&lt;br /&gt;11. The Tale of the Prince Kalandar&lt;br /&gt;&lt;br /&gt;111. The Young Prince and the Young Princess&lt;br /&gt;&lt;br /&gt;IV. Festival at Baghdad. The Sea. The Ship Goes to Pieces Against a Rock Surmounted by a Bronze Warrior. Conclusion.&lt;br /&gt;&lt;br /&gt;The musical unity of the work as a whole is maintained by the recurrence and transformation of certain basic themes: The menacing proclamation of the very opening (said to represent the stern figure of the Sultan) provides the basis for the Sea music in the beginning and the end, and also plays an important part in the Festival at Bagdad episode. Each movement features also in its opening pages the celebrated solo violin passages evocative of Scheherazade in her role as narrator. That she has succeeded at long last in appeasing the Sultan is quite evident in the final measures of the score as we hear the once menacing regal theme transformed into one of tenderness and strength entwined by the ascending figuration of the solo violin.&lt;br /&gt;&lt;br /&gt;ABOUT ANTAL DORATI AND THE MINNEAPOLIS SYMPHONY ORCHESTRA&lt;br /&gt;&lt;br /&gt;Ever since the meteoric rise of Eugene Ormandy to the coveted post of Musical Director of the Philadelphia Orchestra and the assumption by Dimitri Mitropoulos of the conductorship of the New York Philharmonic-Symphony Orchestra, the post of conductor of the Minneapolis Symphony Orchestra has come to be regarded as a major stepping stone to worldwide acclaim and recognition in the conductorial realm.&lt;br /&gt;&lt;br /&gt;Antal Dorati, since he took over the direction of the Minneapolis Symphony Orchestra in 1949, seems to be running true-to-form in this respect; for his leadership of the major orchestras of Europe has been hailed as "musical interpretation of Ithe highest order."&lt;br /&gt;&lt;br /&gt;Despite the fact that he is still in his early 40's, Antal Dorati has behind him 25 years of baton experience, dating to the time when as an 18-year-old he was directing opera in his home city of Budapest, Hungary. Indeed, Dorati was the youngest musician to receive a degree from the Academy of Music there, where he numbered among his teachers the celebrated composers, Bela Bartok and Zoltan Kodaly. His early years as a conductor encompassed work with Fritz Busch at the Dresden Opera, as well as experience on his own at Munster. In 1933 began an association with ballet, when he joined the Monte Carlo Ballet Russe. He continued to work with this and other ballet companies until 1945, when he was invited to be conductor of the Dallas Symphony Orchestra. It was Dorati's "ballet period" which gave birth to most of his delightful orchestral arrangements from the music of Johann Strauss (Graduation Ball) and Jacques Offenbach (Bluebeard, Helen of Troy). While at Dallas, Dorati also made a widely performed concert suite from Richard Strauss's Der Rosenkavalier.&lt;br /&gt;&lt;br /&gt;Although Antal Dorati had become known far and wide throughout this country through his many brilliant guest appearances, it was. his magnificent achievement at Dallas, where he reorganized and trained that city's orchestra to he one of the nation's finest, which led to the invitation to come to Minneapolis following the departure of Dimitri Mitropoulos for New York. In Minneapolis, Dorati is repeating on a broader scale the accomplishments of his Dallas days, bringing the Minneapolis Symphony to the highest peak of technical and musical perfection it has yet known in its nearly 50 years of existence.&lt;br /&gt;&lt;br /&gt;Among the major orchestras of America, the Minneapolis Symphony Orchestra has had a particularly distinctive "personality"- in the sense that its style of performance and texture of sonority can be mistaken for no other. It is the zest of its rhythmic drive and the vital warmth of its lyrical playing which constitute the major factors in the collective personality of the Minneapolis ensemble. From the days of its founder-conductor, Emil Oberhoffer, through the period of leadership by Henry Verbrugghen, to the brilliant era of Ormandy, Mitropoulos and Antal Dorati, this "personality" of the Minneapolis Symphony Orchestra has been maturing, deepening and gaining added refinement and subtlety. It is this last pair of qualities that have been the special contribution of Antal Dorati, who as a conductor has a part`cular flair for eliciting from his players wonderful blendings of instrumental color and delicate dynamic gradations.&lt;br /&gt;&lt;br /&gt;With this and the other recordings done by the Minneapolis Symphony Orchestra for the Olympian Series, Mercury Classics seeks to bring to the listening public a true representation of the Minneapolis Symphony Orchestra both as a performing organization and as a warndy vital "collective personality."&lt;br /&gt;&lt;br /&gt;HIFI FACTS&lt;br /&gt;&lt;br /&gt;This recording was made in Northrop Memorial Auditorium on the campus of the University of Minnesota, home of the Minneapolis Symphony. As with all LIVING PRESENCE recordings, a single microphone was hung in optimum position and maintained there during the course of this recording, thus assuring actual control by Mr. Dorati at all times of the orchestral balance. Likewise, the Minneapolis Orchestra was arranged in normal concert position throughout the recording sessions.&lt;br /&gt;&lt;br /&gt;Fairchild tape machines were used both for the original master tape recording and for the transfer from tape to disc. Cutting of the master discs was done with a Miller cutter mounted on a variable pitch Scully recording lathe - thus guaranteeing preservation on the finished record the full dynamic and frequency range captured on the original master tapes.&lt;br /&gt;&lt;br /&gt;This Mercury LIVING PRESENCE recording was made possible through the use of MARGIN CONTROL, a technique whereby it has become possible for Mercury to produce for the record-buying public a disc of truly superior quality, especially with respect to brilliance, clarity, dynamic range and reliable stylus tracking.&lt;br /&gt;&lt;br /&gt;A cardinal principal of Mercury's "Living Presence" recording technique is the use of an unusually wide dynamic range, which matches exactly the range from ppp to fff of the original musical performance; for at no lime during the recording sessions do the Mercury engineers tamper with the dynamic range of the music as recorded.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-3954415433121944939?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/3954415433121944939/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/06/antal-dorati-minneapolis-rimsky_15.html#comment-form' title='12 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/3954415433121944939'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/3954415433121944939'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/06/antal-dorati-minneapolis-rimsky_15.html' title='Antal Dorati / Minneapolis - Rimsky-Korsakov. Scheherazade - Mercury 1952'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_kROXkz4fwrw/TBf7UU1rOSI/AAAAAAAAAhc/WOD8_pHgN18/s72-c/dorati+-+scheherazade.jpg' height='72' width='72'/><thr:total>12</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-2384426498960777246</id><published>2012-01-23T21:36:00.006Z</published><updated>2012-01-26T00:29:55.114Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Weathers -Felicia'/><category scheme='http://www.blogger.com/atom/ns#' term='KODALY'/><title type='text'>Felicia Weathers - Kodaly Songs / Spirituals - Decca 1966</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_kROXkz4fwrw/TEin1ZlWtlI/AAAAAAAAAkA/fj8VpF-nxGM/s1600/Felicia+Weathers+-+SXL+6245.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="192" src="http://2.bp.blogspot.com/_kROXkz4fwrw/TEin1ZlWtlI/AAAAAAAAAkA/fj8VpF-nxGM/s200/Felicia+Weathers+-+SXL+6245.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Eight Spirituals: &amp;nbsp; &lt;/b&gt;Mr. Banjo&amp;nbsp; ~&amp;nbsp; Ain't got time to die&amp;nbsp; ~ &amp;nbsp;Go 'way from my window (**) &amp;nbsp;~&amp;nbsp; City called heaven &amp;nbsp;~&amp;nbsp; My good Lord done been here &amp;nbsp;~ &amp;nbsp;Jesus lay your head in de winder &amp;nbsp;~ &amp;nbsp;Hush l'il baby (**) &amp;nbsp;~ &amp;nbsp;Chere mo lemme toi.&lt;br /&gt;&amp;nbsp;&lt;a href="http://www.mediafire.com/?muififdmh9rt1ij"&gt;http://www.mediafire.com/?muififdmh9rt1ij&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Zoltan Kodaly: &amp;nbsp;Eight Folk Songs: &amp;nbsp; &lt;/b&gt;Torik mar a reteket &amp;nbsp;~&amp;nbsp; Kocsi szeker&amp;nbsp; ~ &amp;nbsp;A csitari hegyek alatt ~ Ifjusag mint solyommadar ~ &amp;nbsp;Viragos kenderem &amp;nbsp;~&amp;nbsp; Magas kosziklanak&amp;nbsp; ~&amp;nbsp; Akkor szep az erdo &amp;nbsp;~&amp;nbsp; Este rocsam ne jojj hozzam&lt;br /&gt;&lt;a href="http://www.mediafire.com/?zg9gi0s8x3qvv6k"&gt;http://www.mediafire.com/?zg9gi0s8x3qvv6k&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Felicia Weathers&lt;/b&gt;&amp;nbsp; (Soprano) &lt;i&gt;&amp;nbsp;accompanied by&lt;/i&gt; &amp;nbsp;&lt;b&gt;Georg Fischer&lt;/b&gt; &amp;nbsp;(piano)&amp;nbsp; / ** &lt;b&gt;Karl Scheidt &amp;nbsp;&lt;/b&gt;(guitar) &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;D&lt;/b&gt;&lt;b&gt;ecca SXL 6245&lt;/b&gt; &amp;nbsp; &amp;nbsp;Matrices: ZAL 7253 -2G / ZAL 7254 -3G &amp;nbsp;  (1967 pressing) &amp;nbsp; Recorded: 7-10 March 1966, Sofiensaal, Vienna. &amp;nbsp;&lt;b&gt; &amp;nbsp; &lt;/b&gt;&lt;br /&gt;The Kodaly never on CD. Other side was in a 1998 CD (Belart). &lt;b&gt;&amp;nbsp; Edited WAV's re-edited Jan 2012 &amp;nbsp; &amp;nbsp; STEREO &lt;/b&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC&lt;/span&gt;&lt;/i&gt;&lt;b&gt; files &amp;nbsp; &amp;nbsp; Sleeve-note &amp;gt;&amp;gt;&amp;gt; &amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: &lt;/span&gt;&lt;span style="font-size: x-small;"&gt;This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied. &amp;nbsp;&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;By downloading the file/s you agree to accept these conditions.&lt;/span&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_kROXkz4fwrw/TEioDienQeI/AAAAAAAAAkI/v6EZup5Rub4/s1600/SXL+6245+sleevenote.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="313" src="http://4.bp.blogspot.com/_kROXkz4fwrw/TEioDienQeI/AAAAAAAAAkI/v6EZup5Rub4/s320/SXL+6245+sleevenote.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-2384426498960777246?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/2384426498960777246/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/07/felicia-weathers-kodaly-songs.html#comment-form' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/2384426498960777246'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/2384426498960777246'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/07/felicia-weathers-kodaly-songs.html' title='Felicia Weathers - Kodaly Songs / Spirituals - Decca 1966'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_kROXkz4fwrw/TEin1ZlWtlI/AAAAAAAAAkA/fj8VpF-nxGM/s72-c/Felicia+Weathers+-+SXL+6245.jpg' height='72' width='72'/><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-2487229135522780928</id><published>2012-01-02T22:11:00.004Z</published><updated>2012-01-07T17:54:36.720Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='New SO'/><category scheme='http://www.blogger.com/atom/ns#' term='DVORAK'/><category scheme='http://www.blogger.com/atom/ns#' term='Jorda -Enrique'/><title type='text'>Enrique Jorda / New SO - Dvorak. Symphony 9 - Decca 1951 - over on PRISTINE CLASSICS</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-vHaXaIMMZ9I/TwIrZQzCKUI/AAAAAAAABzs/ASfZC5yDNN8/s1600/Jorda+-+Dvorak.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/-vHaXaIMMZ9I/TwIrZQzCKUI/AAAAAAAABzs/ASfZC5yDNN8/s200/Jorda+-+Dvorak.jpg" width="198" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Antonin Dvorak: &amp;nbsp;Symphony no.9 in E minor, op.95&lt;/b&gt; &amp;nbsp; ('From the New World')&lt;br /&gt;&lt;br /&gt;&lt;b&gt;I&lt;/b&gt;: &lt;i&gt;Adagio - Allegro molto&lt;/i&gt; &amp;nbsp;~&amp;nbsp; &lt;b&gt;II&lt;/b&gt;: &lt;i&gt;Largo&lt;/i&gt;&lt;br /&gt;&lt;b&gt;III:&lt;/b&gt; Scherzo &lt;i&gt;&amp;nbsp;(Molto vivace)&lt;/i&gt;&amp;nbsp; ~ &lt;b&gt;&amp;nbsp;IV&lt;/b&gt;: &lt;i&gt;Allegro con fuoco&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;The New Symphony Orchestra of London &amp;nbsp;&lt;/b&gt;&lt;i&gt;conducted by&lt;/i&gt; &amp;nbsp;&lt;b&gt;Enrique Jorda&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Decca &amp;nbsp;ACL 18&lt;/b&gt; (originally LXT 2608) &amp;nbsp;1959 LP. &amp;nbsp;Recorded: 2 July 1951 - Kingsway Hall   &amp;nbsp; &amp;nbsp; &lt;b&gt;&amp;nbsp; &amp;nbsp; Not on CD &amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC/WAV&lt;/span&gt;&lt;/i&gt; &lt;b&gt;files&lt;/b&gt; @ &amp;nbsp;&lt;a href="http://pristineclassics.blogspot.com/"&gt;http://pristineclassics.blogspot.com&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-2487229135522780928?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/2487229135522780928'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/2487229135522780928'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2012/01/enrique-jorda-new-so-dvorak-symphony-9.html' title='Enrique Jorda / New SO - Dvorak. Symphony 9 - Decca 1951 - over on PRISTINE CLASSICS'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-vHaXaIMMZ9I/TwIrZQzCKUI/AAAAAAAABzs/ASfZC5yDNN8/s72-c/Jorda+-+Dvorak.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-4407627439839441120</id><published>2011-12-16T11:56:00.019Z</published><updated>2011-12-29T01:05:57.708Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Vienna PO'/><category scheme='http://www.blogger.com/atom/ns#' term='STRAUSS - Johann'/><category scheme='http://www.blogger.com/atom/ns#' term='Karajan -Herbert von'/><category scheme='http://www.blogger.com/atom/ns#' term='STRAUSS -Josef'/><title type='text'>Herbert von Karajan / Vienna Philharmonic - Johann Strauss. Die Fledermaus: Gala Sequence - Decca 1960 / Overtures, Waltzes, Polkas - Decca/RCA 1959 - over on PRISTINE CLASSICS</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-b3sqx5lThbw/Tusxjc4AROI/AAAAAAAABs0/cuodCIugepc/s1600/Fledermaus+-+Karajan.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="162" src="http://1.bp.blogspot.com/-b3sqx5lThbw/Tusxjc4AROI/AAAAAAAABs0/cuodCIugepc/s200/Fledermaus+-+Karajan.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Johann Strauss II: &amp;nbsp;"Die Fledermaus" - Overture &amp;nbsp; /&amp;nbsp; Ballet music&lt;/b&gt; (with Vienna State Opera Chorus)&lt;br /&gt;&lt;b&gt;Gala Sequence - Part One&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Renata Tebaldi &lt;/b&gt;&amp;nbsp;(Villa-Lied - Lehar:"Merry Widow") &amp;nbsp;~&amp;nbsp; &lt;b&gt;Fernando Corena&lt;/b&gt; &amp;nbsp;('Domino' - Ferari) &amp;nbsp;~ &amp;nbsp;&lt;b&gt;Birgit Nilsson&lt;/b&gt; &amp;nbsp;(I could have danced all night - Lerner/Loewe:"My Fair Lady") &amp;nbsp;~ &amp;nbsp;&lt;b&gt;Mario del Monaco&lt;/b&gt;&amp;nbsp; ('Passione' -Valente)&amp;nbsp; ~ &amp;nbsp;&lt;b&gt;Teresa Berganza&lt;/b&gt; &amp;nbsp;('Lullaby' - Lavilla)&amp;nbsp; ~ &amp;nbsp;&lt;b&gt;Joan Sutherland &lt;/b&gt;&amp;nbsp;('Il Bacio' - Arditi)&lt;br /&gt;&lt;b&gt;Gala Sequence - Part Two &lt;/b&gt;&lt;br /&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;b&gt;Jussi Bjorling &amp;nbsp;&lt;/b&gt;(Dein ist meinganzes Herz - Lehar:"The Land of Smiles")&amp;nbsp; ~&amp;nbsp; &lt;b&gt;Leontyne Price&lt;/b&gt;&amp;nbsp; (Summertime - Gershwin:"Porgy &amp;amp; Bess")&amp;nbsp; ~ &amp;nbsp;&lt;b&gt;Giulietta Simionato&lt;/b&gt; &amp;nbsp;&lt;i&gt;&amp;amp;&lt;/i&gt; &amp;nbsp;&lt;b&gt;Ettore Bastianini&lt;/b&gt; &amp;nbsp;(Anything you can do.. - Berlin:"Annie get your gun")&amp;nbsp; ~ &amp;nbsp;&lt;b&gt;Ljuba Welitsch &lt;/b&gt;&amp;nbsp;('Wien, Wien nur du allein' - Sieczynski)&lt;/div&gt;&lt;br /&gt;&lt;b&gt;Decca &amp;nbsp;SET 201-203&lt;/b&gt;&amp;nbsp; &amp;nbsp;New! 1960 LP's.&amp;nbsp; Recorded: June/July 1960 - Sofiensaal, Vienna, also Rome &amp;amp; London&lt;br /&gt;&lt;br /&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;a href="http://4.bp.blogspot.com/-xWsp_9qLU4o/TusxqfpCGcI/AAAAAAAABs8/loeGwEF7dF0/s1600/J+Strauss+VPO+Karajan+SDD+259.jpg" imageanchor="1" style="clear: right; cssfloat: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/-xWsp_9qLU4o/TusxqfpCGcI/AAAAAAAABs8/loeGwEF7dF0/s200/J+Strauss+VPO+Karajan+SDD+259.jpg" width="198" /&gt;&lt;/a&gt;&lt;b&gt;Johann Strauss II: "Die Fledermaus" - overture&lt;br /&gt;Johann Strauss II: Annen Polka &lt;/b&gt;&lt;i&gt;&amp;nbsp;&amp;amp;&lt;/i&gt;&lt;b&gt; &amp;nbsp;Auf der Jagd&lt;br /&gt;Josef Strauss: Delirien waltz&lt;br /&gt;Johann Strauss II: "Gipsy Baron" - overture&lt;br /&gt;Johann Strauss II: Tales from the Vienna Woods&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;br /&gt;Decca SDD 259&lt;/b&gt; (RCA SB 2091)&amp;nbsp;&amp;nbsp; New! 1971 LP.&amp;nbsp; Recorded: 7/8 April 1959 - Sofiensaal, Vienna &lt;/div&gt;&lt;br /&gt;&lt;b&gt;Vienna State Opera Chorus ~ Vienna Philharmonic Orchestra &lt;/b&gt;&lt;i&gt;&amp;nbsp;conducted by&lt;/i&gt; &amp;nbsp;&lt;b&gt;Herbert von Karajan&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;The LP mastering of the Gala Sequence &lt;/i&gt;&lt;i&gt;(as with the SDD) &lt;/i&gt;&lt;i&gt;is at a much lower-level than the orchestral recordings: that difference is retained here. &lt;/i&gt;&lt;br /&gt;&lt;b&gt;Also: the L/R channels are reversed due to a re-wiring 'glitch'...&amp;amp; which nobody mentioned whilst there was the 'opportunity'...Ha Ha..&lt;/b&gt;&lt;br /&gt;&lt;b&gt;STEREO&lt;/b&gt; &lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC/WAV&lt;/span&gt;&lt;/i&gt; &lt;b&gt;files&lt;/b&gt; @ &lt;a href="http://pristineclassics.blogspot.com/"&gt;&amp;nbsp;http://pristineclassics.blogspot.com&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-4407627439839441120?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/4407627439839441120'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/4407627439839441120'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/12/herbert-von-karajan-vienna-philharmonic.html' title='Herbert von Karajan / Vienna Philharmonic - Johann Strauss. Die Fledermaus: Gala Sequence - Decca 1960 / Overtures, Waltzes, Polkas - Decca/RCA 1959 - over on PRISTINE CLASSICS'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-b3sqx5lThbw/Tusxjc4AROI/AAAAAAAABs0/cuodCIugepc/s72-c/Fledermaus+-+Karajan.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-4801570999438016064</id><published>2011-12-11T19:05:00.038Z</published><updated>2012-01-23T12:01:38.036Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Hatto -Joyce'/><category scheme='http://www.blogger.com/atom/ns#' term='BAX'/><title type='text'>Joyce Hatto plays... Arnold Bax. Piano Sonatas 1 &amp; 4, Toccata, Water Music - Revolution 1971</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-yzCfvl-4Vuc/TuT-rS5iZFI/AAAAAAAABsM/hNILjc-RE5Y/s1600/Joyce+Hatto+-+Bax+Sonatas.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="198" src="http://4.bp.blogspot.com/-yzCfvl-4Vuc/TuT-rS5iZFI/AAAAAAAABsM/hNILjc-RE5Y/s200/Joyce+Hatto+-+Bax+Sonatas.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Sir Arnold Bax: &amp;nbsp;&lt;/b&gt;&lt;b&gt;Sonata no.1 in F sharp minor&lt;/b&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC:&lt;/span&gt;&lt;/i&gt; &lt;a href="http://www.mediafire.com/?srb2vrfy87hdfhl"&gt;http://www.mediafire.com/?srb2vrfy87hdfhl&lt;/a&gt;&amp;nbsp;    &amp;nbsp; &lt;i&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; WAV: &lt;/span&gt;&lt;/i&gt;http://www.megaupload.com/?d=ZP03218C&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;"Water Music"&lt;/b&gt;&amp;nbsp; &amp;nbsp;&lt;i&gt;&lt;span style="font-size: large;"&gt; &amp;nbsp; &amp;nbsp; F&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;LAC:&lt;/span&gt;&lt;/i&gt; http://www.megaupload.com/?d=RT4GSH5G&amp;nbsp;    &amp;nbsp; &amp;nbsp;&lt;i&gt;&lt;span style="font-size: large;"&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; WAV: &lt;/span&gt;&lt;/i&gt;&lt;a href="http://www.mediafire.com/?k10cc366tj8ccah"&gt;http://www.mediafire.com/?k10cc366tj8ccah&lt;/a&gt;&lt;b&gt; &lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Sonata no.4 in G major&lt;/b&gt;&amp;nbsp; &amp;nbsp;&lt;i&gt;(Allegro giusto ~ Allegretto quasi andante ~ Allegro)&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC:&lt;/span&gt;&lt;/i&gt; &lt;a href="http://www.mediafire.com/?co3dyi3omgkg5z5"&gt;http://www.mediafire.com/?co3dyi3omgkg5z5&lt;/a&gt;&amp;nbsp;  &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &lt;i&gt;&lt;span style="font-size: large;"&gt;WAV: &lt;/span&gt;&lt;/i&gt;http://www.megaupload.com/?d=IIEKO0XS&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;"Toccata"&lt;/b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;i&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; FLAC: &lt;/span&gt;&lt;/i&gt;http://www.megaupload.com/?d=S7QE9DDE&amp;nbsp;   &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;i&gt;&lt;span style="font-size: large;"&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp;WAV: &lt;/span&gt;&lt;/i&gt;&lt;a href="http://www.mediafire.com/?3bvhss0v04unpk5"&gt;http://www.mediafire.com/?3bvhss0v04unpk5&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Joyce Hatto&lt;/b&gt;, &lt;i&gt;piano &amp;nbsp; &lt;/i&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;Revolution &amp;nbsp;RCF.010&lt;/b&gt;&amp;nbsp; &amp;nbsp; Recorded: c.1969.  &amp;nbsp; New! RCA UK pressing/matrices: 1E / 1E &amp;nbsp;&lt;b&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;STEREO files&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Whilst this LP has very fine piano sound the matrices appear to have been contaminated - causing numerous loud 'ticks/clicks', etc.&lt;/i&gt;&lt;br /&gt;&lt;i&gt;These are now 'mostly' removed and reveal performances as being far better than when heard through a barrage of distracting surface defects.&lt;/i&gt;&lt;br /&gt;Additionally (&amp;amp; apparently no longer online) is &amp;nbsp; &lt;b&gt;Radio New Zealand's&lt;/b&gt; &lt;a href="http://www.mediafire.com/?gdf82hgns21aod6"&gt;http://www.mediafire.com/?gdf82hgns21aod6&lt;/a&gt; &amp;nbsp; 28 May 2006 &lt;b&gt;Murray Khouri&lt;/b&gt; programme -  with &lt;b&gt;Joyce Hatto&lt;/b&gt; speaking by telephone on 7 April 2006. &lt;br /&gt;These 'Revolution' master-tapes are apparently now 'lost'. &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;  'All Rights Reserved for the Sound Restoration'  &amp;nbsp;&lt;b&gt; &amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Sleeve-note&amp;nbsp;&lt;/b&gt; &amp;gt;&amp;gt;&amp;gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE : This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied. By downloading the file/s you agree to accept these conditions.&lt;/span&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-0wxf6U0SSHI/TuT-y_KTVKI/AAAAAAAABsU/yuQOb7VyxwE/s1600/Joyce+Hatto+-+Bax+Sonatas+-+sleevenote.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="309" src="http://1.bp.blogspot.com/-0wxf6U0SSHI/TuT-y_KTVKI/AAAAAAAABsU/yuQOb7VyxwE/s320/Joyce+Hatto+-+Bax+Sonatas+-+sleevenote.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-4801570999438016064?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/4801570999438016064/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2011/12/joyca-hatto-plays-bax-piano-sonatas-1-4.html#comment-form' title='12 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/4801570999438016064'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/4801570999438016064'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/12/joyca-hatto-plays-bax-piano-sonatas-1-4.html' title='Joyce Hatto plays... Arnold Bax. Piano Sonatas 1 &amp; 4, Toccata, Water Music - Revolution 1971'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-yzCfvl-4Vuc/TuT-rS5iZFI/AAAAAAAABsM/hNILjc-RE5Y/s72-c/Joyce+Hatto+-+Bax+Sonatas.jpg' height='72' width='72'/><thr:total>12</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-9012607165596269917</id><published>2011-12-04T18:55:00.021Z</published><updated>2011-12-16T15:47:54.285Z</updated><title type='text'>Gianandrea Noseda / BBC Philharmonic - Rachmaninov. The Covetous Knight - BBC 2008 - over on OPERA PARLOUR</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-li95mgDdLz8/TtvB_HiLINI/AAAAAAAABqs/EhJPx4H1xkA/s1600/The+Covetous+Knight+-+Stanislavski+1888.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/-li95mgDdLz8/TtvB_HiLINI/AAAAAAAABqs/EhJPx4H1xkA/s200/The+Covetous+Knight+-+Stanislavski+1888.jpg" width="140" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Sergei Rachmaninov:&amp;nbsp; "The Miserly Knight"&lt;/b&gt; - An opera in One Act, 3 scenes.&amp;nbsp; (1905)&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Baron &lt;/b&gt;......................... &lt;b&gt;Maxim Mikhailov&lt;/b&gt;&amp;nbsp;&lt;i&gt; (Bass)&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Albert&lt;/b&gt; ........................ &lt;b&gt;Misha Didyk&lt;/b&gt;&amp;nbsp; (&lt;i&gt;Tenor)&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Duke&lt;/b&gt; .......................... &lt;b&gt;Sergey Murzaev&lt;/b&gt;&amp;nbsp; &lt;i&gt;(Baritone)&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Moneylender&lt;/b&gt; ................ &lt;b&gt;Peter Bronder&lt;/b&gt;&amp;nbsp; &lt;i&gt;(Baritone)&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Servant &lt;/b&gt;...................... &lt;b&gt;Gennadi Bezzubenkov&lt;/b&gt;&amp;nbsp; &lt;i&gt;(Bass)&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;BBC Philharmonic Orchestra&lt;/b&gt;&amp;nbsp; &lt;i&gt;conducted by&lt;/i&gt;&amp;nbsp; &lt;b&gt;Gianandrea Noseda&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;BBC Radio 3FM&lt;/b&gt; - Live from Bridgewater Hall, Manchester - 21 November 2008. &lt;br /&gt;&lt;br /&gt;A slightly different cast compared to the &amp;nbsp; &lt;a href="http://www.chandos.net/details06.asp?CNumber=CHAN%2010544"&gt;&lt;b&gt;CHANDOS &lt;/b&gt;&lt;/a&gt;&amp;nbsp; recording.&amp;nbsp; This is an outstanding performance of a marvellous composition.&lt;br /&gt;&lt;b&gt;The CHANDOS link has a downloadable booklet. &amp;nbsp; &amp;nbsp; &lt;/b&gt;&lt;b&gt;&amp;nbsp; STEREO &lt;/b&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;FLAC&lt;/i&gt;&lt;/span&gt;&lt;b&gt; files&lt;/b&gt; + Russian/English libretto @&amp;nbsp; &lt;a href="http://operaparlour.blogspot.com/"&gt;http://operaparlour.blogspot.com&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-9012607165596269917?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/9012607165596269917'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/9012607165596269917'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/12/gianandrea-noseda-bbc-philharmonic.html' title='Gianandrea Noseda / BBC Philharmonic - Rachmaninov. The Covetous Knight - BBC 2008 - over on OPERA PARLOUR'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-li95mgDdLz8/TtvB_HiLINI/AAAAAAAABqs/EhJPx4H1xkA/s72-c/The+Covetous+Knight+-+Stanislavski+1888.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-4670251963740640682</id><published>2011-12-02T22:44:00.008Z</published><updated>2011-12-24T12:32:14.037Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='London Philharmonic'/><category scheme='http://www.blogger.com/atom/ns#' term='STRAUSS - Johann'/><category scheme='http://www.blogger.com/atom/ns#' term='ROSSINI'/><category scheme='http://www.blogger.com/atom/ns#' term='Martinon -Jean'/><title type='text'>Jean Martinon / London Philharmonic - J.Strauss-Desormiere: Le Beau Danube ~ Rossini: William Tell - ballet - Decca 1956 - over on PRISTINE CLASSICS</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-_E3_C6AsuEM/TtlUfuAFxQI/AAAAAAAABpQ/DEUNShmKZCs/s1600/Martinon+LXT+5149.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://1.bp.blogspot.com/-_E3_C6AsuEM/TtlUfuAFxQI/AAAAAAAABpQ/DEUNShmKZCs/s200/Martinon+LXT+5149.jpg" width="198" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Johann Strauss II (arr: Desormiere): &amp;nbsp;"Le Beau Danube"&amp;nbsp; - ballet&lt;br /&gt;&lt;br /&gt;Gioachino Rossini:&amp;nbsp; "Guillaume Tell"&amp;nbsp; - ballet music&lt;br /&gt;&lt;br /&gt;London Philharmonic Orchestra &lt;/b&gt;&lt;i&gt;&amp;nbsp;conducted by&lt;/i&gt;&lt;b&gt; &amp;nbsp;Jean Martinon&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;b&gt;Decca&amp;nbsp; ACL 158&lt;/b&gt;  &amp;nbsp; c.1960/1 matrices&lt;br /&gt;&lt;br /&gt;This transfer is marginally 'cleaner-sounding' than original LXT transfers - and was rated as 'Superlative' by EMG Monthly Letter..&lt;br /&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC/WAV&lt;/span&gt;&lt;/i&gt; &lt;b&gt;files&lt;/b&gt; @ &amp;nbsp;&lt;a href="http://pristineclassics.blogspot.com/"&gt;http://pristineclassics.blogspot.com&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-4670251963740640682?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/4670251963740640682'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/4670251963740640682'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/12/jean-martinon-london-philharmonic.html' title='Jean Martinon / London Philharmonic - J.Strauss-Desormiere: Le Beau Danube ~ Rossini: William Tell - ballet - Decca 1956 - over on PRISTINE CLASSICS'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-_E3_C6AsuEM/TtlUfuAFxQI/AAAAAAAABpQ/DEUNShmKZCs/s72-c/Martinon+LXT+5149.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-2942430744778841191</id><published>2011-11-19T17:11:00.008Z</published><updated>2011-11-29T02:30:00.706Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cantelli -Guido'/><category scheme='http://www.blogger.com/atom/ns#' term='La Scala'/><category scheme='http://www.blogger.com/atom/ns#' term='TCHAIKOVSKY'/><title type='text'>Guido Cantelli / La Scala Orchestra - Tchaikovsky. Symphony 5 - HMV 1952 - over on PRISTINE CLASSICS</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-1zLJx2T8Yl0/TsfjI5E1pmI/AAAAAAAABfI/_dKW1GbupCM/s1600/Cantelli+Tchaikovsky+5+ALP+1001.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="198" src="http://4.bp.blogspot.com/-1zLJx2T8Yl0/TsfjI5E1pmI/AAAAAAAABfI/_dKW1GbupCM/s200/Cantelli+Tchaikovsky+5+ALP+1001.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Peter Tchaikovsky:&amp;nbsp; Symphony no.5 in E minor, op.64&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;I&lt;/b&gt;: &lt;i&gt;Andante - Allegro con anima&amp;nbsp;&lt;/i&gt; ~ &amp;nbsp;&lt;b&gt;II&lt;/b&gt;: &lt;i&gt;Andante cantabile con alcuna licenza&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;III&lt;/b&gt;: Valse &lt;i&gt;(Allegro moderato)&lt;/i&gt; &amp;nbsp;~ &amp;nbsp;&lt;b&gt;IV&lt;/b&gt;: Finale &lt;i&gt;(Andante maestoso - Allegro vivace)&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Orchestra del Teatro alla Scala, Milano&lt;/b&gt; &lt;i&gt;&amp;nbsp;conducted by&lt;/i&gt; &amp;nbsp;&lt;b&gt;Guido Cantelli&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;HMV &amp;nbsp;ALP 1001&lt;/b&gt; &amp;nbsp;  Edited from a 1955 'as new from the shop'/never wet-cleaned LP.&lt;br /&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC/WAV&lt;/span&gt;&lt;/i&gt; &lt;b&gt;files&lt;/b&gt; @ &amp;nbsp;&lt;a href="http://pristineclassics.blogspot.com/"&gt;http://pristineclassics.blogspot.com&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-2942430744778841191?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/2942430744778841191'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/2942430744778841191'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/11/guido-cantelli-la-scala-orchestra.html' title='Guido Cantelli / La Scala Orchestra - Tchaikovsky. Symphony 5 - HMV 1952 - over on PRISTINE CLASSICS'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-1zLJx2T8Yl0/TsfjI5E1pmI/AAAAAAAABfI/_dKW1GbupCM/s72-c/Cantelli+Tchaikovsky+5+ALP+1001.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-8987676479060080287</id><published>2011-11-17T21:17:00.050Z</published><updated>2012-02-17T14:41:25.121Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='St.Petersburg PO'/><category scheme='http://www.blogger.com/atom/ns#' term='Temirkanov -Yuri'/><category scheme='http://www.blogger.com/atom/ns#' term='GLINKA'/><category scheme='http://www.blogger.com/atom/ns#' term='MUSSORGSKY'/><category scheme='http://www.blogger.com/atom/ns#' term='Hvorostovsky -Dmitri'/><category scheme='http://www.blogger.com/atom/ns#' term='RACHMANINOV'/><title type='text'>Dmitri Hvorostovsky / Yuri Temirkanov - St.Petersburg Philharmonic: Glinka, Mussorgsky, Rachmaninov - BBC Proms 2004</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/--A4D3u-w3HU/TsV5zvTnmQI/AAAAAAAABew/20947pBwrlg/s1600/Yuri+Temirkanov.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://2.bp.blogspot.com/--A4D3u-w3HU/TsV5zvTnmQI/AAAAAAAABew/20947pBwrlg/s200/Yuri+Temirkanov.jpg" width="173" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Mikhail Glinka: &amp;nbsp;"Ruslan and Lyudmila"&lt;/b&gt; (Act.3) - Dances of Naina's Magical Maidens &amp;nbsp; &amp;nbsp;&amp;nbsp; &lt;a href="http://www.mediafire.com/?qufc0fe296copey"&gt;http://www.mediafire.com/?qufc0fe296copey&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Modest Mussorgsky&lt;/b&gt; (orch: Shostakovich): &lt;b&gt;&amp;nbsp;"Songs &amp;amp; Dances of Death" &amp;nbsp; - &lt;/b&gt;Lullaby &amp;nbsp;~ &amp;nbsp;Serenade&amp;nbsp; ~ &amp;nbsp;Trepak &amp;nbsp;~ &amp;nbsp;The Field Marshal&lt;br /&gt;&lt;a href="http://www.mediafire.com/?l63cdt2m9kadnh2"&gt;http://www.mediafire.com/?l63cdt2m9kadnh2&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Sergei Rachmaninov: &amp;nbsp;Symphonic Dances, op.45. &amp;nbsp; &amp;nbsp;&amp;nbsp; &lt;/b&gt;&lt;a href="http://www.mediafire.com/?2z7ic209qi69xok"&gt;http://www.mediafire.com/?2z7ic209qi69xok&lt;/a&gt;&lt;br /&gt;&lt;b&gt;I&lt;/b&gt;: &lt;i&gt;Non allegro&lt;/i&gt; ~ &lt;b&gt;II&lt;/b&gt;: &lt;i&gt;Andante con moto&lt;/i&gt; (Tempo di valse) ~&lt;b&gt;&amp;nbsp;III&lt;/b&gt;: &lt;i&gt;Lento assai - Allegro vivace - Lento assai. Come prima - Allegro vivace&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Modest Mussorgsky&lt;/b&gt; (arr: Rimsky-Korsakov)&lt;b&gt;:&lt;/b&gt; &lt;b&gt;&amp;nbsp;"Khovanshchina"&lt;/b&gt; - Prelude: Dawn over the Moscow River&lt;br /&gt;&lt;a href="http://www.mediafire.com/?gzzzxxxa166q34s"&gt;http://www.mediafire.com/?gzzzxxxa166q34s&lt;/a&gt;&lt;br /&gt;&lt;b&gt;Dmitri Hvorostovsky&lt;/b&gt; &lt;i&gt;&amp;nbsp;(Baritone)&lt;/i&gt; &amp;nbsp;~ &amp;nbsp;&lt;b&gt;St.Petersburg Philharmonic Orchestra&lt;/b&gt;&amp;nbsp; &amp;nbsp;&lt;i&gt;conducted by&lt;/i&gt;&amp;nbsp; &lt;b&gt;Yuri Temirkanov&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/b&gt;&lt;b&gt; STEREO&lt;/b&gt; &lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC&lt;/span&gt;&lt;/i&gt; &lt;b&gt;files&lt;/b&gt;&lt;br /&gt;&lt;b&gt;BBC Radio 3 FM&lt;/b&gt;. Live: 24 August 2004 - Royal Albert Hall. &amp;nbsp; &amp;nbsp; (&lt;b&gt;Cambridge Audio T55&lt;/b&gt; &amp;gt; Minidisc &amp;gt;optical&amp;gt; CD-Recorder) &amp;nbsp;&amp;nbsp;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Warner&lt;/b&gt; only issued the two main works in 2005: &amp;nbsp; &lt;a href="http://www.musicweb-international.com/classrev/2005/July05/mussgorsky_temirkanov_2564620502.htm#ixzz1dyjrxz4n"&gt;&lt;b&gt;MusicWeb review&lt;/b&gt;&lt;/a&gt; &amp;nbsp; The other two works total about 18minutes.&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied. By downloading the file/s you agree to accept these conditions.&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-8987676479060080287?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/8987676479060080287/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2011/11/dmitri-hvorostovsky-yuri-temirkanov.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/8987676479060080287'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/8987676479060080287'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/11/dmitri-hvorostovsky-yuri-temirkanov.html' title='Dmitri Hvorostovsky / Yuri Temirkanov - St.Petersburg Philharmonic: Glinka, Mussorgsky, Rachmaninov - BBC Proms 2004'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/--A4D3u-w3HU/TsV5zvTnmQI/AAAAAAAABew/20947pBwrlg/s72-c/Yuri+Temirkanov.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-1128251990903742229</id><published>2011-10-29T17:28:00.032+01:00</published><updated>2011-12-17T14:09:29.369Z</updated><title type='text'></title><content type='html'>&lt;div class="" style="clear: both; text-align: center;"&gt;&lt;span style="font-size: x-large;"&gt; &lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="color: #fce5cd;"&gt;&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-1128251990903742229?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/1128251990903742229/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2011/10/theft-report-musica-dos.html#comment-form' title='25 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/1128251990903742229'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/1128251990903742229'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/10/theft-report-musica-dos.html' title=''/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><thr:total>25</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-3748318550173982170</id><published>2011-10-03T13:32:00.021+01:00</published><updated>2012-02-17T14:36:57.331Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='TCHAIKOVSKY'/><category scheme='http://www.blogger.com/atom/ns#' term='RIMSKY-KORSAKOV'/><category scheme='http://www.blogger.com/atom/ns#' term='USSR Ministry of Defence Symphonic Band'/><category scheme='http://www.blogger.com/atom/ns#' term='PROKOFIEV'/><title type='text'>USSR Ministry of Defence Symphonic Band - Rimsky-Korsakov. Oboe Variations / Trombone -&amp;- Clarinet Concertos ... Prokofiev / Tchaikovsky. Marches - EMI/Melodiya 1975</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-vFDf62Vc4nA/TomrFgB0GdI/AAAAAAAABKc/mdKsoB32s3M/s1600/ASD+3107+-+Rimsky+Showpieces.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="198" src="http://4.bp.blogspot.com/-vFDf62Vc4nA/TomrFgB0GdI/AAAAAAAABKc/mdKsoB32s3M/s200/ASD+3107+-+Rimsky+Showpieces.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Nicolai Rimsky-Korsakov&lt;/b&gt;: &lt;b&gt;Trombone Concerto&lt;/b&gt; &amp;nbsp;&amp;nbsp;   (&lt;b&gt;Victor Batashov&lt;/b&gt;, trombone, &lt;i&gt;&amp;nbsp;conducted by&lt;/i&gt; &amp;nbsp;&lt;b&gt;Nicolai Navarov&lt;/b&gt;)&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC:&lt;/span&gt;&lt;/i&gt;  &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;i&gt;&lt;span style="font-size: large;"&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; WAV:&lt;/span&gt;&lt;/i&gt; &lt;a href="http://www.mediafire.com/?oza3zdszq5f6uki"&gt;http://www.mediafire.com/?oza3zdszq5f6uki&lt;/a&gt;&lt;br /&gt;&lt;b&gt;Variations for Oboe &amp;amp; Brass Band&lt;/b&gt; &amp;nbsp; &amp;nbsp; (&lt;b&gt;Yevgeny Lyakhovitsky&lt;/b&gt;, oboe, &amp;nbsp;&lt;i&gt;conducted by &lt;/i&gt;&amp;nbsp;&lt;b&gt;Yuri Pitiriov&lt;/b&gt;)&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC:&lt;/span&gt;&lt;/i&gt;&amp;nbsp;&amp;nbsp;  &amp;nbsp; &amp;nbsp;&lt;i&gt;&lt;span style="font-size: large;"&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; WAV:&lt;/span&gt;&lt;/i&gt; &lt;a href="http://www.mediafire.com/?75ogd3m5369ps9z"&gt;http://www.mediafire.com/?75ogd3m5369ps9z&lt;/a&gt;&lt;br /&gt;&lt;b&gt;Clarinet Concerto&lt;/b&gt; &amp;nbsp; &amp;nbsp;(&lt;b&gt;Lev Mikhailov&lt;/b&gt;, clarinet, &amp;nbsp;&lt;i&gt;conducted by&lt;/i&gt; &amp;nbsp;&lt;b&gt;Leonid Dunsev&lt;/b&gt;)&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC&lt;/span&gt;&lt;/i&gt;:&amp;nbsp;&amp;nbsp;  &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;i&gt;&lt;span style="font-size: large;"&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; WAV:&lt;/span&gt;&lt;/i&gt; &lt;a href="ttp://www.mediafire.com/?31nf1nxlpa3l6ps"&gt;http://www.mediafire.com/?31nf1nxlpa3l6ps&lt;/a&gt;&lt;br /&gt;&lt;b&gt;Serge Prokofiev&lt;/b&gt;: &lt;b&gt;Marches, op.69 no.1 in B flat major&lt;/b&gt;&amp;nbsp; // &lt;b&gt;&amp;nbsp;no.3 in B flat major &lt;/b&gt;&amp;nbsp; (&lt;i&gt;conducted by&lt;/i&gt; &amp;nbsp;&lt;b&gt;Nicolai Navarov&lt;/b&gt;)&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC:&lt;/span&gt;&lt;/i&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;i&gt;&lt;span style="font-size: large;"&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; WAV: &lt;/span&gt;&lt;/i&gt;&lt;a href="http://www.mediafire.com/?ww2qvofmswwwxi2"&gt;http://www.mediafire.com/?ww2qvofmswwwxi2&lt;/a&gt;&lt;br /&gt;&lt;b&gt;March, op.69 no.2 in F major&lt;/b&gt;&amp;nbsp; // &amp;nbsp;&lt;b&gt;March in B flat major, op.99&lt;/b&gt; &amp;nbsp; &amp;nbsp;(&lt;i&gt;conducted by&lt;/i&gt; &amp;nbsp;&lt;b&gt;Nicolai Sergeyev&lt;/b&gt;)&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC:&lt;/span&gt;&lt;/i&gt;&amp;nbsp;&amp;nbsp;  &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;i&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; WAV:&lt;/span&gt;&lt;/i&gt; &lt;a href="http://www.mediafire.com/?jc3yej9bcdfcflf"&gt;http://www.mediafire.com/?jc3yej9bcdfcflf&lt;/a&gt;&lt;br /&gt;&lt;b&gt;Peter Tchaikovsky&lt;/b&gt;: &lt;b&gt;&amp;nbsp;Military March in B flat major &amp;nbsp;&amp;nbsp;&lt;/b&gt; (&lt;i&gt;conducted by&lt;/i&gt; &amp;nbsp;&lt;b&gt;Nicolai Sergeyev&lt;/b&gt;)&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC:&lt;/span&gt;&lt;/i&gt;&amp;nbsp;&amp;nbsp;   &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;i&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; WAV:&lt;/span&gt;&lt;/i&gt; &lt;a href="http://www.mediafire.com/?bdd8e2xdc8fvjiv"&gt;http://www.mediafire.com/?bdd8e2xdc8fvjiv&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;EMI/Melodiya &amp;nbsp;ASD 3107&lt;/b&gt;&amp;nbsp; Issued 1975 (p)1971 &amp;nbsp;Matrices: 2YRM 1281 -1 / 2YRM 1282 -1.&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied. By downloading the file/s you agree to accept these conditions.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-3748318550173982170?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/3748318550173982170/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2011/10/ussr-ministry-of-defence-symphonic-band.html#comment-form' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/3748318550173982170'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/3748318550173982170'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/10/ussr-ministry-of-defence-symphonic-band.html' title='USSR Ministry of Defence Symphonic Band - Rimsky-Korsakov. Oboe Variations / Trombone -&amp;- Clarinet Concertos ... Prokofiev / Tchaikovsky. Marches - EMI/Melodiya 1975'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-vFDf62Vc4nA/TomrFgB0GdI/AAAAAAAABKc/mdKsoB32s3M/s72-c/ASD+3107+-+Rimsky+Showpieces.jpg' height='72' width='72'/><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-994760900478551803</id><published>2011-09-28T16:26:00.041+01:00</published><updated>2012-01-27T02:16:51.699Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Salter -Lionel'/><category scheme='http://www.blogger.com/atom/ns#' term='BBC Welsh'/><category scheme='http://www.blogger.com/atom/ns#' term='ELGAR'/><title type='text'>Elgar. The Starlight Express - BBC Welsh Orchestra / Lionel Salter - BBC 1965</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-X402I7rPGrQ/ToM8hbH9P-I/AAAAAAAABKM/vyZFgGs2Toc/s1600/Elgar+Starlight+Express+-+Kingsway+Theatre.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-X402I7rPGrQ/ToM8hbH9P-I/AAAAAAAABKM/vyZFgGs2Toc/s320/Elgar+Starlight+Express+-+Kingsway+Theatre.jpg" width="206" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Sir Edward Elgar:&amp;nbsp; "The Starlight Express", op.78&lt;/b&gt; &amp;nbsp; (A Play with Songs &amp;amp; Incidental Music)&lt;br /&gt;&lt;br /&gt;&lt;div align="left"&gt;&lt;b&gt;The Organ Grinder&lt;/b&gt; ............................. &lt;b&gt;Denis Dowling &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/b&gt; &lt;/div&gt;&lt;div align="left"&gt;&lt;b&gt;Laughter&lt;/b&gt; .................................. &lt;b&gt;Audrey Attwood &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; H&lt;/b&gt;&lt;b&gt;enry Rogers&lt;/b&gt; ................................... &lt;b&gt;Patrick Barr&lt;/b&gt; &lt;/div&gt;&lt;div align="left"&gt;&lt;b&gt;Daddy&lt;/b&gt; ...................................... &lt;b&gt;Noel Howlett &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;b&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Mothe&lt;/b&gt;r ........................................ &lt;b&gt;Noel Hood&lt;/b&gt; &lt;/div&gt;&lt;div align="left"&gt;&lt;b&gt;Madame Jequier&lt;/b&gt; .............................. &lt;b&gt;Cecile Chevreau &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;b&gt;Jane Anne&lt;/b&gt; ................................... &lt;b&gt;Jane Wenham&lt;/b&gt; &lt;/div&gt;&lt;div align="left"&gt;&lt;b&gt;Monkey &lt;/b&gt;................................... &lt;b&gt;Elizabeth Proud &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;b&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Jimbo&lt;/b&gt; .................................... &lt;b&gt;Danny Rambler&lt;/b&gt; &lt;/div&gt;&lt;div align="left"&gt;&lt;b&gt;A Gardener&lt;/b&gt; ................................... &lt;b&gt;Wilfrid Carter &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;b&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; A Dustman &lt;/b&gt;................................... &lt;b&gt;Bruce Beeby&lt;/b&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;b&gt;A Lamplighter&lt;/b&gt; ................................... &lt;b&gt;Brian Hewlett &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;/b&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp;A Tramp&lt;/b&gt; ................................... &lt;b&gt;John Dearth&lt;/b&gt; &lt;/div&gt;&lt;div align="left"&gt;&lt;b&gt;A Sweep&lt;/b&gt; ......................................... &lt;b&gt;Hector Ross &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;b&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;The Guard &lt;/b&gt;................................... &lt;b&gt;Patricia Gallimore&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;BBC Welsh Orchestra&lt;/b&gt; &lt;i&gt;&amp;nbsp;conducted by&lt;/i&gt; &amp;nbsp;&lt;b&gt;Lionel Salter&lt;/b&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;i&gt;Adapted and Produced by&lt;/i&gt; &amp;nbsp;Raymond Raikes. &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Recorded: 10 December 1965. &lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;As first broadcast - 26 December 1965 on the BBC Home Service:&amp;nbsp;&amp;nbsp; &lt;/b&gt;&lt;a href="http://www.sendspace.com/file/3yxwz7"&gt;http://www.sendspace.com/file/3yxwz7&lt;/a&gt;&lt;br /&gt;&lt;b&gt;Additional music included in the BBC Radio 3 repeat - 29 Dec.1968: &amp;nbsp; &lt;/b&gt;&lt;a href="http://www.sendspace.com/file/x9t1au"&gt;http://www.sendspace.com/file/x9t1au&lt;/a&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;BBC Radio 3 FM - 13 December 2004. &lt;/b&gt;&amp;nbsp; &lt;b&gt;MONO&lt;/b&gt; &lt;span style="font-size: large;"&gt;&lt;i&gt;FLAC&lt;/i&gt;&lt;/span&gt; &lt;b&gt;files&lt;/b&gt;&amp;nbsp; &amp;nbsp; &lt;a href="http://en.wikipedia.org/wiki/The_Starlight_Express"&gt;Wikipedia article&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied. By downloading the file/s you agree to accept these conditions.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-994760900478551803?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/994760900478551803/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2011/09/elgar-starlight-express-bbc-welsh.html#comment-form' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/994760900478551803'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/994760900478551803'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/09/elgar-starlight-express-bbc-welsh.html' title='Elgar. The Starlight Express - BBC Welsh Orchestra / Lionel Salter - BBC 1965'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-X402I7rPGrQ/ToM8hbH9P-I/AAAAAAAABKM/vyZFgGs2Toc/s72-c/Elgar+Starlight+Express+-+Kingsway+Theatre.jpg' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-416267070865013166</id><published>2011-09-12T02:35:00.009+01:00</published><updated>2011-09-17T14:07:04.730+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='London Philharmonic'/><category scheme='http://www.blogger.com/atom/ns#' term='TCHAIKOVSKY'/><category scheme='http://www.blogger.com/atom/ns#' term='Katin -Peter'/><category scheme='http://www.blogger.com/atom/ns#' term='RACHMANINOV'/><category scheme='http://www.blogger.com/atom/ns#' term='Boult -Adrian'/><title type='text'>Peter Katin ~ London Philharmonic / Sir Adrian Boult - Rachmaninov. Piano Concerto 1 -&amp;- Tchaikovsky. Concert Fantasia - Decca 1958  - over on PRISTINE CLASSICS</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-z9-RvEuRlk0/Tm1gVEPvXUI/AAAAAAAABI4/TGraTRKXOWo/s1600/Katin+SDD188.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/-z9-RvEuRlk0/Tm1gVEPvXUI/AAAAAAAABI4/TGraTRKXOWo/s200/Katin+SDD188.jpg" width="198" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Sergei Rachmaninov:&amp;nbsp; Piano Concerto no.1 in F sharp minor, op.1 &lt;/b&gt;&lt;i&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Peter Tchaikovsky:&amp;nbsp; "Concert Fantasia", op.56&amp;nbsp;&amp;nbsp;&lt;/b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br /&gt;&lt;br /&gt;&lt;b&gt;Peter Katin&lt;/b&gt;, &lt;i&gt;piano&lt;/i&gt;&amp;nbsp; - &lt;b&gt;London Philharmonic Orchestra&lt;/b&gt;&amp;nbsp;&amp;nbsp; &lt;i&gt;conducted by &lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;b&gt; Sir Adrian Boult&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Decca&amp;nbsp; SDD 188&lt;/b&gt;&amp;nbsp;&amp;nbsp; Recorded: 17-19 February 1958 - Kingsway Hall &lt;br /&gt;&lt;br /&gt;The Tchaikovsky (FLAC previously posted 25 Feb.) re-edited from original edited WAV. The Rachmaninov newly edited from a Feb.2011 WAV. &lt;br /&gt;Except for Christopher Howell's July&amp;nbsp; &lt;a href="http://www.musicweb-international.com/classrev/2011/July11/Tchaikovsky_PC1_Fantasy_Katin_PASC276.htm#ixzz1TUQ5Hz46"&gt;MusicWeb review&lt;/a&gt;&amp;nbsp; there were no 'comments' (343 downloads) - so no need to bother this time, either! &amp;nbsp; Despite very careful editing some faint residual 'Decca crackle' remains. &amp;nbsp;&lt;b&gt;STEREO&lt;/b&gt; &lt;span style="font-size: large;"&gt;&lt;i&gt;FLAC/WAV&lt;/i&gt;&lt;/span&gt; &lt;b&gt;files&lt;/b&gt;&amp;nbsp; @ &lt;a href="http://pristineclassics.blogspot.com/"&gt;http://pristineclassics.blogspot.com&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-416267070865013166?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/416267070865013166'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/416267070865013166'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/09/peter-katin-london-philharmonic-sir.html' title='Peter Katin ~ London Philharmonic / Sir Adrian Boult - Rachmaninov. Piano Concerto 1 -&amp;- Tchaikovsky. Concert Fantasia - Decca 1958  - over on PRISTINE CLASSICS'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-z9-RvEuRlk0/Tm1gVEPvXUI/AAAAAAAABI4/TGraTRKXOWo/s72-c/Katin+SDD188.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-5949795345810961643</id><published>2011-08-17T16:21:00.011+01:00</published><updated>2011-08-17T17:50:42.571+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Hurst -George'/><category scheme='http://www.blogger.com/atom/ns#' term='TCHAIKOVSKY'/><category scheme='http://www.blogger.com/atom/ns#' term='Fiorentino -Sergio'/><category scheme='http://www.blogger.com/atom/ns#' term='NDR SO Hamburg'/><title type='text'>Sergio Fiorentino ~ Hamburg Pro Musica/Hurst - Tchaikovsky Piano Concerto 1 - Saga 1959 - over on PRISTINE CLASSICS</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-ZCF6Xv67HXk/Tkvcht-jH5I/AAAAAAAABHM/gxigP3vgH7c/s1600/Fiorentino+AAA.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://2.bp.blogspot.com/-ZCF6Xv67HXk/Tkvcht-jH5I/AAAAAAAABHM/gxigP3vgH7c/s200/Fiorentino+AAA.jpg" width="196" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Peter Tchaikovsky:&lt;br /&gt;Piano Concerto no.1 in B flat minor, op.23&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Sergio Fiorentino&lt;/b&gt;,&lt;i&gt; piano&lt;/i&gt; - &lt;b&gt;Hamburg Pro Musica&lt;/b&gt; (NDR SO, Hamburg)&amp;nbsp; &lt;i&gt;conducted by&lt;/i&gt;&amp;nbsp; &lt;b&gt;George Hurst&lt;/b&gt;.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Saga Films&amp;nbsp; AAA-ST 4003&lt;/b&gt; &amp;nbsp; c.1959 pressing/PYE matrices &amp;nbsp;&amp;nbsp; Recorded: 18 May 1959 Musikhalle, Hamburg.&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Side.1 also matrixed 'STM 6021 A3'. Side.2 was mastered at a lower level: transferred @ c.3dB more. Though the peak-levels now 'match' the sides seem dissimilar. Both matrices have a very slight 'background'. Additionally have the AAA pressing of the Beethoven "Emperor".&amp;nbsp;&lt;/i&gt; &lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Stereo&lt;/b&gt; &lt;span style="font-size: large;"&gt;&lt;i&gt;FLAC/WAV&lt;/i&gt;&lt;/span&gt;&lt;b&gt; files&lt;/b&gt; @&amp;nbsp; &lt;a href="http://pristineclassics.blogspot.com/"&gt;http://pristineclassics.blogspot.com&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-5949795345810961643?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/5949795345810961643'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/5949795345810961643'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/08/sergio-fiorentino-hamburg-pro.html' title='Sergio Fiorentino ~ Hamburg Pro Musica/Hurst - Tchaikovsky Piano Concerto 1 - Saga 1959 - over on PRISTINE CLASSICS'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-ZCF6Xv67HXk/Tkvcht-jH5I/AAAAAAAABHM/gxigP3vgH7c/s72-c/Fiorentino+AAA.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-4723805950809337995</id><published>2011-08-15T11:29:00.017+01:00</published><updated>2012-02-17T14:43:01.083Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='NIELSEN'/><category scheme='http://www.blogger.com/atom/ns#' term='Deak -Josef'/><category scheme='http://www.blogger.com/atom/ns#' term='Pazmandi -Paul'/><category scheme='http://www.blogger.com/atom/ns#' term='Philharmonia Hungarica'/><category scheme='http://www.blogger.com/atom/ns#' term='Maga -Othmar'/><title type='text'>Nielsen. Clarinet -&amp;- Flute Concertos - Deak / Pazmandi ~ Philharmonia Hungarica ~ Maga - Turnabout 1970</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-4T0cH3VuoaE/Tkj0wVdgZlI/AAAAAAAABHA/1QSiHDl1XdI/s1600/Nielsen+Flute+-+Clarinet+-+TVS.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="198" src="http://3.bp.blogspot.com/-4T0cH3VuoaE/Tkj0wVdgZlI/AAAAAAAABHA/1QSiHDl1XdI/s200/Nielsen+Flute+-+Clarinet+-+TVS.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Carl Nielsen:&lt;br /&gt;Concerto for Clarinet &amp;amp; Orchestra&lt;/b&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC:&lt;/span&gt;&lt;/i&gt; &amp;nbsp;&lt;a href="http://www.mediafire.com/?t0tcrdz50p6jqtb"&gt;http://www.mediafire.com/?t0tcrdz50p6jqtb&lt;/a&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;i&gt;&lt;span style="font-size: large;"&gt; WAV:&lt;/span&gt;&lt;/i&gt;&amp;nbsp;&amp;nbsp; &lt;br /&gt;&lt;br /&gt;&lt;b&gt;Concerto for Flute &amp;amp; Orchestra&lt;/b&gt;  &lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC: &lt;/span&gt;&lt;/i&gt;&amp;nbsp;&lt;a href="http://www.mediafire.com/?8dnlhds0mnljdj9"&gt;http://www.mediafire.com/?8dnlhds0mnljdj9&lt;/a&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;i&gt;&lt;span style="font-size: large;"&gt;WAV:&lt;/span&gt;&lt;/i&gt;&amp;nbsp; &lt;br /&gt;&lt;br /&gt;&lt;b&gt;Josef Deak&lt;/b&gt;, &lt;i&gt;clarinet&lt;/i&gt; &amp;nbsp;-&amp;amp;- &amp;nbsp;&lt;b&gt;Paul Pazmandi&lt;/b&gt;,&lt;i&gt; flute&lt;/i&gt;&amp;nbsp; - &lt;b&gt;Philharmonia Hungarica&lt;/b&gt; &amp;nbsp;&lt;i&gt;conducted by&lt;/i&gt; &amp;nbsp;&lt;b&gt;Othmar Maga&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Turnabout &amp;nbsp;TV34261S&lt;/b&gt; &amp;nbsp; 1970 Decca pressing/matrices: VS2054 -1L / VS2955 -1L&lt;br /&gt;Excellent UK transfer (as with Nielsen Sym.2 / Garaguly). Better performances than as reviewed in &amp;nbsp;&lt;a href="http://www.gramophone.net/Issue/Page/October%201970/58/830096/NIELSEN.+Clarinet+Concerto%2C+Op.+57Flute+Concertot.+Josef+Deak+%28clarinet%29%2C+1.+Paul+Pizmandi+%28flute%29%2C+Phil+harmonia+Hungarica+conducted+by+Othmar+Maga.+Turnabout+TV34261S+%2819s.+11d.%29."&gt;Gramophone&lt;/a&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Not on CD &amp;nbsp;&amp;nbsp; &lt;b&gt;Sleeve-note&lt;/b&gt; &amp;gt;&amp;gt;&amp;gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied. By downloading the file/s you agree to accept these conditions.&lt;/span&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-nokDepI1mTU/Tkj05JULlsI/AAAAAAAABHE/QqQPRj14HD0/s1600/nielsen+flute++clarinet+-+sleevenote.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="312" src="http://3.bp.blogspot.com/-nokDepI1mTU/Tkj05JULlsI/AAAAAAAABHE/QqQPRj14HD0/s320/nielsen+flute++clarinet+-+sleevenote.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-4723805950809337995?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/4723805950809337995/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2011/08/nielsen-clarinet-flute-concertos-deak.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/4723805950809337995'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/4723805950809337995'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/08/nielsen-clarinet-flute-concertos-deak.html' title='Nielsen. Clarinet -&amp;- Flute Concertos - Deak / Pazmandi ~ Philharmonia Hungarica ~ Maga - Turnabout 1970'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-4T0cH3VuoaE/Tkj0wVdgZlI/AAAAAAAABHA/1QSiHDl1XdI/s72-c/Nielsen+Flute+-+Clarinet+-+TVS.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-8278727487394383997</id><published>2011-08-07T10:14:00.007+01:00</published><updated>2011-08-07T13:57:30.925+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Eastman-Rochester'/><category scheme='http://www.blogger.com/atom/ns#' term='CARTER'/><category scheme='http://www.blogger.com/atom/ns#' term='McPHEE'/><category scheme='http://www.blogger.com/atom/ns#' term='Hanson -Howard'/><title type='text'>Howard Hanson / Eastman-Rochester SO - McPhee. Tabuh-Tabuhan / Carter. The Minotaur - Mercury 1956 - over on PRISTINE CLASSICS</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-xmhMB6mIYzw/Tj5Xguhx-OI/AAAAAAAABG4/alANqKzx4-U/s1600/McPhee+-+Carter+-+Hanson.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="199" src="http://1.bp.blogspot.com/-xmhMB6mIYzw/Tj5Xguhx-OI/AAAAAAAABG4/alANqKzx4-U/s200/McPhee+-+Carter+-+Hanson.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Colin McPhee: &amp;nbsp;"Tabuh-Tabuhan"&lt;/b&gt; - Toccata for Orchestra&lt;br /&gt;Ostinatos ~ Nocturne ~ Finale&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Elliott Carter: &lt;/b&gt;&lt;b&gt;&amp;nbsp;"The Minotaur"&lt;/b&gt; - Suite from the Ballet&lt;br /&gt;Overture ~ Pasiphae ~ Entrance of the Bulls ~ Bulls' Dance with Pasiphae ~ Pas de Deux - Ariadne &amp;amp; Theseus  ~ The Greeks enter the Labyrinth ~ Theseus fights &amp;amp; kills the Minotaur ~ The Greeks emerge triumphant &amp;amp; prepare to leave Crete.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;PYE / Mercury &amp;nbsp;MRL 2515&lt;/b&gt;&amp;nbsp; &amp;nbsp;Original 1956 LP / MG-50103 'YMG' matrices.&lt;br /&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC/WAV&lt;/span&gt;&lt;/i&gt; &lt;b&gt;files&lt;/b&gt; @ &lt;a href="http://pristineclassics.blogspot.com/"&gt;&amp;nbsp;http://pristineclassics.blogspot.com&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-8278727487394383997?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/8278727487394383997'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/8278727487394383997'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/08/howard-hansoneastman-rochester-so.html' title='Howard Hanson / Eastman-Rochester SO - McPhee. Tabuh-Tabuhan / Carter. The Minotaur - Mercury 1956 - over on PRISTINE CLASSICS'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-xmhMB6mIYzw/Tj5Xguhx-OI/AAAAAAAABG4/alANqKzx4-U/s72-c/McPhee+-+Carter+-+Hanson.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-2694686205656751627</id><published>2011-08-03T01:55:00.018+01:00</published><updated>2011-08-07T10:26:46.906+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Bliss-Arthur'/><category scheme='http://www.blogger.com/atom/ns#' term='London SO'/><category scheme='http://www.blogger.com/atom/ns#' term='London Philharmonic'/><category scheme='http://www.blogger.com/atom/ns#' term='BLISS'/><category scheme='http://www.blogger.com/atom/ns#' term='Campoli -Alfredo'/><title type='text'>Arthur Bliss conducts his: Violin Concerto (Alfredo Campoli) ~ Colour Symphony ~ Things to Come, etc - over on PRISTINE CLASSICS</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-md56JRR7bGM/TjiX1HrP5XI/AAAAAAAABGA/e0Y017jY1Ak/s1600/sb+2026+bliss+elgar.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/-md56JRR7bGM/TjiX1HrP5XI/AAAAAAAABGA/e0Y017jY1Ak/s200/sb+2026+bliss+elgar.jpg" width="197" /&gt;&lt;/a&gt;&lt;a href="http://3.bp.blogspot.com/-VG_s_A5TgnE/TjiXkpW5kiI/AAAAAAAABF4/efQ5F3dsGkI/s1600/Bliss+Campoli+ACL+317.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="199" src="http://3.bp.blogspot.com/-VG_s_A5TgnE/TjiXkpW5kiI/AAAAAAAABF4/efQ5F3dsGkI/s200/Bliss+Campoli+ACL+317.jpg" width="200" /&gt;&lt;/a&gt;&lt;a href="http://3.bp.blogspot.com/-x2P100V34Yg/TjiXulp8XtI/AAAAAAAABF8/p8GJYchBgXM/s1600/Bliss+Colour.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/-x2P100V34Yg/TjiXulp8XtI/AAAAAAAABF8/p8GJYchBgXM/s200/Bliss+Colour.jpg" width="196" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;Concerto for Violin &amp;amp; Orchestra&lt;/b&gt;&amp;nbsp; (1955)&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;b&gt;** UNMISSABLE **&lt;/b&gt;&amp;nbsp; /&lt;b&gt;&amp;nbsp;&amp;nbsp; Theme &amp;amp; Cadenza for Solo Violin &amp;amp; Orchestra&lt;/b&gt;&amp;nbsp; (1949)&lt;br /&gt;&lt;b&gt;Alfredo Campoli&lt;/b&gt;, &lt;i&gt;violin&lt;/i&gt; - &lt;b&gt;London Philharmonic Orchestra&lt;/b&gt; -&lt;b&gt; Sir Arthur Bliss&amp;nbsp;&amp;nbsp;&amp;nbsp; Decca ACL 317 &lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;A Colour Symphony&lt;/b&gt;&amp;nbsp; (1922)&amp;nbsp; /&amp;nbsp; &lt;b&gt;Introduction &amp;amp; Allegro&lt;/b&gt;&amp;nbsp; (1923) &amp;nbsp;&amp;nbsp; &lt;b&gt;Decca ACL 239 &amp;nbsp; &amp;nbsp; // &amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;b&gt;"Things to Come" - suite&amp;nbsp;&lt;/b&gt; (1935)&amp;nbsp;&amp;nbsp; /&amp;nbsp; &lt;b&gt;"Welcome the Queen"&lt;/b&gt;&amp;nbsp; (1954) &amp;nbsp;&lt;b&gt;RCA SB 2045&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;London Symphony Orchestra - Sir Arthur Bliss &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; FLAC&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;/&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;WAV&lt;/i&gt;&lt;/span&gt; &lt;b&gt;files&lt;/b&gt; @ &amp;nbsp; &lt;a href="http://pristineclassics.blogspot.com/"&gt;http://pristineclassics.blogspot.com&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-2694686205656751627?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/2694686205656751627'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/2694686205656751627'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/08/arthur-bliss-conducts-his-violin.html' title='Arthur Bliss conducts his: Violin Concerto (Alfredo Campoli) ~ Colour Symphony ~ Things to Come, etc - over on PRISTINE CLASSICS'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-md56JRR7bGM/TjiX1HrP5XI/AAAAAAAABGA/e0Y017jY1Ak/s72-c/sb+2026+bliss+elgar.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-4402814373304139547</id><published>2011-07-21T20:03:00.073+01:00</published><updated>2011-08-07T11:08:42.896+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Eastman-Rochester'/><category scheme='http://www.blogger.com/atom/ns#' term='HARRIS'/><category scheme='http://www.blogger.com/atom/ns#' term='BARBER'/><category scheme='http://www.blogger.com/atom/ns#' term='PISTON'/><category scheme='http://www.blogger.com/atom/ns#' term='HANSON'/><category scheme='http://www.blogger.com/atom/ns#' term='Hanson -Howard'/><title type='text'>Howard Hanson / Eastman-Rochester SO -  The American Symphony - Barber. no.1 ~ Hanson. no.4 ~ Harris. no.3 ~ Piston. no.3 - Mercury 1953/4 - over on PRISTINE CLASSICS</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/-DDGWjwjpOAI/Tih2mYmAeyI/AAAAAAAABEs/K-YUR1ytmAQ/s1600/Barber+Harris.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="198" src="http://3.bp.blogspot.com/-DDGWjwjpOAI/Tih2mYmAeyI/AAAAAAAABEs/K-YUR1ytmAQ/s200/Barber+Harris.jpg" width="200" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/-cRDv_Nd0Rx0/Tih2uizwBqI/AAAAAAAABEw/ef0Of5bcmGo/s1600/piston3+hanson4.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="199" src="http://4.bp.blogspot.com/-cRDv_Nd0Rx0/Tih2uizwBqI/AAAAAAAABEw/ef0Of5bcmGo/s200/piston3+hanson4.jpg" width="200" /&gt;&lt;/a&gt;&lt;b&gt;Samuel Barber:&amp;nbsp; Symphony no.1, op.9&lt;/b&gt; &amp;nbsp;&amp;nbsp; Recorded: May 1954&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Roy Harris: &amp;nbsp;Symphony no.3&lt;/b&gt;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Recorded: May 1953&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &lt;b&gt;EMI / Mercury&amp;nbsp; MMA 11097&lt;/b&gt;&amp;nbsp; &amp;nbsp; &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Walter Piston:&amp;nbsp; Symphony no.3&lt;/b&gt; &amp;nbsp; &amp;nbsp; Recorded: 11 May 1954&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Howard Hanson:&amp;nbsp; Symphony no.4 &amp;nbsp;&lt;/b&gt; &amp;nbsp; Recorded: 11-13 May 1953&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;b&gt;Philips / Mercury&amp;nbsp; SRI 75107&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;FLAC/WAV&lt;/i&gt;&lt;/span&gt;&lt;b&gt; files&lt;/b&gt; @&amp;nbsp;&amp;nbsp; &lt;a href="http://pristineclassics.blogspot.com/"&gt;http://pristineclassics.blogspot.com&lt;/a&gt; &amp;nbsp;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;a href="http://pristineclassics.blogspot.com/"&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-4402814373304139547?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/4402814373304139547/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2011/07/howard-hanson-eastman-rochester-so_21.html#comment-form' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/4402814373304139547'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/4402814373304139547'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/07/howard-hanson-eastman-rochester-so_21.html' title='Howard Hanson / Eastman-Rochester SO -  The American Symphony - Barber. no.1 ~ Hanson. no.4 ~ Harris. no.3 ~ Piston. no.3 - Mercury 1953/4 - over on PRISTINE CLASSICS'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-DDGWjwjpOAI/Tih2mYmAeyI/AAAAAAAABEs/K-YUR1ytmAQ/s72-c/Barber+Harris.jpg' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-5315886702547679383</id><published>2011-07-16T00:13:00.036+01:00</published><updated>2012-01-25T00:46:53.976Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='NIELSEN'/><category scheme='http://www.blogger.com/atom/ns#' term='Kletzki -Paul'/><category scheme='http://www.blogger.com/atom/ns#' term='Suisse Romande'/><title type='text'>Paul Kletzki / Suisse Romande Orchestra - Nielsen: Symphony 5 - Decca 1971</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-ScwTdkX9qkw/TiDJM48i9WI/AAAAAAAABD4/jg8tiP8tdvE/s1600/Nielsen+5+-+Kletzki.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://2.bp.blogspot.com/-ScwTdkX9qkw/TiDJM48i9WI/AAAAAAAABD4/jg8tiP8tdvE/s200/Nielsen+5+-+Kletzki.jpg" width="199" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Carl Nielsen: Symphony no.5, op.50&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;I:&lt;/b&gt; &lt;i&gt;Tempo giusto - Allegro non troppo&lt;/i&gt;  &lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC:&lt;/span&gt;&lt;/i&gt; &amp;nbsp; &amp;nbsp; http://www.megaupload.com/?d=ISVJO4NB &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;i&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp; &amp;nbsp; WAV:&lt;/span&gt;&lt;/i&gt;&amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=9XW3CTGW&lt;br /&gt;&lt;br /&gt;&lt;b&gt;II: &lt;/b&gt;&lt;i&gt;Allegro; Andante un poco tranquillo; Allegro&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC:&lt;/span&gt;&lt;/i&gt; &amp;nbsp; &amp;nbsp; http://www.megaupload.com/?d=O3JQIS3S&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;i&gt;&lt;span style="font-size: large;"&gt;WAV:&lt;/span&gt;&lt;/i&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; http://www.megaupload.com/?d=Y0WFDAMI&lt;br /&gt;&lt;br /&gt;&lt;b&gt;L'Orchestre de la Suisse Romande&lt;/b&gt; &amp;nbsp;&lt;i&gt;conducted by&lt;/i&gt;&amp;nbsp; &lt;b&gt;Paul Kletzki&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Decca &amp;nbsp;SXL 6491&lt;/b&gt;&amp;nbsp; &amp;nbsp; 1971 LP/matrices: ZAL 10037 -1W / ZAL 10038 -1W   &amp;nbsp; &amp;nbsp;Recorded: 13-15 September 1969 - Victoria Hall, Geneva.&lt;br /&gt;A very very slight occasional trace of 'Decca crackle' remains.  &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;b&gt;Not on CD &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;/b&gt;&lt;a href="http://www.gramophone.net/Issue/Page/March%201971/57/754570/NIELSEN.+Symphony+No.+5%2C+Op.+50.+Suisse+Romande+Orchestra+conducted+by+Paul+Kletzki.+Decca+SXL6491+%28k2.39%29."&gt;1971 "Gramophone" review&lt;/a&gt;&lt;br /&gt;&lt;i&gt;Previously auditioned with a Decca Gold (&amp;amp; the defunct Stanton CS100) &amp;nbsp;&amp;amp; still sounding rather 'coloured/congested' using the &amp;nbsp;&lt;a href="http://beophile.com/?page_id=2026"&gt;B&amp;amp;O MMC-5000&lt;/a&gt; &amp;nbsp;&lt;a href="http://www.beoworld.org/article_view.asp?id=203"&gt;MMC5000 review&lt;/a&gt;&lt;/i&gt; &amp;nbsp; &amp;nbsp;(&lt;i&gt;I rather prefer the &amp;nbsp;&lt;a href="http://www.gramophone.net/Issue/Page/June%201975/48/781314/NIELSEN.+Symphony+No.+6%2C+Op.+50.+Bournemouth+Symphony+Orchestra+conducted+by+Paavo+Berglund.+HMV+A5D3083+%28i2.85%29."&gt;Bournemouth SO / Berglund&lt;/a&gt; &lt;b&gt;&amp;nbsp;&lt;/b&gt;performance, which also sounds extremely fine in an early '80's 'EMI Eminence' transfer: the original ASD pressing is now @ &lt;a href="http://when-the-musics-over.blogspot.com/2011/07/carl-nielsen-symphony-5-bournemouth-so.html"&gt;'In My Room' Blog&lt;/a&gt;&lt;/i&gt; &amp;nbsp; )&lt;br /&gt;&lt;i&gt;If you don't like &lt;b&gt;this&lt;/b&gt; transfer you can blame Bang&amp;amp;Olufsen - and/or Decca's typically 'bloated' Dolby-ized recording&lt;/i&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Robert Simpson's &amp;nbsp;&lt;b&gt;sleeve-note&lt;/b&gt; &amp;gt;&amp;gt;&amp;gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied. By downloading the file/s you agree to accept these conditions&lt;/span&gt;.&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-pg3GiS2Dsv0/TiDJpjMJzLI/AAAAAAAABD8/5jyK7cIcq-w/s1600/Nielsen+5+-+Kletzki+-+sleevenote.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="316" src="http://1.bp.blogspot.com/-pg3GiS2Dsv0/TiDJpjMJzLI/AAAAAAAABD8/5jyK7cIcq-w/s320/Nielsen+5+-+Kletzki+-+sleevenote.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-5315886702547679383?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/5315886702547679383/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2011/07/paul-kletzki-suisse-romande-orchestra.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/5315886702547679383'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/5315886702547679383'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/07/paul-kletzki-suisse-romande-orchestra.html' title='Paul Kletzki / Suisse Romande Orchestra - Nielsen: Symphony 5 - Decca 1971'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-ScwTdkX9qkw/TiDJM48i9WI/AAAAAAAABD4/jg8tiP8tdvE/s72-c/Nielsen+5+-+Kletzki.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-3644915311489224235</id><published>2011-06-24T17:04:00.060+01:00</published><updated>2012-01-25T21:08:23.088Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='NIELSEN'/><title type='text'>Robert Simpson - Carl Nielsen: An Introduction to the Symphonies - Unicorn 1974</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/-2UgEmVkG2wA/TgS1aH7y3fI/AAAAAAAABBY/Q_o_BDauHi8/s1600/Nielsen+-+Unicorn.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="188" src="http://4.bp.blogspot.com/-2UgEmVkG2wA/TgS1aH7y3fI/AAAAAAAABBY/Q_o_BDauHi8/s200/Nielsen+-+Unicorn.jpg" width="200" /&gt;&lt;/a&gt;&lt;b&gt;STEREO&lt;/b&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt; FLAC&lt;/i&gt;&lt;/span&gt;&lt;b&gt; files:&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Side A&lt;/b&gt;: Three tracks (33")  &amp;nbsp;&amp;nbsp; Symphonies 1, 2, 3&amp;nbsp; &amp;nbsp;&lt;a href="http://www.mediafire.com/?kviornea64k8bqi"&gt;http://www.mediafire.com/?kviornea64k8bqi&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Side B&lt;/b&gt;: Three tracks (30") &amp;nbsp;&amp;nbsp;  Symphonies 4, 5, 6 &amp;nbsp; &lt;a href="http://www.mediafire.com/?txg62v9maptjdxr"&gt;http://www.mediafire.com/?txg62v9maptjdxr&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;STEREO&lt;/b&gt; &lt;i&gt;&lt;b&gt;320 &lt;/b&gt;&lt;span style="font-size: large;"&gt;mp3&lt;/span&gt;&lt;/i&gt; &lt;b&gt;files:&lt;/b&gt;&lt;br /&gt;Symphony 1 &amp;nbsp; &lt;a href="http://www.mediafire.com/?532m9rlwu9tw41n"&gt;http://www.mediafire.com/?532m9rlwu9tw41n&lt;/a&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp;Symphony 2 &amp;nbsp; &lt;a href="http://www.mediafire.com/?p1ws2z5fhl2s9rz"&gt;http://www.mediafire.com/?p1ws2z5fhl2s9rz&lt;/a&gt; &amp;nbsp; &lt;br /&gt;Symphony 3 &amp;nbsp; &lt;a href="http://www.mediafire.com/?mw59wp96u93tpr2"&gt;http://www.mediafire.com/?mw59wp96u93tpr2&lt;/a&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Symphony 4 &amp;nbsp; &lt;a href="http://www.mediafire.com/?ylwa5ia1vz62vxu"&gt;http://www.mediafire.com/?ylwa5ia1vz62vxu&lt;/a&gt;&amp;nbsp; &lt;br /&gt;Symphony 5 &amp;nbsp; &lt;a href="http://www.mediafire.com/?g6b14zd8p7jtp1r"&gt;http://www.mediafire.com/?g6b14zd8p7jtp1r&lt;/a&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;Symphony 6 &amp;nbsp; &lt;a href="http://www.mediafire.com/?03g951gua4obt9n"&gt;http://www.mediafire.com/?03g951gua4obt9n&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Dr.Robert Simpson&lt;/b&gt; - with illustrations from the recordings by the &lt;b&gt;London Symphony Orchestra &amp;nbsp;&lt;/b&gt;&lt;i&gt;conducted by&amp;nbsp;&lt;/i&gt;&lt;b&gt; Ole Schmidt &amp;nbsp; &amp;nbsp;&lt;/b&gt;&amp;nbsp;&amp;nbsp;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Unicorn &amp;nbsp;RHS 330&lt;/b&gt;. &amp;nbsp;- From the original 1974 German pressed box set: &lt;b&gt;&amp;nbsp;RHS 324-330&lt;/b&gt; &amp;nbsp; &amp;nbsp; &lt;b&gt;NOT ON CD&lt;/b&gt; &amp;nbsp;&lt;b&gt; Edited January 2012 &amp;nbsp; &amp;nbsp;&lt;/b&gt;'Gramophone' comment &amp;gt;&amp;gt;&amp;gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied. &lt;/span&gt;&lt;span style="font-size: x-small;"&gt;By downloading the file/s you agree to accept these conditions.&lt;/span&gt; &lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;GRAMOPHONE - Jan.1975: &lt;i&gt;These records have a further advantage in that Robert Simpson, our own authority on the composer, has been closely associated with them and contributes a short spoken introduction to each symphony: this comes on a separate record. These introductions are unfailingly illuminating not only for those coming freshly to this music but for the well-informed listener too. Dr Simpson enjoys the enviable capacity of being able to engage the interest of music lovers at all levels; he does not shirk discussion of tonality but he does so in a way that is readily accessible to the lay music-lover. It is a great pity that these short talks are insensitively produced: illustrations are badly faded and inserted with little feeling for pace. They would be unacceptable in a broadcast talk, let alone in something intended for repeated hearing.&lt;/i&gt;&lt;br /&gt;EMG Monthly Letter - Jan.1975: "..&lt;i&gt;.not unfortunately very well recorded&lt;/i&gt;..."&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-3644915311489224235?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/3644915311489224235/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2011/06/robert-simpson-carl-nielsen.html#comment-form' title='8 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/3644915311489224235'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/3644915311489224235'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/06/robert-simpson-carl-nielsen.html' title='Robert Simpson - Carl Nielsen: An Introduction to the Symphonies - Unicorn 1974'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-2UgEmVkG2wA/TgS1aH7y3fI/AAAAAAAABBY/Q_o_BDauHi8/s72-c/Nielsen+-+Unicorn.jpg' height='72' width='72'/><thr:total>8</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-4155826803562352989</id><published>2011-06-22T15:25:00.036+01:00</published><updated>2011-08-18T12:58:39.579+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Vienna SO'/><category scheme='http://www.blogger.com/atom/ns#' term='BEETHOVEN'/><category scheme='http://www.blogger.com/atom/ns#' term='Horenstein -Jascha'/><title type='text'>Jascha Horenstein / Vienna Pro Musica - Beethoven Choral Symphony - Decca/VOX 1966 - over on  PRISTINE CLASSICS</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/-cd4_GefZlpg/TgIAayiXaVI/AAAAAAAABBU/04WvobH3_Po/s1600/Beethoven%2B9%2BHorenstein.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/-cd4_GefZlpg/TgIAayiXaVI/AAAAAAAABBU/04WvobH3_Po/s200/Beethoven%2B9%2BHorenstein.jpg" width="199" /&gt;&lt;/a&gt;&lt;b&gt;Ludwig van Beethoven: Symphony no.9 in D minor, op.125&amp;nbsp; ("Choral")&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Wilma Lipp, &lt;/b&gt;&lt;i&gt;Soprano&lt;/i&gt;&amp;nbsp;&lt;b&gt; ~&amp;nbsp; Elisabeth Hoengen, &lt;/b&gt;&lt;i&gt;Contralto&lt;/i&gt; &lt;b&gt;&amp;nbsp;~&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Julius Patzak, &lt;/b&gt;&lt;i&gt;Tenor&lt;/i&gt; &lt;b&gt;&amp;nbsp;~ &amp;nbsp;Otto Wiener, &lt;/b&gt;&lt;i&gt;Bass&lt;/i&gt;&lt;b&gt;&lt;br /&gt;Singverein der Gesellschaft der Musikfreunde, Vienna&lt;br /&gt;Pro Musica Symphony, Vienna &amp;nbsp;&lt;/b&gt;&lt;i&gt;conducted by&lt;/i&gt;&lt;b&gt;&amp;nbsp; Jascha Horenstein&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Decca/VOX &amp;nbsp;GBY 10000&amp;nbsp; &lt;/b&gt;&amp;nbsp;First edition 1966 LP&lt;b&gt; &amp;nbsp;&amp;nbsp; &lt;/b&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC / WAV&lt;/span&gt;&lt;/i&gt;&lt;b&gt; files @ &amp;nbsp;&lt;/b&gt; &amp;nbsp; &amp;nbsp;&lt;a href="http://pristineclassics.blogspot.com/"&gt;http://pristineclassics.blogspot.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Some congestion/limiting of loud passages is still apparent despite Decca's superior tape-to-disc transfer compared to the original 'RVG' transfers used by Decca for PL 10 000.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-4155826803562352989?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/4155826803562352989'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/4155826803562352989'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/06/jascha-horenstein-vienna-pro-musica.html' title='Jascha Horenstein / Vienna Pro Musica - Beethoven Choral Symphony - Decca/VOX 1966 - over on  PRISTINE CLASSICS'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-cd4_GefZlpg/TgIAayiXaVI/AAAAAAAABBU/04WvobH3_Po/s72-c/Beethoven%2B9%2BHorenstein.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-6073032882777234161</id><published>2011-06-10T11:30:00.000+01:00</published><updated>2012-01-26T23:13:43.125Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='ZIPOLI'/><category scheme='http://www.blogger.com/atom/ns#' term='Germani -Fernando'/><category scheme='http://www.blogger.com/atom/ns#' term='BENCINI'/><category scheme='http://www.blogger.com/atom/ns#' term='O R G A N S'/><category scheme='http://www.blogger.com/atom/ns#' term='CASINI'/><category scheme='http://www.blogger.com/atom/ns#' term='PORPORA'/><category scheme='http://www.blogger.com/atom/ns#' term='PASQUINI'/><category scheme='http://www.blogger.com/atom/ns#' term='FRESCOBALDI'/><title type='text'>Fernando Germani - Italian Organ: Frescobaldi, Pasquini, Bencini, Casini, Porpora, Zipoli - DG Archiv 1970</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-lftOV8DMrYw/Te39s2F39pI/AAAAAAAAA_8/TOrLXmbwfu0/s1600/Germani+-+Archiv.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="196" src="http://2.bp.blogspot.com/-lftOV8DMrYw/Te39s2F39pI/AAAAAAAAA_8/TOrLXmbwfu0/s200/Germani+-+Archiv.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Girolamo Frescobaldi: &amp;nbsp;Toccata Quinta   &amp;nbsp; &amp;nbsp; &lt;/b&gt;&lt;a href="http://www.mediafire.com/?r5f39o2dfjm4duh"&gt;http://www.mediafire.com/?r5f39o2dfjm4duh&lt;/a&gt;&lt;br /&gt;&lt;b&gt;Toccata Quarta     &amp;nbsp;&lt;/b&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;/i&gt;&lt;b&gt;&amp;nbsp; &lt;/b&gt;&lt;a href="http://www.mediafire.com/?bjxtnmvjdmcr9pw"&gt;http://www.mediafire.com/?bjxtnmvjdmcr9pw&lt;/a&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Toccata Prima      &amp;nbsp;&lt;/b&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp; &lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://www.mediafire.com/?3022wnpnu20h9xh"&gt;http://www.mediafire.com/?3022wnpnu20h9xh&lt;/a&gt;&lt;/span&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Toccata Terza     &amp;nbsp;&lt;/b&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp; &lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://www.mediafire.com/?trtd6rnsk3ozqbo"&gt;http://www.mediafire.com/?trtd6rnsk3ozqbo&lt;/a&gt;&lt;/span&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;/span&gt;&lt;/i&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp;Toccata Sesta      &amp;nbsp;&lt;/b&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://www.mediafire.com/?xc1d95sgsumubua"&gt;http://www.mediafire.com/?xc1d95sgsumubua&lt;/a&gt;&lt;/span&gt;&lt;b&gt;&lt;br /&gt;Bernardo Pasquini:   Toccata  /  Sonata &amp;nbsp; &lt;/b&gt;&lt;a href="http://www.mediafire.com/?hso3da3glof4nci"&gt;http://www.mediafire.com/?hso3da3glof4nci&lt;/a&gt;&lt;b&gt;&lt;br /&gt;Domenico Zipoli:  Canzona in G &amp;nbsp;    &amp;nbsp; &lt;/b&gt;&lt;a href="http://www.mediafire.com/?dcecenbyp0g5rde"&gt;http://www.mediafire.com/?dcecenbyp0g5rde&lt;/a&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Giovanni Maria Casini:  Pensiero in D                &amp;nbsp; &amp;nbsp; &lt;/b&gt;&lt;a href="http://www.mediafire.com/?xciavdc6zdv04bi"&gt;http://www.mediafire.com/?xciavdc6zdv04bi&lt;/a&gt;&lt;b&gt;&lt;br /&gt;Guiseppe Bencini:  Fuga in G / Sonata in F &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;a href="http://www.mediafire.com/?gh4ydr8fuxzoo3s"&gt;http://www.mediafire.com/?gh4ydr8fuxzoo3s&lt;/a&gt;&lt;b&gt;&lt;br /&gt;Nicolo Antonio Porpora:   Fuga in E &amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;a href="http://www.mediafire.com/?53vy8mqp2xw3y3o"&gt;http://www.mediafire.com/?53vy8mqp2xw3y3o&lt;/a&gt;&lt;br /&gt;&lt;b&gt;&lt;br /&gt;Fernando Germani  &lt;/b&gt;&lt;i&gt;&amp;nbsp;at the Church Organ of&amp;nbsp;&lt;/i&gt;&lt;b&gt;&lt;i&gt;   &lt;/i&gt;&amp;nbsp;Santa Maria del Riposo - Venice.               &amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Archiv Produktion  &amp;nbsp;2533 043       &amp;nbsp; &amp;nbsp;&lt;/b&gt;Recorded: 20-23 January 1969&lt;b&gt;. &amp;nbsp;     &amp;nbsp;&lt;/b&gt;1970 pressing  -  matrices: February 1970. &amp;nbsp;&amp;nbsp;    &amp;nbsp;&lt;a href="http://www.gramophone.net/Issue/Page/January%201971/91/739972/ITALIAN+ORGAN+WORKS.+Fernando+Germani.+Archive+2533+043+%2847s.+6d.+L2.38%29.+Played+on+the+Pietro+Nacchini+Organ+in+Santa+Maria+del+Riposo%2C+Venice%2C+Italy."&gt;Gramophone review&lt;/a&gt;&lt;b&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;STEREO &lt;/b&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;WAV&lt;/span&gt;&lt;/i&gt;&lt;b&gt; files &amp;nbsp; Most WAV's re-edited Jan. 2012 &amp;nbsp; &amp;nbsp; &lt;i&gt;Sublime music/performances - &amp;amp; Organ ! &lt;/i&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; Sleeve-note&lt;/b&gt;/track-listings &amp;gt;&amp;gt;&amp;gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied. By downloading the file/s you agree to accept these conditions.&lt;/span&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/-0OubJ2jNh5w/TjAnczYhpAI/AAAAAAAABE8/2Vq7qtkxACc/s1600/Germani+-+Archiv+sleevenote.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="214" src="http://4.bp.blogspot.com/-0OubJ2jNh5w/TjAnczYhpAI/AAAAAAAABE8/2Vq7qtkxACc/s320/Germani+-+Archiv+sleevenote.jpg" width="320" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-B027O4HpnmE/TjAniRe2cWI/AAAAAAAABFA/CmQ8ptTeqyU/s1600/Germani+-+Archiv+track-list.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="260" src="http://4.bp.blogspot.com/-B027O4HpnmE/TjAniRe2cWI/AAAAAAAABFA/CmQ8ptTeqyU/s320/Germani+-+Archiv+track-list.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-6073032882777234161?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/6073032882777234161/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2011/06/fernando-germani-italian-organ.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/6073032882777234161'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/6073032882777234161'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/06/fernando-germani-italian-organ.html' title='Fernando Germani - Italian Organ: Frescobaldi, Pasquini, Bencini, Casini, Porpora, Zipoli - DG Archiv 1970'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-lftOV8DMrYw/Te39s2F39pI/AAAAAAAAA_8/TOrLXmbwfu0/s72-c/Germani+-+Archiv.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-566169161147783247</id><published>2011-04-28T19:59:00.027+01:00</published><updated>2012-01-29T14:49:49.540Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='London Harpsichord Ensemble'/><category scheme='http://www.blogger.com/atom/ns#' term='TELEMANN'/><category scheme='http://www.blogger.com/atom/ns#' term='VIVALDI'/><category scheme='http://www.blogger.com/atom/ns#' term='Francis -Sarah'/><category scheme='http://www.blogger.com/atom/ns#' term='Silver -Millicent'/><category scheme='http://www.blogger.com/atom/ns#' term='HANDEL'/><category scheme='http://www.blogger.com/atom/ns#' term='BACH - J.S.'/><title type='text'>London Harpsichord Ensemble. Bach: The Musical Offering - Saga 1964 ..... Sarah Francis ~ Millicent Silver ~  Bernard Richards: 4 Oboe Sonatas - Argo 1978</title><content type='html'>&lt;div class="separator" style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none; clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-868kBbrJ7b4/Tbm4eSibpZI/AAAAAAAAA9w/4dEgBRGz8K8/s1600/Saga+-+Bach+-+LHE.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://1.bp.blogspot.com/-868kBbrJ7b4/Tbm4eSibpZI/AAAAAAAAA9w/4dEgBRGz8K8/s200/Saga+-+Bach+-+LHE.jpg" width="196" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Johann Sebastian Bach: &amp;nbsp;"The Musical Offering", BWV 1079&lt;/b&gt; &amp;nbsp;(&lt;i&gt; realisation:&lt;/i&gt; Millicent Silver )&lt;br /&gt;&lt;b&gt;Side One:&lt;/b&gt; &amp;nbsp;&lt;i&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;FLAC:&lt;/span&gt;&lt;/i&gt; &amp;nbsp; &lt;a href="http://www.mediafire.com/?4bf6shni9ha7srf"&gt;http://www.mediafire.com/?4bf6shni9ha7srf&lt;/a&gt;&lt;br /&gt;&lt;b&gt;Side Two: &lt;/b&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;FLAC: &amp;nbsp; &lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://www.mediafire.com/?q14m1ec30m1qv24"&gt;http://www.mediafire.com/?q14m1ec30m1qv24&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;b&gt;The London Harpsichord Ensemble&lt;/b&gt; &amp;nbsp; ( &lt;b&gt;John Francis&lt;/b&gt;, &lt;i&gt;flute&lt;/i&gt; &amp;nbsp;~ &amp;nbsp;&lt;b&gt;John Tunnell&lt;/b&gt;, &lt;i&gt;violin&lt;/i&gt; &amp;nbsp;~ &amp;nbsp;&amp;nbsp;&lt;b&gt; Francis&lt;/b&gt;, &lt;i&gt;oboe/cor anglais&lt;/i&gt;&amp;nbsp; ~ &amp;nbsp;&lt;b&gt;Bernard Davis&lt;/b&gt;, &lt;i&gt;viola&lt;/i&gt;&amp;nbsp; ~&amp;nbsp; &lt;b&gt;Roger Birnstingl&lt;/b&gt;, &lt;i&gt;bassoon&lt;/i&gt; &amp;nbsp;~ &amp;nbsp;&lt;b&gt;Norman Jones&lt;/b&gt;, &lt;i&gt;'cello&lt;/i&gt;&amp;nbsp; ~&amp;nbsp; &lt;b&gt;Millicent Silver&lt;/b&gt;, &lt;i&gt;harpsichord&lt;/i&gt; ) &amp;nbsp;&lt;i&gt;directed by&lt;/i&gt;&amp;nbsp; &lt;b&gt;John Francis&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;SAGA&amp;nbsp; XID 5237&lt;/b&gt;&amp;nbsp; &amp;nbsp;1964 &lt;b&gt;Mono&lt;/b&gt;: no stereo issue (a 'dry' acoustic - &amp;amp; the sound becomes a bit/more 'hair-shirt' towards side-ends..) &amp;nbsp; &lt;a href="http://www.gramophone.net/Issue/Page/February%201965/48/861714/CHAMBER+MUSIC"&gt;1965 Gramophone review&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;G.F.Handel: &amp;nbsp;Sonata no.2 in G minor&lt;/b&gt;&lt;br /&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC:&lt;/span&gt;&lt;/i&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=VM1RP9D6&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;i&gt;&lt;span style="font-size: large;"&gt;WAV: &lt;/span&gt;&lt;/i&gt;&amp;nbsp; &amp;nbsp; http://www.megaupload.com/?d=S6S0A06F &amp;nbsp; &lt;/div&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;a href="http://2.bp.blogspot.com/-K1yvHSodyl8/Tbm4q7JzBXI/AAAAAAAAA94/JVxERqP5d_k/s1600/ARGO+-+Oboe+Sonatas.jpg" imageanchor="1" style="clear: right; cssfloat: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://2.bp.blogspot.com/-K1yvHSodyl8/Tbm4q7JzBXI/AAAAAAAAA94/JVxERqP5d_k/s200/ARGO+-+Oboe+Sonatas.jpg" width="196" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;b&gt;Georg Telemann: &amp;nbsp;Sonata in B flat major&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC:&lt;/span&gt;&lt;/i&gt; &amp;nbsp; &amp;nbsp; http://www.megaupload.com/?d=WBC9YM6W&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;i&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;WAV: &lt;/span&gt;&lt;/i&gt;&amp;nbsp;&amp;nbsp; http://www.megaupload.com/?d=T9UVYWVW&lt;/div&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;Nicolas Chedeville &amp;nbsp;&lt;/b&gt;(attrib: &lt;b&gt;Vivaldi&lt;/b&gt;): &lt;b&gt;&amp;nbsp;Sonata in A major, op.13, no.4&lt;/b&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC:&lt;/span&gt;&lt;/i&gt; &amp;nbsp; &amp;nbsp; http://www.megaupload.com/?d=PV0GJCY6&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;i&gt;&lt;span style="font-size: large;"&gt;WAV: &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/i&gt; http://www.megaupload.com/?d=SBSGQ3R3&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Johann Sebastian Bach:&amp;nbsp; Sonata in G minor, BWV 1020&lt;/b&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC:&lt;/span&gt;&lt;/i&gt; &amp;nbsp; &amp;nbsp; http://www.megaupload.com/?d=UBYHF3JV&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;i&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;WAV: &lt;/span&gt;&lt;/i&gt;&amp;nbsp; &amp;nbsp;http://www.miegaupload.com/?d=ZEWASC1T&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Sarah Francis&lt;/b&gt;, &lt;i&gt;oboe&amp;nbsp;&lt;/i&gt; ~ &amp;nbsp;&lt;b&gt;Millicent Silver&lt;/b&gt;, &lt;i&gt;harpsichord&amp;nbsp;&lt;/i&gt; ~ &amp;nbsp;&lt;b&gt;Bernard Richards&lt;/b&gt;, &lt;i&gt;'cello&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;a href="http://www.bach-cantatas.com/Bio/Silver-Millicent.htm"&gt;Millicent Silver - Biography&lt;/a&gt;&lt;br /&gt;&lt;b&gt;ARGO &amp;nbsp;ZK 41 &amp;nbsp;&lt;/b&gt;&amp;nbsp; &amp;nbsp;1978 LP/matrices: ZRG 4623 -1Y / ZRG 4624 -1Y &amp;nbsp; &amp;nbsp; Recorded: 16/17 May 1977 - St.George the Martyr.&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;b&gt;Sleeve-notes&lt;/b&gt; &amp;gt;&amp;gt;&amp;gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be &lt;/span&gt;&lt;span style="font-size: x-small;"&gt;otherwise stored/copied. By downloading the file/s you agree to accept these conditions. &lt;/span&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none; clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-OpWPmYAwNqI/Tbm5AUlAGDI/AAAAAAAAA-A/rcbkK15SuKY/s1600/ARGO+ZK+41+sleevenote.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://2.bp.blogspot.com/-OpWPmYAwNqI/Tbm5AUlAGDI/AAAAAAAAA-A/rcbkK15SuKY/s200/ARGO+ZK+41+sleevenote.jpg" width="200" /&gt;&lt;/a&gt;&lt;a href="http://2.bp.blogspot.com/-fHDi1SDmZp8/Tbm46KMxiUI/AAAAAAAAA98/LZGuhT7sKAA/s1600/SAGA+-+Bach+-+sleevenote.jpg" imageanchor="1" style="clear: right; cssfloat: left; cssfloat: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://2.bp.blogspot.com/-fHDi1SDmZp8/Tbm46KMxiUI/AAAAAAAAA98/LZGuhT7sKAA/s200/SAGA+-+Bach+-+sleevenote.jpg" width="195" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-566169161147783247?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/566169161147783247/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2011/04/london-harpsichord-ens-bach-musical.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/566169161147783247'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/566169161147783247'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/04/london-harpsichord-ens-bach-musical.html' title='London Harpsichord Ensemble. Bach: The Musical Offering - Saga 1964 ..... Sarah Francis ~ Millicent Silver ~  Bernard Richards: 4 Oboe Sonatas - Argo 1978'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-868kBbrJ7b4/Tbm4eSibpZI/AAAAAAAAA9w/4dEgBRGz8K8/s72-c/Saga+-+Bach+-+LHE.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-8643216487027197525</id><published>2011-04-20T19:10:00.056+01:00</published><updated>2012-01-27T23:07:48.637Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Walton -William'/><category scheme='http://www.blogger.com/atom/ns#' term='Schwarzkopf -Elisabeth'/><category scheme='http://www.blogger.com/atom/ns#' term='Lord Birkett'/><category scheme='http://www.blogger.com/atom/ns#' term='Lewis -Richard'/><category scheme='http://www.blogger.com/atom/ns#' term='WALTON'/><category scheme='http://www.blogger.com/atom/ns#' term='Philharmonia'/><title type='text'>William Walton conducts... "Troilus &amp; Cressida" -&amp;- Orb &amp; Sceptre / Crown Imperial / Portsmouth Point / Wise Virgins - EMI 1953/1955  -  over on PRISTINE CLASSICS</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-wx_CN5wKyM0/Ta8hT9UAiOI/AAAAAAAAA9k/rqWyefEIbG8/s1600/Walton+33C.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/-wx_CN5wKyM0/Ta8hT9UAiOI/AAAAAAAAA9k/rqWyefEIbG8/s200/Walton+33C.jpg" width="199" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;"Orb &amp;amp; Sceptre" &lt;/b&gt;- Coronation March, 1953&amp;nbsp; &amp;nbsp;&amp;nbsp; /&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;b&gt;"Portsmouth Point"&lt;/b&gt; - overture&lt;br /&gt;&lt;b&gt;"Crown Imperial"&lt;/b&gt; - Coronation March, 1937 (original version)&amp;nbsp; / &amp;nbsp;&lt;b&gt;J&lt;/b&gt;&lt;b&gt;.S.Bach&lt;/b&gt;: arr &lt;b&gt;Walton&lt;/b&gt;: &lt;b&gt;"Sheep may safely graze"&lt;/b&gt; ("The Wise Virgins")&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Columbia &amp;nbsp;33C 1016 &amp;nbsp;&lt;/b&gt; (10")&amp;nbsp;&amp;nbsp; 1953 pressing. &amp;nbsp; &amp;nbsp; Recorded: 18 March 1953 - Kingsway Hall &lt;br /&gt;&lt;br /&gt;&lt;b&gt;"Troilus and Cressida"&lt;/b&gt; (scenes) &amp;nbsp; &lt;br /&gt;TROILUS: &lt;b&gt;Richard Lewis&lt;/b&gt;, &lt;i&gt;tenor&lt;/i&gt;&amp;nbsp; ~&amp;nbsp; CRESSIDA: &lt;b&gt;Elisabeth Schwarzkopf&lt;/b&gt;, &lt;i&gt;soprano&lt;/i&gt;&amp;nbsp; ~&amp;nbsp; EVADNE: &lt;b&gt;Monica Sinclair&lt;/b&gt;, &lt;i&gt;contralto&lt;/i&gt; ~&lt;br /&gt;THREE WATCHMEN: &lt;b&gt;Geoffrey Walls&lt;/b&gt;, &lt;i&gt;tenor&lt;/i&gt;&amp;nbsp; ~&amp;nbsp; &lt;b&gt;John Hauxvell&lt;/b&gt;, &lt;i&gt;baritone&lt;/i&gt;&amp;nbsp; ~&amp;nbsp; &lt;b&gt;Lewis Thomas&lt;/b&gt;, &lt;i&gt;tenor&lt;/i&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;World Record Club&amp;nbsp; OH 217&lt;/b&gt;&amp;nbsp; (originally: Columbia 33CX 1313) &amp;nbsp;&amp;nbsp; Recorded: 18 April ~ 20 May 1955 - Kingsway Hall.&amp;nbsp;&amp;nbsp; &lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;The Philharmonia Orchestra&amp;nbsp;&lt;/b&gt; &lt;i&gt;conducted by&lt;/i&gt;&amp;nbsp; &lt;b&gt;Sir William Walton&amp;nbsp;&amp;nbsp;&lt;/b&gt;&amp;nbsp; &amp;nbsp; &lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;FLAC / WAV&lt;/i&gt;&lt;/span&gt; &lt;b&gt;files&lt;/b&gt; &amp;nbsp;@ &amp;nbsp;&lt;a href="http://pristineclassics.blogspot.com/"&gt;http://pristineclassics.blogspot.com&lt;/a&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-8643216487027197525?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/8643216487027197525/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2011/04/william-walton-conducts-troilus.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/8643216487027197525'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/8643216487027197525'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/04/william-walton-conducts-troilus.html' title='William Walton conducts... &quot;Troilus &amp; Cressida&quot; -&amp;- Orb &amp; Sceptre / Crown Imperial / Portsmouth Point / Wise Virgins - EMI 1953/1955  -  over on PRISTINE CLASSICS'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-wx_CN5wKyM0/Ta8hT9UAiOI/AAAAAAAAA9k/rqWyefEIbG8/s72-c/Walton+33C.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-996964104350690508</id><published>2011-04-10T22:56:00.060+01:00</published><updated>2012-01-25T00:41:36.976Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Equale Brass'/><category scheme='http://www.blogger.com/atom/ns#' term='MORERA'/><category scheme='http://www.blogger.com/atom/ns#' term='BARTOK'/><category scheme='http://www.blogger.com/atom/ns#' term='RAMEAU'/><title type='text'>Equale Brass - "Cabaret" ..... Morera ~ Spanish Renaissance ~ Bartok ~ Rameau - Nimbus 1981</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-IEGAgJm-0ho/TaIm1O1UiNI/AAAAAAAAA9E/j39sx2mi5Oo/s1600/Equale+Brass.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="193" src="http://2.bp.blogspot.com/-IEGAgJm-0ho/TaIm1O1UiNI/AAAAAAAAA9E/j39sx2mi5Oo/s200/Equale+Brass.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Enric Morera: &amp;nbsp;Four Sardanas: &amp;nbsp;&lt;/b&gt;La Senta Espina ~ La Nostre Roser ~ Les Fulles Segues ~ La Sardana de las Monjes&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC:&lt;/span&gt;&lt;/i&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=49VE8IJQ &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;i&gt;&lt;span style="font-size: large;"&gt;WAV:&lt;/span&gt;&lt;/i&gt;&amp;nbsp;  &amp;nbsp; &amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=DZ1AJSCZ&lt;br /&gt;&lt;b&gt;Spanish Renaissance Music: &amp;nbsp;&lt;/b&gt;&lt;b&gt;Ponce&lt;/b&gt;: Torres de la Nina ~ &lt;b&gt;Anon&lt;/b&gt;: Cancion Nina y Vina ~ &lt;b&gt;Valderravano&lt;/b&gt;: Differencia sobre Guardame las vacas ~ &lt;b&gt;Anon&lt;/b&gt;: Cancion de la Virgen que Parlo ~ &lt;b&gt;Milan&lt;/b&gt;: Fantasia&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC:&lt;/span&gt;&lt;/i&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; http://www.megaupload.com/?d=IJ3WR7S3&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;i&gt;&lt;span style="font-size: large;"&gt; &amp;nbsp;WAV:&lt;/span&gt;&lt;/i&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=ZIPMY1MN&lt;br /&gt;&lt;b&gt;Bela Bartok: &amp;nbsp;"Mikrokosmos"&lt;/b&gt; - Dances in Bulgarian Rhythm: (nos. 6, 1, 2, 3, 5) ~ Crossed Hands ~ Merry Andrew ~ From the Diary of a Fly ~ Major seconds; Broken &amp;amp; Together ~ Bagpipe&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC: &amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;/i&gt;http://www.megaupload.com/?d=ISPHCA06&amp;nbsp;  &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;i&gt;&lt;span style="font-size: large;"&gt;WAV:&lt;/span&gt;&lt;/i&gt;&amp;nbsp;  &amp;nbsp;&amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=5LOTU9IN&lt;br /&gt;&lt;b&gt;Jean-Philippe Rameau&lt;/b&gt;:&amp;nbsp; Les Sauvages ~ Le Rappel des Oiseaux&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC: &lt;/span&gt;&lt;/i&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=9QU6E5QB&amp;nbsp;  &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;i&gt;&lt;span style="font-size: large;"&gt;WAV:&lt;/span&gt;&lt;/i&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=ZPBFPVTN&lt;br /&gt;&lt;br /&gt;&lt;b&gt;John Kander:&lt;/b&gt; &lt;b&gt;&amp;nbsp;"Cabaret"&lt;/b&gt; - Three Songs: Willkommen ~ Mein Herr ~ Maybe this time &amp;nbsp; / &amp;nbsp; &lt;b&gt;Hanns Eisler:&lt;/b&gt; Lied eines Freudenmadchens ~ Ballade von der Judenhure Marie Saunders&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;FLAC:&lt;/i&gt;&lt;/span&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=ZSLUEWPD&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;i&gt;&lt;span style="font-size: large;"&gt;WAV: &lt;/span&gt; &lt;/i&gt;&amp;nbsp; &amp;nbsp; http://www.megaupload.com/?d=YKZ1ECZ5&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/-H7i024nkgPc/TaIm7Bn1m1I/AAAAAAAAA9I/WtuVkWwHnQU/s1600/Equale+-+Cabaret.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://1.bp.blogspot.com/-H7i024nkgPc/TaIm7Bn1m1I/AAAAAAAAA9I/WtuVkWwHnQU/s200/Equale+-+Cabaret.jpg" width="198" /&gt;&lt;/a&gt;&lt;b&gt;Herbert Chappell:&lt;/b&gt; &amp;nbsp;"Hollywood Portraits": Keaton - Bogart - Marilyn Munroe - Presley &amp;nbsp; / &amp;nbsp; &lt;b&gt;William Walton:&lt;/b&gt; "Facade": Popular Song &lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC:&lt;/span&gt;&lt;/i&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; http://www.megaupload.com/?d=SD8BOXHP&amp;nbsp;  &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;i&gt;&lt;span style="font-size: large;"&gt;WAV:&lt;/span&gt;&lt;/i&gt; &amp;nbsp; &amp;nbsp;&amp;nbsp;  http://www.megaupload.com/?d=O899OB10&lt;br /&gt;&lt;b&gt;Scott Joplin:&lt;/b&gt; Cleopha &amp;nbsp; / &amp;nbsp; &lt;b&gt;George Gershwin:&lt;/b&gt; By Strauss ~ Love is here to stay ~ Fascinating Rhythm&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC:&lt;/span&gt;&lt;/i&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=ORZGDPNG&amp;nbsp;  &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;i&gt;&lt;span style="font-size: large;"&gt; WAV:&lt;/span&gt;&lt;/i&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=YXXLWUAO&lt;br /&gt;&lt;b&gt;Cole Porter&lt;/b&gt;: I've got you under my skin ~ Easy to love &amp;nbsp; / &amp;nbsp; &lt;b&gt;Ned Washington&lt;/b&gt;: On Green Dolphin Street&lt;br /&gt;&lt;b&gt;Irving Berlin&lt;/b&gt;: Top Hat, White Tie &amp;amp; Tails &amp;nbsp; / &amp;nbsp; &lt;b&gt;Scott Joplin&lt;/b&gt;: Combination March &amp;amp; two-Step&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC: &amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;/i&gt;  http://www.megaupload.com/?d=61SFD8AM&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;i&gt;&lt;span style="font-size: large;"&gt;WAV: &amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;/i&gt; http://www.megaupload.com/?d=T9V4KUZ0&lt;br /&gt;&lt;b&gt;NIMBUS &amp;nbsp;45010&lt;/b&gt; /&lt;b&gt; &lt;/b&gt;&lt;b&gt;45014&lt;/b&gt; &amp;nbsp;&lt;span style="font-size: large;"&gt;45rpm&lt;/span&gt;&amp;nbsp; Rec: 22/23 December 1980 &amp;nbsp;&amp;amp; &amp;nbsp;8/9 May 1981 - Nimbus Studios &lt;b&gt;&amp;nbsp;&amp;nbsp; Ambisonic/UHJ&lt;/b&gt; &lt;i&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp; FLAC/WAV&lt;/span&gt;&lt;/i&gt;&lt;b&gt; files&lt;/b&gt;&lt;br /&gt;&lt;span style="color: magenta;"&gt;I WILL SEE IF RE-EDITING IS WORTHWHILE - UNFORTUNATELY THE 'SURFACES' WERE MOSTLY LESS THAN QUIET..&lt;/span&gt;&lt;br /&gt;&lt;b&gt;Equale Brass: &amp;nbsp;John Wallace&lt;/b&gt;, &lt;i&gt;trumpet&lt;/i&gt; ~ &lt;b&gt;John Miller, &lt;/b&gt;&lt;i&gt;trumpet &lt;/i&gt;~ &lt;b&gt;Michael Thompson&lt;/b&gt;, &lt;i&gt;horn&lt;/i&gt; ~ &lt;b&gt;Peter Goodwin&lt;/b&gt;, &lt;i&gt;trombone&lt;/i&gt; ~ &lt;b&gt;John Jenkins&lt;/b&gt;, &lt;i&gt;tuba&lt;/i&gt;&lt;br /&gt;Not on CD  &amp;nbsp;(a minor degree of 'matrix contamination' except, fortunately, 45010/side 2 - the superb Bartok..)  &amp;nbsp; &amp;nbsp; &lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Sleeve-notes&lt;/b&gt; &amp;gt;&amp;gt;&amp;gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied. By downloading the file/s you agree to accept these conditions.&lt;/span&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-J7NBsFvySEk/TaInUCVunlI/AAAAAAAAA9Q/zd3Xzs0KryY/s1600/Cabaret+-+sleevenote.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://2.bp.blogspot.com/-J7NBsFvySEk/TaInUCVunlI/AAAAAAAAA9Q/zd3Xzs0KryY/s200/Cabaret+-+sleevenote.jpg" width="196" /&gt;&lt;/a&gt;&lt;a href="http://3.bp.blogspot.com/-pKTe9UIKX88/TaInG7kA4FI/AAAAAAAAA9M/QP1FHLfT-Oo/s1600/Equale+Brass+-+sleevenote.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/-pKTe9UIKX88/TaInG7kA4FI/AAAAAAAAA9M/QP1FHLfT-Oo/s200/Equale+Brass+-+sleevenote.jpg" width="198" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-996964104350690508?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/996964104350690508/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2011/04/equale-brass-cabaret-morera-spanish.html#comment-form' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/996964104350690508'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/996964104350690508'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/04/equale-brass-cabaret-morera-spanish.html' title='Equale Brass - &quot;Cabaret&quot; ..... Morera ~ Spanish Renaissance ~ Bartok ~ Rameau - Nimbus 1981'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-IEGAgJm-0ho/TaIm1O1UiNI/AAAAAAAAA9E/j39sx2mi5Oo/s72-c/Equale+Brass.jpg' height='72' width='72'/><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-3328472811384877297</id><published>2011-04-07T21:20:00.054+01:00</published><updated>2012-01-25T14:32:16.337Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Philip Jones Brass Ensemble'/><category scheme='http://www.blogger.com/atom/ns#' term='BRITTEN'/><category scheme='http://www.blogger.com/atom/ns#' term='LSO Brass Ensemble'/><category scheme='http://www.blogger.com/atom/ns#' term='Jones -Philip'/><category scheme='http://www.blogger.com/atom/ns#' term='BBC SO'/><category scheme='http://www.blogger.com/atom/ns#' term='GABRIELI'/><category scheme='http://www.blogger.com/atom/ns#' term='Wallace Collection'/><category scheme='http://www.blogger.com/atom/ns#' term='HAMILTON'/><category scheme='http://www.blogger.com/atom/ns#' term='Pritchard -John'/><category scheme='http://www.blogger.com/atom/ns#' term='Howarth -Elgar'/><category scheme='http://www.blogger.com/atom/ns#' term='MUSSORGSKY'/><category scheme='http://www.blogger.com/atom/ns#' term='ARNOLD'/><category scheme='http://www.blogger.com/atom/ns#' term='SCHEIDT'/><category scheme='http://www.blogger.com/atom/ns#' term='EWALD'/><title type='text'>Philip Jones Memorial Concert - Ewald ~ Mussorgsky 'Pictures', etc. / PJBE: Archive recordings - BBC 2001</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-l4w2fw0ffck/TZ4cINTnUKI/AAAAAAAAA88/WzstJGhw4Vo/s1600/Philip+Jones+-+Argo.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-l4w2fw0ffck/TZ4cINTnUKI/AAAAAAAAA88/WzstJGhw4Vo/s320/Philip+Jones+-+Argo.jpg" width="217" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Quintet in Honorium Philip Jones&lt;/b&gt;: &lt;i&gt;&amp;nbsp;&lt;/i&gt;(&lt;b&gt; James Watson, Rod Franks, James Gourlay, Roger Harvey, David Pyatt&lt;/b&gt;&lt;i&gt;&lt;b&gt; &lt;/b&gt;&lt;/i&gt;)&lt;br /&gt;&lt;b&gt;16th C. Dances ~&lt;/b&gt;&lt;b&gt; Aston: Hornpipe &lt;/b&gt;(arr: Howarth)&lt;b&gt;&amp;nbsp; / &amp;nbsp;Stephen Dodgson: 'Philip's Repose'&amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;/b&gt;&lt;a href="http://www.mediafire.com/?ilcxipnmc1x1i71"&gt;http://www.mediafire.com/?ilcxipnmc1x1i71&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Victor Ewald: &amp;nbsp;Quintet no.3 in D flat, op.7 &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;i&gt;Allegro Moderato ~ Intermezzo ~ Andante ~ Vivo&lt;/i&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;The Wallace Collection&lt;/b&gt; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;  &lt;a href="http://www.mediafire.com/?srn503nw8z3t8sa"&gt;http://www.mediafire.com/?srn503nw8z3t8sa&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Modest Mussorgsky: &amp;nbsp;"Pictures at an Exhibition"&lt;/b&gt; &amp;nbsp;(arr: Elgar Howarth) &amp;nbsp; &amp;nbsp; &lt;a href="http://www.mediafire.com/?i1mnzz9f59ac8vn"&gt;http://www.mediafire.com/?i1mnzz9f59ac8vn&lt;/a&gt;&lt;br /&gt;&lt;b&gt;London Symphony Orchestra Brass Ensemble&lt;/b&gt; &amp;nbsp;&lt;i&gt;conducted by&lt;/i&gt;&amp;nbsp; &lt;b&gt;Elgar Howarth&lt;/b&gt;&amp;nbsp;  &lt;br /&gt;&lt;b&gt;BBC Radio 3&lt;/b&gt; &lt;b&gt;FM&lt;/b&gt;- 21 January 2001 - from Barbican Hall concert: 17 January 2001&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Iain Hamilton: &amp;nbsp;"Circus" for 2 Trumpets &amp;amp; Orchestra&lt;/b&gt; (1969)  &amp;nbsp; &amp;nbsp; &lt;a href="http://www.mediafire.com/?usz43pujbrlewjh"&gt;http://www.mediafire.com/?usz43pujbrlewjh&lt;/a&gt;&lt;br /&gt;&lt;b&gt;Philip Jones ~ Elgar Howarth&lt;/b&gt;, &lt;i&gt;trumpets&lt;/i&gt; - &lt;b&gt;BBC SO&amp;nbsp; &lt;/b&gt;&lt;i&gt;conducted by&lt;/i&gt;&lt;b&gt;&amp;nbsp; John Pritchard&lt;/b&gt;.&amp;nbsp; &amp;nbsp;21 January 1970 - Royal Festival Hall.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Giovanni Gabrieli: &amp;nbsp;8vv Sonata&lt;/b&gt; (Sinfoniae Sacrae, 1615) -&amp;amp;- Motet: &lt;b&gt;"Salvator noster"&lt;/b&gt;&amp;nbsp;  &amp;nbsp;&lt;a href="http://www.mediafire.com/?0fdgqa0rn9z99b9"&gt;http://www.mediafire.com/?0fdgqa0rn9z99b9&lt;/a&gt;&lt;br /&gt;&lt;b&gt;PJBE, John Angelo Massana,&lt;/b&gt; &lt;i&gt;Counter-Tenor&lt;/i&gt; - &lt;b&gt;Monteverdi Choir - John Eliot Gardiner&lt;/b&gt;. &amp;nbsp; 4 January 1973 - Westminster Cathedral&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Samuel Scheidt: &amp;nbsp;"Battle Suite"&lt;/b&gt; (arr: Philip Jones) &amp;nbsp; &lt;b&gt;Philip Jones Brass Ensemble&lt;/b&gt; &amp;nbsp; &amp;nbsp;&lt;a href="http://www.mediafire.com/?7umtdv9nbkh16ys"&gt;http://www.mediafire.com/?7umtdv9nbkh16ys&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Benjamin Britten: Fanfare for St.Edmundsbury&lt;/b&gt; (1959) &lt;b&gt;&amp;nbsp; &amp;nbsp;Philip Jones ~ John Miller ~ James Watson&lt;/b&gt;, &lt;i&gt;trumpets&lt;/i&gt;.&amp;nbsp; &amp;nbsp;  &lt;br /&gt;&lt;a href="http://www.mediafire.com/?lgyjewjlp5eaa52"&gt;http://www.mediafire.com/?lgyjewjlp5eaa52&lt;/a&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Malcolm Arnold:&lt;/b&gt;&amp;nbsp;&lt;b&gt; &lt;/b&gt;&lt;b&gt;Symphony for &lt;/b&gt;&lt;b&gt;Brass Instruments, op.123 &lt;/b&gt;&amp;nbsp;(1978) &amp;nbsp;&lt;i&gt;Allegro moderato&lt;/i&gt; ~ &amp;nbsp;&lt;i&gt;Allegro grazioso &lt;/i&gt;~ &lt;i&gt;Andante con moto&lt;/i&gt; ~ &lt;i&gt;Allegro con brio&lt;/i&gt; &amp;nbsp; &lt;b&gt;&amp;nbsp;Philip Jones Brass Ensemble&lt;/b&gt; &lt;br /&gt;&lt;a href="http://www.mediafire.com/?bqxyknrb4ds1lld"&gt;http://www.mediafire.com/?bqxyknrb4ds1lld&lt;/a&gt; &lt;br /&gt;&lt;b&gt;BBC Radio&lt;/b&gt; &lt;b&gt;3 FM.&lt;/b&gt; Cheltenham Festival, July 1979. Re-broadcast 28 January 2001 ( 'BBC Legends' series ). &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;b&gt;&amp;nbsp;&lt;/b&gt; &lt;b&gt;STEREO &lt;/b&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC&lt;/span&gt;&lt;/i&gt;&lt;b&gt; files&lt;/b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;b&gt;&amp;nbsp;"The Times" Obituary&lt;/b&gt; &amp;gt;&amp;gt;&amp;gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied. By downloading the file/s you agree to accept these conditions.&lt;/span&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/--gu9u6GpPto/TZ4cgPL4-KI/AAAAAAAAA9A/Xgctijbd_M0/s1600/Philip+Jones+-+2000+The+Times+-+obit+.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/--gu9u6GpPto/TZ4cgPL4-KI/AAAAAAAAA9A/Xgctijbd_M0/s320/Philip+Jones+-+2000+The+Times+-+obit+.jpg" width="226" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-3328472811384877297?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/3328472811384877297/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2011/04/philip-jones-memorial-concert-ewald.html#comment-form' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/3328472811384877297'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/3328472811384877297'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/04/philip-jones-memorial-concert-ewald.html' title='Philip Jones Memorial Concert - Ewald ~ Mussorgsky &apos;Pictures&apos;, etc. / PJBE: Archive recordings - BBC 2001'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-l4w2fw0ffck/TZ4cINTnUKI/AAAAAAAAA88/WzstJGhw4Vo/s72-c/Philip+Jones+-+Argo.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-7117346912103407931</id><published>2011-04-03T14:05:00.012+01:00</published><updated>2012-01-23T01:10:53.940Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Chicago SO'/><category scheme='http://www.blogger.com/atom/ns#' term='MARTIN'/><category scheme='http://www.blogger.com/atom/ns#' term='VARESE'/><category scheme='http://www.blogger.com/atom/ns#' term='Martinon -Jean'/><title type='text'>Jean Martinon / Chicago Symphony Orchestra - Edgar Varese -&amp;- Frank Martin - RCA 1966</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-rLaIKG2W-RI/TZhvcf4VCWI/AAAAAAAAA8g/j_et4yDznoM/s1600/SB+Varese+-+Martin.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="198" src="http://1.bp.blogspot.com/-rLaIKG2W-RI/TZhvcf4VCWI/AAAAAAAAA8g/j_et4yDznoM/s200/SB+Varese+-+Martin.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Edgar Varese: &amp;nbsp;"Arcana"&lt;/b&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC:&lt;/span&gt;&lt;/i&gt; &amp;nbsp; &amp;nbsp; http://www.megaupload.com/?d=R8EPZWQZ&amp;nbsp;  &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;i&gt;&lt;span style="font-size: large;"&gt; WAV:&lt;/span&gt;&lt;/i&gt; &amp;nbsp;&amp;nbsp; &amp;nbsp; &lt;a href="http://www.mediafire.com/?6lczedzqj4eehyl"&gt;http://www.mediafire.com/?6lczedzqj4eehyl&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Frank Martin:&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Concerto for Seven Wind Instruments, Timpani, Percussion &amp;amp; String Orchestra &amp;nbsp; &amp;nbsp; &lt;/b&gt;&lt;i&gt;&amp;nbsp;( &lt;/i&gt;&lt;i&gt;A&lt;/i&gt;&lt;i&gt;llegro ~ Adagietto ~ Allegro vivace )&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC: &amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;/i&gt;http://www.megaupload.com/?d=67FAMAWP&amp;nbsp;  &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;i&gt;&lt;span style="font-size: large;"&gt;WAV: &amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;/i&gt;  &lt;a href="http://www.mediafire.com/?gcx7spbsb2623kb"&gt;http://www.mediafire.com/?gcx7spbsb2623kb&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Chicago Symphony Orchestra&lt;/b&gt; &amp;nbsp;&lt;i&gt;conducted by&lt;/i&gt; &amp;nbsp;&lt;b&gt;Jean Martinon&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;RCA SB 6710&lt;/b&gt; &amp;nbsp; Decca pressing/matrices: TRRS 2362 -2K / TRRS 2363 -2K &amp;nbsp;  &amp;nbsp; &amp;nbsp;Recorded: March 1966 - Orchestra Hall, Chicago.&lt;br /&gt;&lt;b&gt;STEREO&lt;/b&gt;&lt;i&gt; &lt;span style="font-size: large;"&gt;FLAC/WAV&lt;/span&gt;&lt;/i&gt; &lt;b&gt;files&lt;/b&gt; &amp;nbsp; &amp;nbsp;&lt;a href="http://www.gramophone.net/Issue/Page/July%201967/49/769417/VARESE.+Arcana."&gt;Gramophone review - 1967&lt;/a&gt; &amp;nbsp; &amp;nbsp; Sleeve-note &amp;gt;&amp;gt;&amp;gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied. By downloading the file/s you agree to accept these conditions.&lt;/span&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-DK5i0HLKdTo/TZhw5CgOAMI/AAAAAAAAA8k/EGaUq_0dAUw/s1600/SB+Varese+-+sleevenote.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="315" src="http://4.bp.blogspot.com/-DK5i0HLKdTo/TZhw5CgOAMI/AAAAAAAAA8k/EGaUq_0dAUw/s320/SB+Varese+-+sleevenote.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-7117346912103407931?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/7117346912103407931/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2011/04/jean-martinon-chicago-symphony.html#comment-form' title='17 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/7117346912103407931'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/7117346912103407931'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/04/jean-martinon-chicago-symphony.html' title='Jean Martinon / Chicago Symphony Orchestra - Edgar Varese -&amp;- Frank Martin - RCA 1966'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-rLaIKG2W-RI/TZhvcf4VCWI/AAAAAAAAA8g/j_et4yDznoM/s72-c/SB+Varese+-+Martin.jpg' height='72' width='72'/><thr:total>17</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-2717672758543234186</id><published>2011-03-29T21:34:00.027+01:00</published><updated>2012-01-23T11:53:45.025Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Adler -Larry'/><category scheme='http://www.blogger.com/atom/ns#' term='RPO'/><category scheme='http://www.blogger.com/atom/ns#' term='Gould -Morton'/><category scheme='http://www.blogger.com/atom/ns#' term='BENJAMIN'/><category scheme='http://www.blogger.com/atom/ns#' term='VAUGHAN WILLIAMS'/><category scheme='http://www.blogger.com/atom/ns#' term='MILHAUD'/><category scheme='http://www.blogger.com/atom/ns#' term='ARNOLD'/><title type='text'>Larry Adler - RPO/Morton Gould - Harmonica Concertos: Arnold/Benjamin/Milhaud/Vaughan Williams - RCA 1968</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-eRcYamOb9C0/TZJCZa5m-ZI/AAAAAAAAA8M/rvcD25jpWQ4/s1600/Larry+Adler+SB6786.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/-eRcYamOb9C0/TZJCZa5m-ZI/AAAAAAAAA8M/rvcD25jpWQ4/s200/Larry+Adler+SB6786.jpg" width="196" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Malcolm Arnold: &amp;nbsp;Concerto for Harmonica &amp;amp; Orchestra, op.46&lt;/b&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC: &lt;/span&gt; &lt;/i&gt;&amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=OPGDHGLD&amp;nbsp;  &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;i&gt;&lt;span style="font-size: large;"&gt;WAV:&lt;/span&gt;&lt;/i&gt; &amp;nbsp; &amp;nbsp; &lt;a href="http://www.mediafire.com/?wqd8dhwd7bdsz52"&gt;http://www.mediafire.com/?wqd8dhwd7bdsz52&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Arthur Benjamin: &amp;nbsp;Concerto for Mouth Organ &amp;amp; Orchestra&lt;/b&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC:&lt;/span&gt;&lt;/i&gt;&amp;nbsp; &amp;nbsp; http://www.megaupload.com/?d=E7N08XXS&amp;nbsp;    &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;i&gt;&lt;span style="font-size: large;"&gt; &amp;nbsp; &amp;nbsp; WAV:&lt;/span&gt;&lt;/i&gt; &amp;nbsp; &amp;nbsp;&amp;nbsp; &lt;a href="http://www.mediafire.com/?3faxj9fehvq1ra6"&gt;http://www.mediafire.com/?3faxj9fehvq1ra6&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Ralph Vaughan Williams: &amp;nbsp;Romance for Harmonica &amp;amp; String Orchestra &lt;/b&gt;(with Piano)&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC: &amp;nbsp;&lt;/span&gt;&lt;/i&gt; http://www.megaupload.com/?d=UG887K5S&amp;nbsp;  &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;i&gt;&lt;span style="font-size: large;"&gt;WAV: &lt;/span&gt; &lt;/i&gt;&amp;nbsp; &amp;nbsp;&amp;nbsp; &lt;a href="http://www.mediafire.com/?9gdpb26ephs1jga"&gt;http://www.mediafire.com/?9gdpb26ephs1jga&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Darius Milhaud: &amp;nbsp;Suite for Harmonica &amp;amp; Orchestra&lt;/b&gt; &amp;nbsp;(&lt;i&gt; Gigue ~ Sailor Song ~ Hornpipe &lt;/i&gt;)&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC:&lt;/span&gt;&lt;/i&gt;&amp;nbsp;  &amp;nbsp;http://www.megaupload.com/?d=VOTPSD0A&amp;nbsp;   &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;i&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp; WAV:&lt;/span&gt;&lt;/i&gt; &amp;nbsp; &amp;nbsp;&amp;nbsp; &lt;a href="http://www.mediafire.com/?ma555cce5vctkq5"&gt;http://www.mediafire.com/?ma555cce5vctkq5&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Larry Adler, &lt;/b&gt;&lt;i&gt;harmonica&lt;/i&gt; - &lt;b&gt;Royal Philharmonic Orchestra&lt;/b&gt; &amp;nbsp;&lt;i&gt;conducted by&lt;/i&gt; &amp;nbsp;&lt;b&gt;Morton Gould &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;a href="http://apartyinsuburbia.blogspot.com/2011/08/rhapsody-in-blew.html"&gt;Larry Adler's 1958 PYE recital @apartyinsuburbia.blogspot &amp;gt;&amp;gt;&amp;gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://apartyinsuburbia.blogspot.com/2011/08/rhapsody-in-blew.html"&gt;&lt;/a&gt;&lt;b&gt;RCA SB 6786&lt;/b&gt;&amp;nbsp; &amp;nbsp; 1969 Decca pressing/matrices: T2PY-9494 -2K / T2PY-9495 -1K &amp;nbsp;&amp;nbsp;   &amp;nbsp; PYE recording &amp;nbsp;&amp;nbsp;  Not on CD  &amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;b&gt;STEREO &lt;/b&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC/WAV&lt;/span&gt;&lt;/i&gt;&lt;b&gt; files&lt;/b&gt; &amp;nbsp; &amp;nbsp; &lt;a href="http://www.gramophone.net/Issue/Page/January%201969/50/843051"&gt;1969 Gramophone review&lt;/a&gt;&amp;nbsp; &amp;nbsp; &lt;br /&gt;24bit-recorded CD-RW: 'indistinguishable' from the LP (LP mastered @ a low level: this transfer peaks @ 0dB: some occasional low-frequency 'noises' are audible)  &lt;b&gt;&amp;nbsp; Sleeve-note&lt;/b&gt; &amp;gt;&amp;gt;&amp;gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied. By downloading the file/s you agree to accept these conditions.&lt;/span&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-FWP8Ip3yHV8/TZJCfm_wNCI/AAAAAAAAA8Q/z3MCOlSGFVA/s1600/Larry+Adler+SB+6786+sleevenote.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="312" src="http://2.bp.blogspot.com/-FWP8Ip3yHV8/TZJCfm_wNCI/AAAAAAAAA8Q/z3MCOlSGFVA/s320/Larry+Adler+SB+6786+sleevenote.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-2717672758543234186?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/2717672758543234186/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2011/03/larry-adler-rpo-morton-gould-harmonica.html#comment-form' title='13 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/2717672758543234186'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/2717672758543234186'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/03/larry-adler-rpo-morton-gould-harmonica.html' title='Larry Adler - RPO/Morton Gould - Harmonica Concertos: Arnold/Benjamin/Milhaud/Vaughan Williams - RCA 1968'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-eRcYamOb9C0/TZJCZa5m-ZI/AAAAAAAAA8M/rvcD25jpWQ4/s72-c/Larry+Adler+SB6786.jpg' height='72' width='72'/><thr:total>13</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-3425023150638741087</id><published>2011-03-24T23:31:00.009Z</published><updated>2011-12-11T21:37:42.300Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Rignold -Hugo'/><category scheme='http://www.blogger.com/atom/ns#' term='Royal Opera House'/><category scheme='http://www.blogger.com/atom/ns#' term='PROKOFIEV'/><title type='text'>Hugo Rignold / Royal Opera House Orchestra - Prokofiev: Cinderella - Decca/RCA 1957 - over on Pristine Classics</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="https://lh6.googleusercontent.com/-djM5xC1F2E8/TYvUPVT1TEI/AAAAAAAAA8I/WZRyI3t5Jos/s1600/VICS+1138+-+Cinderella+-+Rignold.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="https://lh6.googleusercontent.com/-djM5xC1F2E8/TYvUPVT1TEI/AAAAAAAAA8I/WZRyI3t5Jos/s200/VICS+1138+-+Cinderella+-+Rignold.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Serge Prokofiev: &amp;nbsp;"Cinderella"&lt;br /&gt;Suite no.1, op.107&lt;/b&gt;&lt;br /&gt;Introduction ~ Pas de Chat ~ Quarrel ~ Fairy Godmother &amp;amp; Fairy Winter ~ Mazurka ~ Cinderella goes to the Ball&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Suite no.2, op.108&lt;/b&gt;&lt;br /&gt;Cinderella Dreams of the Ball ~ Dancing Lesson &amp;amp; Gavotte ~ Fairy Spring &amp;amp; Fairy Summer ~ Bouree ~ Cinderella at the Castle ~ Galop&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Royal Opera House Orchestra, Covent Garden&lt;/b&gt;&amp;nbsp; &amp;nbsp;&lt;i&gt;conducted by&lt;/i&gt; &amp;nbsp;&lt;b&gt;Hugo Rignold&amp;nbsp; &amp;nbsp; &amp;nbsp; ... over @&amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;a href="http://pristineclassics.blogspot.com/"&gt;http://pristineclassics.blogspot.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;RCA VICS 1138&lt;/b&gt; - First edition 1965 Decca pressing &amp;nbsp;&amp;nbsp; Recorded: 2,3,8 May 1957 - Kingsway Hall  &amp;nbsp; &amp;nbsp; Not on CD   &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;b&gt;STEREO &lt;/b&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC/WAV&lt;/span&gt;&lt;/i&gt;&lt;b&gt; files&lt;/b&gt; &lt;br /&gt;Somewhat low-voltage performance in places. There is a small difference in sound quality between sessions.&amp;nbsp; 24-bit CD recorder used.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-3425023150638741087?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/3425023150638741087/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2011/03/hugo-rignold-royal-opera-house.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/3425023150638741087'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/3425023150638741087'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/03/hugo-rignold-royal-opera-house.html' title='Hugo Rignold / Royal Opera House Orchestra - Prokofiev: Cinderella - Decca/RCA 1957 - over on Pristine Classics'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='https://lh6.googleusercontent.com/-djM5xC1F2E8/TYvUPVT1TEI/AAAAAAAAA8I/WZRyI3t5Jos/s72-c/VICS+1138+-+Cinderella+-+Rignold.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-6593013168618492496</id><published>2011-03-14T02:24:00.025Z</published><updated>2011-12-11T21:38:24.933Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='CHABRIER'/><category scheme='http://www.blogger.com/atom/ns#' term='Royal Opera House'/><category scheme='http://www.blogger.com/atom/ns#' term='Morel -Jean'/><category scheme='http://www.blogger.com/atom/ns#' term='BIZET'/><title type='text'>Jean Morel / ROHO - L'Arlesienne ~ Espana ~ Marche joyeuse - Decca/RCA 1959 - over on PRISTINE CLASSICS</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="https://lh6.googleusercontent.com/-9cbbSGoDxfI/TX17zKP4brI/AAAAAAAAA7k/uCiL1twF_AI/s1600/Morel+-+VICS1057.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="https://lh6.googleusercontent.com/-9cbbSGoDxfI/TX17zKP4brI/AAAAAAAAA7k/uCiL1twF_AI/s200/Morel+-+VICS1057.jpg" width="198" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Emmanuel Chabrier:  &amp;nbsp;"Espana" - Rapsodie &amp;nbsp;/ &amp;nbsp;Marche joyeuse&lt;br /&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Georges Bizet: &amp;nbsp;L'Arlesienne: Suite no.1 &amp;nbsp;&lt;/b&gt;(Prelude ~ Minuetto ~ Adagietto ~  Carillon)&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Georges Bizet: &amp;nbsp;L'Arlesienne: Suite no.2 &lt;/b&gt;&amp;nbsp;- orch/arr: Ernest Guiraud&lt;br /&gt;(Pastorale ~ Intermezzo ~ Minuetto ~ Farandole)&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Royal Opera House Orchestra, Covent Garden&lt;/b&gt; &lt;i&gt;&amp;nbsp;conducted by&lt;/i&gt; &lt;b&gt;&amp;nbsp;Jean Morel. &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/b&gt; &amp;nbsp; &lt;a href="http://pristineclassics.blogspot.com/"&gt;http://pristineclassics.blogspot.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;RCA&amp;nbsp; VICS 1058&amp;nbsp;&amp;nbsp; &lt;/b&gt;1969 Decca pressing of RCA SB 2057.&amp;nbsp; &lt;b&gt;O&lt;/b&gt;&lt;b&gt;riginal 1959 Decca matrices&lt;/b&gt;.&amp;nbsp;&amp;nbsp; Recorded: 18-20 Sept.1958 - Kingsway Hall.&lt;br /&gt;&lt;b&gt;STEREO &lt;/b&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC/WAV&lt;/span&gt;&lt;/i&gt;&lt;b&gt; files&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Not on CD &amp;nbsp; &lt;/b&gt;(Might upload the original RCA SB of Morel/ROHO "Swan Lake")&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-6593013168618492496?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/6593013168618492496/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2011/03/jean-morel-roho-larlesienne-espana.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/6593013168618492496'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/6593013168618492496'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/03/jean-morel-roho-larlesienne-espana.html' title='Jean Morel / ROHO - L&apos;Arlesienne ~ Espana ~ Marche joyeuse - Decca/RCA 1959 - over on PRISTINE CLASSICS'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='https://lh6.googleusercontent.com/-9cbbSGoDxfI/TX17zKP4brI/AAAAAAAAA7k/uCiL1twF_AI/s72-c/Morel+-+VICS1057.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-4564181927946787169</id><published>2011-03-09T16:49:00.018Z</published><updated>2012-01-26T00:14:13.926Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='BAX'/><category scheme='http://www.blogger.com/atom/ns#' term='RPO'/><category scheme='http://www.blogger.com/atom/ns#' term='London SO'/><category scheme='http://www.blogger.com/atom/ns#' term='Downes -Edward'/><category scheme='http://www.blogger.com/atom/ns#' term='Buketoff -Igor'/><title type='text'>Edward Downes / London Symphony Orchestra - Bax: Symphony 3 -&amp;- The Happy Forest - RCA 1969</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="https://lh6.googleusercontent.com/-ItvQ06m5zTg/TXeu_jBQd5I/AAAAAAAAA7Y/hNux_cnfkLA/s1600/Bax+-+Downes+LSO.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="https://lh6.googleusercontent.com/-ItvQ06m5zTg/TXeu_jBQd5I/AAAAAAAAA7Y/hNux_cnfkLA/s200/Bax+-+Downes+LSO.jpg" width="197" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Sir Arnold Bax: &amp;nbsp;The Happy Forest&lt;/b&gt;&amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; &lt;a href="http://www.mediafire.com/?t6aesm3m93gs24q"&gt;http://www.mediafire.com/?t6aesm3m93gs24q&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Sir Arnold Bax: &amp;nbsp;Symphony no.3&amp;nbsp;&lt;/b&gt;&lt;br /&gt;I: &lt;i&gt;Lento Moderato&lt;/i&gt; - &lt;i&gt;Allegro moderato&lt;/i&gt;&amp;nbsp;  &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;a href="http://www.mediafire.com/?9g8gzuhzdgc1v3l"&gt;http://www.mediafire.com/?9g8gzuhzdgc1v3l&lt;/a&gt;&lt;br /&gt;II: &lt;i&gt;Lento&lt;/i&gt;&amp;nbsp; ~&amp;nbsp; III: &lt;i&gt;Moderato&lt;/i&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp;  &amp;nbsp;&lt;a href="http://www.mediafire.com/?e9647sbyvv5gxsp"&gt;http://www.mediafire.com/?e9647sbyvv5gxsp&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;London Symphony Orchestra &amp;nbsp;&lt;/b&gt;&lt;i&gt;conducted by&lt;/i&gt; &amp;nbsp;&lt;b&gt;Edward Downes&lt;/b&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;a href="http://musicparlourhistorical.blogspot.com/2010/12/john-barbirolli-conducts-bax-ireland.html"&gt;Symphony 3 (1943 Halle/Barbirolli) also over on HISTORICAL&lt;/a&gt; &amp;nbsp;  &lt;br /&gt;&lt;b&gt;RCA GL 42247&lt;/b&gt;&amp;nbsp; &amp;nbsp;1977 RCA Italy/RCA UK matrices: 1E/1E  &amp;nbsp;(First issue: RCA SB 6806) &amp;nbsp; Recorded 9/10 January 1969 - Barking Assembly Hall.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Sir Arnold Bax: &amp;nbsp;Overture to a Picaresque Comedy&lt;/b&gt; &amp;nbsp; &amp;nbsp;&lt;a href="http://www.mediafire.com/?ghztx1dfofqhv2h"&gt;http://www.mediafire.com/?ghztx1dfofqhv2h&lt;/a&gt;&lt;br /&gt;&lt;i&gt;Above file uploaded last September (&lt;/i&gt;&lt;i&gt;Lennox Berkeley: Divertimento in B flat -&lt;/i&gt;&lt;i&gt; not yet dubbed. See 25 August 2010 post for sleeve)&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Royal Philharmonic Orchestra&lt;/b&gt;  &lt;i&gt;&amp;nbsp;conducted by &lt;/i&gt;&lt;b&gt;&amp;nbsp;Igor Buketoff&lt;/b&gt;&lt;br /&gt;&lt;b&gt;RCA SB 6730&lt;/b&gt;&amp;nbsp; &amp;nbsp; Decca pressing/matrix: T2PY 9347 -1K  &amp;nbsp; Recorded by PYE, 1967. &lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; STEREO &lt;/b&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC&lt;/span&gt;&lt;/i&gt;&lt;b&gt; files&lt;/b&gt;&amp;nbsp; &amp;nbsp;&amp;nbsp; Not on CD  &amp;nbsp; &amp;nbsp; Sleeve-note &amp;gt;&amp;gt;&amp;gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied. By downloading the file/s you agree to accept these conditions.&lt;/span&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="https://lh3.googleusercontent.com/-JycevuVr3sc/TXevJpjRORI/AAAAAAAAA7c/uyCAt0QYTGQ/s1600/Bax+GL+sleevenote.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="306" src="https://lh3.googleusercontent.com/-JycevuVr3sc/TXevJpjRORI/AAAAAAAAA7c/uyCAt0QYTGQ/s320/Bax+GL+sleevenote.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-4564181927946787169?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/4564181927946787169/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2011/03/edward-downes-london-symphony-orchestra.html#comment-form' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/4564181927946787169'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/4564181927946787169'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/03/edward-downes-london-symphony-orchestra.html' title='Edward Downes / London Symphony Orchestra - Bax: Symphony 3 -&amp;- The Happy Forest - RCA 1969'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='https://lh6.googleusercontent.com/-ItvQ06m5zTg/TXeu_jBQd5I/AAAAAAAAA7Y/hNux_cnfkLA/s72-c/Bax+-+Downes+LSO.jpg' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-7219174132839422561</id><published>2011-03-08T20:02:00.007Z</published><updated>2011-03-09T17:00:04.538Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Handley -Vernon'/><category scheme='http://www.blogger.com/atom/ns#' term='BAX'/><category scheme='http://www.blogger.com/atom/ns#' term='BBC PO'/><title type='text'>Vernon Handley / BBC Philharmonic - Arnold Bax: Orchestral Concert - BBC 2006</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="https://lh3.googleusercontent.com/-177qsWbbAvw/TXaLQ6BZToI/AAAAAAAAA7U/Qf5zElRliCc/s1600/Sir+Arnold+Bax+in+1942.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="https://lh3.googleusercontent.com/-177qsWbbAvw/TXaLQ6BZToI/AAAAAAAAA7U/Qf5zElRliCc/s200/Sir+Arnold+Bax+in+1942.jpg" width="162" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Sir Arnold Bax: &amp;nbsp; &lt;/b&gt;&lt;b&gt;"Nympholept"&lt;/b&gt;&amp;nbsp;   &amp;nbsp; &amp;nbsp;&lt;a href="http://www.mediafire.com/?a9c7xv70i47xrki"&gt;http://www.mediafire.com/?a9c7xv70i47xrki&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;"Into the Twilight"&lt;/b&gt; ('Eire' - Prologue) &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;a href="http://www.mediafire.com/?a4d038s21h3x4oi"&gt;http://www.mediafire.com/?a4d038s21h3x4oi&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;"Red Autumn" &lt;/b&gt;(orch: Graham Parlett) &amp;nbsp; &amp;nbsp;&amp;nbsp;  &lt;a href="http://www.mediafire.com/?y5cyibp3rnciy26"&gt;http://www.mediafire.com/?y5cyibp3rnciy26&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Northern Ballad no.1&lt;/b&gt;&amp;nbsp;  &amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;a href="http://www.mediafire.com/?2x63sshzoymcrca"&gt;http://www.mediafire.com/?2x63sshzoymcrca&lt;/a&gt;&lt;br /&gt;&lt;b&gt;Northern Ballad no.2&lt;/b&gt;&amp;nbsp;  &amp;nbsp; &amp;nbsp; &lt;a href="http://www.mediafire.com/?issq3ejuiscesxe"&gt;http://www.mediafire.com/?issq3ejuiscesxe&lt;/a&gt;&lt;br /&gt;&lt;b&gt;"Prelude for a Solemn Occasion&lt;/b&gt;" &amp;nbsp;(Northern Ballad no.3)  &amp;nbsp; &amp;nbsp; &lt;a href="http://www.mediafire.com/?4ncddmvggocd9p5"&gt;http://www.mediafire.com/?4ncddmvggocd9p5&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;BBC Philharmonic Orchestra&lt;/b&gt;&amp;nbsp; &amp;nbsp;&lt;i&gt;conducted by&lt;/i&gt;&amp;nbsp; &lt;b&gt;Vernon Handley&lt;/b&gt;. &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;a href="http://www.arkivmusic.com/classical/album.jsp?album_id=192495&amp;amp;album_group=9"&gt;MusicWeb review of the CHANDOS release&lt;/a&gt;&lt;br /&gt;&lt;b&gt;BBC Radio 3 DAB&lt;/b&gt; (192kbps). Live relay: BBC Studio 7, Manchester - 19 December 2006. Minidisc: direct analog transfer. &lt;b&gt;&amp;nbsp; &amp;nbsp; STEREO &lt;/b&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;FLAC&lt;/i&gt;&lt;/span&gt;&lt;b&gt; files&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied. By downloading the file/s you agree to accept these conditions.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-7219174132839422561?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/7219174132839422561/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2011/03/vernon-handley-bbc-philharmonic-arnold.html#comment-form' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/7219174132839422561'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/7219174132839422561'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/03/vernon-handley-bbc-philharmonic-arnold.html' title='Vernon Handley / BBC Philharmonic - Arnold Bax: Orchestral Concert - BBC 2006'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='https://lh3.googleusercontent.com/-177qsWbbAvw/TXaLQ6BZToI/AAAAAAAAA7U/Qf5zElRliCc/s72-c/Sir+Arnold+Bax+in+1942.jpg' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-9176133250766405749</id><published>2011-02-09T00:25:00.015Z</published><updated>2011-02-09T19:53:05.015Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='TATE'/><category scheme='http://www.blogger.com/atom/ns#' term='Pleeth -William'/><category scheme='http://www.blogger.com/atom/ns#' term='Tuckwell -Barry'/><category scheme='http://www.blogger.com/atom/ns#' term='de Peyer -Gervase'/><category scheme='http://www.blogger.com/atom/ns#' term='HAMILTON'/><category scheme='http://www.blogger.com/atom/ns#' term='BENNETT -Richard Rodney'/><category scheme='http://www.blogger.com/atom/ns#' term='BANKS'/><title type='text'>Barry Tuckwell, Gervase de Peyer, a.o. - Instrumental Music: Banks / Bennett / Hamilton / Tate - Argo 1966</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_kROXkz4fwrw/TVHewIEjQ1I/AAAAAAAAA6I/m1iYZMkJUzY/s1600/Argo+Instrumental.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="198" src="http://1.bp.blogspot.com/_kROXkz4fwrw/TVHewIEjQ1I/AAAAAAAAA6I/m1iYZMkJUzY/s200/Argo+Instrumental.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Don Banks: &amp;nbsp;Trio for Horn, Violin &amp;amp; Piano&lt;/b&gt; &amp;nbsp; &amp;nbsp;  &amp;nbsp;&lt;a href="http://www.mediafire.com/?2hzfa1o95qhot8l"&gt;http://www.mediafire.com/?2hzfa1o95qhot8l&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Richard Rodney Bennett: &amp;nbsp;Trio for Flute, Clarinet &amp;amp; Oboe&lt;/b&gt; &amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;a href="http://www.mediafire.com/?fcsjise7dxd5pgn"&gt;http://www.mediafire.com/?fcsjise7dxd5pgn&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Phyllis Tate: &amp;nbsp;Sonata for Clarinet &amp;amp; Cello&lt;/b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;a href="http://www.mediafire.com/?278l467nimzcqbg"&gt;http://www.mediafire.com/?278l467nimzcqbg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Iain Hamilton: &amp;nbsp;"Sonata Notturna" for Horn &amp;amp; Piano&lt;/b&gt; &amp;nbsp; &amp;nbsp;&amp;nbsp;  &lt;a href="http://www.mediafire.com/?e55ik2fu3bfj4f7"&gt;http://www.mediafire.com/?e55ik2fu3bfj4f7&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Barry Tuckwell&lt;/b&gt;, &lt;i&gt;horn&lt;/i&gt; &amp;nbsp;- &amp;nbsp;&lt;b&gt;Gervase de Peyer&lt;/b&gt;, &lt;i&gt;clarinet&lt;/i&gt; &amp;nbsp;- &amp;nbsp;&lt;b&gt;Brenton Langbein&lt;/b&gt;, &lt;i&gt;violin&lt;/i&gt; &amp;nbsp;- &amp;nbsp;&lt;b&gt;William Pleeth&lt;/b&gt;, &lt;i&gt;cello&lt;/i&gt; &amp;nbsp;- &amp;nbsp;&lt;b&gt;William Bennett&lt;/b&gt;, &lt;i&gt;flute&lt;/i&gt; &lt;br /&gt;- &amp;nbsp;&lt;b&gt;Peter Graeme&lt;/b&gt;, &lt;i&gt;oboe &lt;/i&gt;&amp;nbsp;- &amp;nbsp;&lt;b&gt;Maureen Jones&lt;/b&gt;, &lt;i&gt;piano&lt;/i&gt; (Banks) &amp;nbsp;- &amp;nbsp;&lt;b&gt;Margaret Kitchin&lt;/b&gt;, &lt;i&gt;piano&lt;/i&gt; (Hamilton)&lt;br /&gt;&lt;b&gt;Argo &amp;nbsp;ZRG 5475&lt;/b&gt;&amp;nbsp; &amp;nbsp; First Edition pressing/matrices: ZRG 2827 -2G / ZRG 2828 -3W  &amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;a href="http://www.gramophone.net/Issue/Page/November%201966/64/802587/MODERN+INSTRUMENTAL+MUSIC.+%28a%29+Barry+Tuckwell+%28horn%29%2C+Brenton+Langbein+%28violin%29%2C+Maureen+Jones+%28piano%29.+%28b%29William+Bennett+%28flute%29%2C+Peter+Graeme+%28oboe%29%2C+Gervase+de+Peyer+%28clarinet%29.+%28c%29+William+Pleeth+%28cello%29.+Gervase+de+Peyer+%28clarinet%29.+%28d%29+Margaret+Kitchin+%28piano%29%2C+Barry+Tuckwell+%28horn%29.+Argo+Q+RG475+0+ZRG5475+%2812+in.%2C+38s.+including+PT%29."&gt;Gramophone review - 1966&lt;/a&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &lt;b&gt;STEREO &lt;/b&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;FLAC&lt;/i&gt;&lt;/span&gt;&lt;b&gt; files&lt;/b&gt;&lt;br /&gt;Recorded: 19 January &amp;amp; 25 February 1966 - Kingsway Hall.&amp;nbsp;&amp;nbsp;&amp;nbsp; Not on CD &amp;nbsp;&amp;nbsp; &amp;nbsp; &lt;b&gt;Sleeve-note&lt;/b&gt; &amp;gt;&amp;gt;&amp;gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied. By downloading the file/s you agree to accept these conditions.&lt;a name='more'&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_kROXkz4fwrw/TVHe4BCiI6I/AAAAAAAAA6M/xmH9bVRzXRI/s1600/ZRG+5475+sleevenote.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="396" src="http://3.bp.blogspot.com/_kROXkz4fwrw/TVHe4BCiI6I/AAAAAAAAA6M/xmH9bVRzXRI/s400/ZRG+5475+sleevenote.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-9176133250766405749?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/9176133250766405749/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2011/02/barry-tuckwell-gervase-de-peyer-ao.html#comment-form' title='8 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/9176133250766405749'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/9176133250766405749'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/02/barry-tuckwell-gervase-de-peyer-ao.html' title='Barry Tuckwell, Gervase de Peyer, a.o. - Instrumental Music: Banks / Bennett / Hamilton / Tate - Argo 1966'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_kROXkz4fwrw/TVHewIEjQ1I/AAAAAAAAA6I/m1iYZMkJUzY/s72-c/Argo+Instrumental.jpg' height='72' width='72'/><thr:total>8</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-8677478036157254315</id><published>2011-02-06T11:43:00.003Z</published><updated>2011-02-07T21:43:02.305Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Wallfisch -Ernst'/><category scheme='http://www.blogger.com/atom/ns#' term='Joy -Genevieve'/><category scheme='http://www.blogger.com/atom/ns#' term='Suzan -Maurice'/><category scheme='http://www.blogger.com/atom/ns#' term='Concerts Lamoureux'/><category scheme='http://www.blogger.com/atom/ns#' term='Milhaud -Darius'/><category scheme='http://www.blogger.com/atom/ns#' term='MILHAUD'/><category scheme='http://www.blogger.com/atom/ns#' term='Goldberg -Syzmon'/><category scheme='http://www.blogger.com/atom/ns#' term='Robin -Jacqueline'/><title type='text'>Milhaud conducts... Les Quatre Saisons. Soloists / Concerts Lamoureux - Philips 1958 - over on PRISTINE CLASSICS</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_kROXkz4fwrw/TU6JNJYJbnI/AAAAAAAAA6A/wDaPlOmYDao/s1600/Milhaud+-+Philips.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="193" src="http://3.bp.blogspot.com/_kROXkz4fwrw/TU6JNJYJbnI/AAAAAAAAA6A/wDaPlOmYDao/s200/Milhaud+-+Philips.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;No.1: Concertino de Printemps  (for violin &amp;amp; chamber orchestra) &amp;nbsp;&amp;nbsp;  Syzmon Goldberg, violin&lt;br /&gt;&lt;br /&gt;No.2: Concertino d'ete  (for solo viola &amp;amp; nine instruments) &amp;nbsp;&amp;nbsp;   Ernst Wallfisch, viola&lt;br /&gt;&lt;br /&gt;No.3: Concertino d'automne  (for two pianos &amp;amp; eight instruments) &amp;nbsp;&amp;nbsp;    Genevieve Joy &amp;amp; Jacqueline Bonneau, pianos&lt;br /&gt;&lt;br /&gt;No.4: Concertino d'hiver  (for trombone &amp;amp; string orchestra) &amp;nbsp;&amp;nbsp;  Maurice Suzan, trombone&lt;br /&gt;Ensemble de Solistes des Concerts Lamoureux  conducted by Darius Milhaud&lt;br /&gt;&lt;br /&gt;Philips 6527 221   Stereo re-issue, 1984.  Recorded June 1958&lt;br /&gt;&lt;b&gt;STEREO FLAC files    @   &lt;/b&gt;&lt;a href="http://pristineclassics.blogspot.com/"&gt;&amp;nbsp;http://pristineclassics.blogspot.com&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-8677478036157254315?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/8677478036157254315/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2011/02/milhaud-conducts-les-quatre-saisons_06.html#comment-form' title='11 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/8677478036157254315'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/8677478036157254315'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/02/milhaud-conducts-les-quatre-saisons_06.html' title='Milhaud conducts... Les Quatre Saisons. Soloists / Concerts Lamoureux - Philips 1958 - over on PRISTINE CLASSICS'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_kROXkz4fwrw/TU6JNJYJbnI/AAAAAAAAA6A/wDaPlOmYDao/s72-c/Milhaud+-+Philips.jpg' height='72' width='72'/><thr:total>11</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-5306605928468346302</id><published>2011-01-28T20:56:00.019Z</published><updated>2011-02-09T19:45:19.044Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='SEIBER'/><category scheme='http://www.blogger.com/atom/ns#' term='GERHARD'/><category scheme='http://www.blogger.com/atom/ns#' term='FRICKER'/><category scheme='http://www.blogger.com/atom/ns#' term='London Wind Quintet'/><category scheme='http://www.blogger.com/atom/ns#' term='ARNOLD'/><title type='text'>London Wind Quintet - Arnold / Fricker / Gerhard / Seiber - Argo 1962</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_kROXkz4fwrw/TUMtKxDD0WI/AAAAAAAAA5k/PhSe1b54vrg/s1600/Argo+Wind+Qnts.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://1.bp.blogspot.com/_kROXkz4fwrw/TUMtKxDD0WI/AAAAAAAAA5k/PhSe1b54vrg/s200/Argo+Wind+Qnts.jpg" width="197" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Matyas Seiber:&lt;/b&gt;&amp;nbsp; &amp;nbsp;&lt;b&gt;Permutazioni a Cinque&lt;/b&gt; &amp;nbsp;(1958) &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;a href="http://www.mediafire.com/?yu5ebr2nsdcws21"&gt;http://www.mediafire.com/?yu5ebr2nsdcws21&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;b&gt;Roberto Gerhard:  &amp;nbsp;Wind Quintet&lt;/b&gt; &amp;nbsp;(1928) &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;a href="http://www.mediafire.com/?4purutdh9hevaal"&gt;http://www.mediafire.com/?4purutdh9hevaal&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Peter Racine Fricker: &amp;nbsp;Wind Quintet, op.5&lt;/b&gt; &amp;nbsp;(1947)  &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;a href="http://www.mediafire.com/?hhiakxjssk8tk0a"&gt;http://www.mediafire.com/?hhiakxjssk8tk0a&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Malcolm Arnold: &amp;nbsp;Three Shanties for Wind Quintet &lt;/b&gt;&amp;nbsp;(1952)  &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;a href="http://www.mediafire.com/?k5g2rek6ln10nky"&gt;http://www.mediafire.com/?k5g2rek6ln10nky&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;The London Wind Quintet - &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Gareth Morris,&lt;/b&gt; &lt;i&gt;flute &amp;nbsp;&lt;/i&gt;- &lt;b&gt;&amp;nbsp;Sidney Sutcliffe&lt;/b&gt;, &lt;i&gt;oboe &lt;/i&gt;&amp;nbsp;- &lt;b&gt;&amp;nbsp;Bernard Walton&lt;/b&gt;, &lt;i&gt;clarinet&lt;/i&gt; &amp;nbsp;- &lt;b&gt;&amp;nbsp;Gwydion Brooke&lt;/b&gt;, &lt;i&gt;bassoon&lt;/i&gt; &amp;nbsp;- &lt;b&gt;&amp;nbsp;Alan Civil&lt;/b&gt;, &lt;i&gt;horn&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Argo &amp;nbsp;ZRG 5326&lt;/b&gt; &amp;nbsp;1962 matrices: ZRG 2145 -1D / ZRG 2146 -3G &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;b&gt; &amp;nbsp;STEREO&lt;/b&gt; &lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC&lt;/span&gt;&lt;/i&gt; &lt;b&gt;files&lt;/b&gt; &amp;nbsp; &amp;nbsp; Not on CD &lt;br /&gt;Recorded: c.February 1962 - Decca West Hampstead Studio no.3.   &amp;nbsp; &amp;nbsp; An 'Audiophile' LP.  &amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;b&gt;Sleeve-note&lt;/b&gt; &amp;gt;&amp;gt;&amp;gt;&lt;span style="font-size: x-small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied. By downloading the file/s you agree to accept these conditions.&lt;a name='more'&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_kROXkz4fwrw/TUMtSrOdwPI/AAAAAAAAA5o/fp8DErxbYzw/s1600/Argo+Wind+Qnts+sleevenote.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="318" src="http://2.bp.blogspot.com/_kROXkz4fwrw/TUMtSrOdwPI/AAAAAAAAA5o/fp8DErxbYzw/s320/Argo+Wind+Qnts+sleevenote.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-5306605928468346302?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/5306605928468346302/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2011/01/london-wind-quintet-arnold-fricker.html#comment-form' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/5306605928468346302'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/5306605928468346302'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/01/london-wind-quintet-arnold-fricker.html' title='London Wind Quintet - Arnold / Fricker / Gerhard / Seiber - Argo 1962'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_kROXkz4fwrw/TUMtKxDD0WI/AAAAAAAAA5k/PhSe1b54vrg/s72-c/Argo+Wind+Qnts.jpg' height='72' width='72'/><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-5242058344954007099</id><published>2011-01-28T11:30:00.013Z</published><updated>2011-08-20T15:57:34.971+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='RPO'/><category scheme='http://www.blogger.com/atom/ns#' term='DELIUS'/><category scheme='http://www.blogger.com/atom/ns#' term='Beecham -Thomas'/><title type='text'>Delius. Hassan - RPO - Sir Thomas Beecham - Fontana 1958 - over on PRISTINE CLASSICS</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_kROXkz4fwrw/TU6GzwJGzEI/AAAAAAAAA58/kkpgPGy1M9M/s1600/Beecham+-+Hassan+CFL+1020.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/_kROXkz4fwrw/TU6GzwJGzEI/AAAAAAAAA58/kkpgPGy1M9M/s200/Beecham+-+Hassan+CFL+1020.jpg" width="197" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Frederick Delius: "Hassan"&amp;nbsp;&lt;/b&gt;&lt;br /&gt;Introduction &amp;nbsp;~ &amp;nbsp;Serenade &amp;nbsp;~ Short Interlude &amp;nbsp;~&amp;nbsp; Unaccompanied chorus  behind scene &amp;nbsp;~ &amp;nbsp;The Beggars of Baghdad &amp;nbsp;~ &amp;nbsp;Chorus of women &amp;nbsp;~ &amp;nbsp;Prelude  to Act.III &amp;nbsp;~ &amp;nbsp;Chorus of soldiers &amp;nbsp;~ &amp;nbsp;The Procession of Protracted Death  &amp;nbsp;~ &amp;nbsp;Serenade - &lt;i&gt;repeated&lt;/i&gt; &amp;nbsp;~ &amp;nbsp;Closing scene: The Golden Road to Samarkand&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Leslie Fry, &lt;/b&gt;&lt;i&gt;Baritone &lt;/i&gt;- &lt;b&gt;Arthur Leavins&lt;/b&gt;, &lt;i&gt;violin - &lt;/i&gt;&lt;b&gt;Frederick Riddle,&lt;/b&gt; &lt;i&gt;viola&lt;/i&gt;&lt;br /&gt;&lt;b&gt;BBC Chorus&lt;/b&gt;, (&lt;i&gt;chorus-master&lt;/i&gt;: Leslie Woodgate) - &lt;b&gt;Royal Philharmonic Orchest&lt;/b&gt;&lt;b&gt;ra &amp;nbsp;&lt;/b&gt;&lt;i&gt;conducted by&amp;nbsp;&lt;/i&gt; &lt;b&gt;Sir Thomas Beecham&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Fontana CFL 1020&lt;/b&gt; - issued 1958. &amp;nbsp;Recorded: Walthamstow Assembly Hall. 29 May 1956&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Mono FLAC / WAV files&amp;nbsp; @ &amp;nbsp;&lt;/b&gt;&lt;a href="http://pristineclassics.blogspot.com/"&gt;http://pristineclassics.blogspot.com&lt;/a&gt; &amp;nbsp; &amp;nbsp;(Closing Scene: "The Golden Road to Samarkand" additionally as a &lt;b&gt;FLAC&lt;/b&gt;)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-5242058344954007099?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/5242058344954007099'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/5242058344954007099'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/01/delius-hassan-rpo-sir-thomas-beecham.html' title='Delius. Hassan - RPO - Sir Thomas Beecham - Fontana 1958 - over on PRISTINE CLASSICS'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_kROXkz4fwrw/TU6GzwJGzEI/AAAAAAAAA58/kkpgPGy1M9M/s72-c/Beecham+-+Hassan+CFL+1020.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-6900434106658030292</id><published>2011-01-23T14:00:00.033Z</published><updated>2012-01-25T00:42:47.202Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Andre -Maurice'/><category scheme='http://www.blogger.com/atom/ns#' term='HOLBORNE'/><category scheme='http://www.blogger.com/atom/ns#' term='Dart -Thurston'/><category scheme='http://www.blogger.com/atom/ns#' term='Suzan -Maurice'/><category scheme='http://www.blogger.com/atom/ns#' term='Pirot -Jean'/><title type='text'>Thurston Dart: Maurice Andre, Jean Pirot, a.o. - "The Royal Brass Music of King James I" - L'Oiseau-Lyre 1960</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_kROXkz4fwrw/TTwnttVGjHI/AAAAAAAAA5Q/2WgM82ENg-c/s1600/SOL+Dart+-+Brass.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/_kROXkz4fwrw/TTwnttVGjHI/AAAAAAAAA5Q/2WgM82ENg-c/s200/SOL+Dart+-+Brass.jpg" width="199" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;i&gt;Side One:&lt;/i&gt; Band 1: &amp;nbsp;&lt;b&gt;Thomas Simpson:&lt;/b&gt; Intrada&amp;nbsp; ~&amp;nbsp; &lt;b&gt;James Harding:&lt;/b&gt; Almande&amp;nbsp; ~&amp;nbsp; &lt;b&gt;Antony Holborne:&lt;/b&gt; The Fairy Round&lt;span style="font-size: large;"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;FLAC:&lt;/i&gt;&lt;/span&gt;&amp;nbsp; &amp;nbsp; http://www.megaupload.com/?d=5CWFHWB9&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;span style="font-size: large;"&gt;&lt;i&gt; WAV:&lt;/i&gt;&lt;/span&gt;&amp;nbsp;&amp;nbsp; http://www.megaupload.com/?d=RFS6VBIH&lt;br /&gt;&lt;i&gt;Side One:&lt;/i&gt; Bands 2 + 3: &amp;nbsp;&lt;b&gt;Thomas Leetherland:&lt;/b&gt; Pavan&amp;nbsp; ~&amp;nbsp; &lt;b&gt;Nicholas Guy:&lt;/b&gt; Almande no.13&amp;nbsp; ~&amp;nbsp; &lt;b&gt;Holborne:&lt;/b&gt; The Choice &amp;nbsp;//&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Jerome Bassano:&lt;/b&gt; Fantasia&amp;nbsp; ~&amp;nbsp; &lt;b&gt;Giles Farnaby:&lt;/b&gt; Almande&amp;nbsp; ~&amp;nbsp; &lt;b&gt;Holborne:&lt;/b&gt; Galliard&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;FLAC:&lt;/i&gt;&lt;/span&gt; &amp;nbsp;&amp;nbsp; http://www.megaupload.com/?d=AR21YEQZ &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;span style="font-size: large;"&gt;&lt;i&gt;WAV:&lt;/i&gt;&lt;/span&gt;&amp;nbsp;&amp;nbsp; http://www.megaupload.com/?d=8MMWO1SJ&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Side Two&lt;/i&gt;&lt;i&gt;: &lt;/i&gt;Bands 1-3: &amp;nbsp;&lt;b&gt;Robert Johnson:&lt;/b&gt; Almande no.7&amp;nbsp; ~&amp;nbsp; &lt;b&gt;Holborne:&lt;/b&gt; As it fell on a holy eve&amp;nbsp; ~&amp;nbsp; &lt;b&gt;Giovanni Coperario:&lt;/b&gt; Fantasia no.76&amp;nbsp; ~&amp;nbsp; &lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Alfonso Ferrabosco II:&lt;/b&gt; Almande no.5&amp;nbsp; // &amp;nbsp;&lt;b&gt;Richard Dering:&lt;/b&gt; Fantasia&amp;nbsp; ~&amp;nbsp; &lt;b&gt;Thomas Lupo: &lt;/b&gt;Almande&amp;nbsp; ~&amp;nbsp; &lt;b&gt;Anthony Bassano:&lt;/b&gt; Pavane no.16 &amp;nbsp;// &lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Holborne:&lt;/b&gt; The fruit of love&amp;nbsp; ~&amp;nbsp; &lt;b&gt;Ferrabosco II:&lt;/b&gt; Pavane -&amp;amp;- Alman &amp;nbsp;&amp;nbsp;&lt;span style="font-size: large;"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;FLAC:&lt;/i&gt;&lt;/span&gt; &amp;nbsp;&amp;nbsp; http://www.megaupload.com/?d=QYCEM0TO&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &lt;span style="font-size: large;"&gt;&lt;i&gt;WAV:&lt;/i&gt;&lt;/span&gt; &amp;nbsp;&amp;nbsp; http://www.megaupload.com/?d=XDMCKEOW&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Maurice Andre, Jean Pirot,&lt;/b&gt; &lt;i&gt;trumpets&lt;/i&gt; &amp;nbsp;-&amp;amp;- &amp;nbsp;&lt;b&gt;Maurice Suzan, Henri Arque, Camille Verdier, Bernard Gallot, &lt;/b&gt;&lt;i&gt;trombones&lt;/i&gt;&lt;br /&gt;&lt;i&gt;Directed by&lt;/i&gt; &lt;b&gt;Thurston Dart&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; L&lt;/b&gt;&lt;b&gt;'Oiseau-Lyre &amp;nbsp;SOL 60019&lt;/b&gt; &amp;nbsp;  First pressing/matrices: ZTT 451 -1D / ZTT 452 -2D &lt;b&gt;&amp;nbsp; &amp;nbsp;&lt;/b&gt; Not on CD&amp;nbsp; &amp;nbsp; Sleeve-note &amp;gt;&amp;gt;&amp;gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_kROXkz4fwrw/TUFS7cTKk-I/AAAAAAAAA5c/v4H9Mx6Fv_g/s1600/Dart+-+Brass+-+EMG+review.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="206" src="http://3.bp.blogspot.com/_kROXkz4fwrw/TUFS7cTKk-I/AAAAAAAAA5c/v4H9Mx6Fv_g/s320/Dart+-+Brass+-+EMG+review.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_kROXkz4fwrw/TTwoB9bmnbI/AAAAAAAAA5U/ow-GQUGvk8k/s1600/SOL+Dart+Brass+-+sleevenote.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="363" src="http://3.bp.blogspot.com/_kROXkz4fwrw/TTwoB9bmnbI/AAAAAAAAA5U/ow-GQUGvk8k/s400/SOL+Dart+Brass+-+sleevenote.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-6900434106658030292?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/6900434106658030292/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2011/01/thurston-dart-maurice-andre-jean-pirot.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/6900434106658030292'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/6900434106658030292'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/01/thurston-dart-maurice-andre-jean-pirot.html' title='Thurston Dart: Maurice Andre, Jean Pirot, a.o. - &quot;The Royal Brass Music of King James I&quot; - L&apos;Oiseau-Lyre 1960'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_kROXkz4fwrw/TTwnttVGjHI/AAAAAAAAA5Q/2WgM82ENg-c/s72-c/SOL+Dart+-+Brass.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-3691282380731584659</id><published>2011-01-15T20:47:00.021Z</published><updated>2012-01-24T11:00:20.182Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='CORIGLIANO'/><category scheme='http://www.blogger.com/atom/ns#' term='Noseda -Gianandrea'/><category scheme='http://www.blogger.com/atom/ns#' term='Alsop -Marin'/><category scheme='http://www.blogger.com/atom/ns#' term='Marshall -Wayne'/><category scheme='http://www.blogger.com/atom/ns#' term='MacMILLAN'/><category scheme='http://www.blogger.com/atom/ns#' term='Bell -Joshua'/><category scheme='http://www.blogger.com/atom/ns#' term='BBC PO'/><category scheme='http://www.blogger.com/atom/ns#' term='Bournemouth SO'/><title type='text'>MacMillan: A Scotch Bestiary (Wayne Marshall) -&amp;- Corigliano: The Red Violin (Joshua Bell) - BBC Proms 2005</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_kROXkz4fwrw/TTIHuZqaaAI/AAAAAAAAA4g/pCt6EEgBRMc/s1600/RAH+BBC+Proms.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="240" src="http://1.bp.blogspot.com/_kROXkz4fwrw/TTIHuZqaaAI/AAAAAAAAA4g/pCt6EEgBRMc/s320/RAH+BBC+Proms.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;James MacMillan: A Scotch Bestiary&amp;nbsp;&lt;/b&gt;&amp;nbsp;  (&lt;b&gt;Wayne Marshall&lt;/b&gt;, &lt;i&gt;organ&lt;/i&gt;) &lt;br /&gt;I: &lt;i&gt;&amp;nbsp;The Menagerie, Caged&lt;/i&gt; &amp;nbsp;~ &amp;nbsp;II: &amp;nbsp;&lt;i&gt;The Menagerie, Uncaged&lt;/i&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;br /&gt;&lt;b&gt;BBC Philharmonic Orchestra&lt;/b&gt;&amp;nbsp; &amp;nbsp;&lt;i&gt;conducted by&lt;/i&gt; &amp;nbsp;&lt;b&gt;Gianandrea Noseda&lt;/b&gt;&lt;br /&gt;London premiere: 21 July 2005  &amp;nbsp; &amp;nbsp;34:13"   &amp;nbsp; &amp;nbsp;&lt;a href="http://www.mediafire.com/?g1f508736vh6234"&gt;http://www.mediafire.com/?g1f508736vh6234&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;John Corigliano: Violin Concerto, 'The Red Violin' &lt;/b&gt;&amp;nbsp; (&lt;b&gt;Joshua Bell&lt;/b&gt;, &lt;i&gt;violin&lt;/i&gt;)&lt;br /&gt;I: &amp;nbsp;&lt;i&gt;Chaconne&lt;/i&gt;&amp;nbsp; ~&amp;nbsp; II: &amp;nbsp;&lt;i&gt;Pianissimo Scherzo&lt;/i&gt; &amp;nbsp;~&amp;nbsp; III: &amp;nbsp;&lt;i&gt;Andante Flautando&lt;/i&gt; &amp;nbsp;~&amp;nbsp; IV:&amp;nbsp; &lt;i&gt;Accelerando Final&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Bournemouth Symphony Orchestra&lt;/b&gt; &amp;nbsp;&lt;i&gt;conducted by&lt;/i&gt; &amp;nbsp;&lt;b&gt;Marin Alsop&lt;/b&gt; &lt;br /&gt;UK premiere: 28 July 2005   &amp;nbsp; &amp;nbsp; 37:14" &amp;nbsp; &amp;nbsp; &lt;a href="http://www.mediafire.com/?1cdtyl0kagd62x7"&gt;http://www.mediafire.com/?1cdtyl0kagd62x7&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;BBC Radio 3 DAB (192kbs)  &amp;nbsp; Live from Royal Albert Hall   &amp;nbsp; &amp;nbsp;(MacMillan's programme note, below &amp;gt;&amp;gt;&amp;gt;)&lt;b&gt;&amp;nbsp; &amp;nbsp;STEREO &lt;/b&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC&lt;/span&gt;&lt;/i&gt;&lt;b&gt; files&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;optical&gt;&lt;optical&gt;&lt;analog&gt;&lt;analog&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied. By downloading the file/s you agree to accept these conditions&lt;/span&gt;. &lt;/analog&gt;&lt;/analog&gt;&lt;/optical&gt;&lt;/optical&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;b&gt;James MacMillan: Scotch Bestiary&lt;/b&gt; &lt;br /&gt;This concertante work for organ and orchestra was commissioned by the Los Angeles Philharmonic and the BBC, for the BBC Philharmonic. It is in two movements, and follows in a tradition of musical portraiture set by Elgar, Saint-Saëns and Moussorgsky, as indicated in the sub-title of the work. Since the first performance takes place in the new Walt Disney Concert Hall in Los Angeles, I was motivated by the great American cartoon makers who represented human characters in animal form. A Scotch Bestiary is inspired by human archetypes and personalities encountered in Scottish life over the years.&lt;br /&gt;&lt;br /&gt;I. THE MENAGERIE, CAGED&lt;br /&gt;&lt;br /&gt;The book is opened. Moussorgsky’s ‘Promenade’ from Pictures at an Exhibition provides the model here for this recurring refrain.&lt;br /&gt;&lt;br /&gt;1. Ode to a cro-magnon hyena. Duetting melodic lines on organ, violas and cellos are accompanied by laughing trumpets, lolloping trombones, howling clarinets, and little ticking rhythmic figures on percussion and horns.&lt;br /&gt;&lt;br /&gt;A page is turned. The refrain material is now presented on the woodwinds.&lt;br /&gt;2. Reptiles and Big Fish (in a small pond). Large, slithering and lumbering melodies are presented on the organ pedals, tuba and double basses, which lead to an ungainly waltz, doused in watery textures.&lt;br /&gt;3. Her Serene and Ubiquitous Majesty, Queen Bee. A buzzing organ solo emerges from the depths, interrupted by violent and shrill interjections, before a grotesque Scottish reel winds its way through various fluttering textures. The section ends regally and serenely.&lt;br /&gt;&lt;br /&gt;Another page is turned. The refrain material is now carried by the strings.&lt;br /&gt;4. The red-handed, no-surrender, howler monkey. A military strain is overlaid by a jabbering organ, tootling flutes and cackling trumpets and clarinets. Horns blare out an obsessive two note motif.&lt;br /&gt;5. Uncle Tom Cat and his chickens. Sleek, surreptitious, prowling clarinets and nervous strings and woodwind predominate in this section.&lt;br /&gt;&lt;br /&gt;Yet another page is turned. This time the refrain is presented on percussion, harp and electric piano.&lt;br /&gt;6. Scottish Patriots. A discarded fanfare for the opening of the new Scottish Parliament receives appropriate transformations on trombones, accompanied by bagpipe-like drones and snuffling on the organ. Later it is accompanied by a vamping piano and jazz-like pizzicato bass.&lt;br /&gt;7. The Reverend Cuckoo and his Parroting Chorus. A high clarinet represents the obsessive cuckoo and the other woodwind instruments parrot their eager responses. The organ accompanies this with a hymn.&lt;br /&gt;8. Jackass Hackass. This is a moto perpetuo movement, where the organ rushes and flies virtuosically, accompanied by a bodhran (a celtic drum) and braying hee-haws on strings and brass. A couple of noisy typewriters improvise a fast jig over a vamping piano and bass. &lt;br /&gt;&lt;br /&gt;The book is closed. A coda for the solo organ, and a tentative dreamy final chord.&lt;br /&gt;&lt;br /&gt;II. THE MENAGERIE, UNCAGED&lt;br /&gt;&lt;br /&gt;This is a freewheeling, through-composed fantasy on all the major ideas from the first movement. All the animals are now unleashed and rampage in chaotic, violent abandon. New animals appear – elephants, horses, cows, dogs, lions and more birds, with some added grunting and rooting. The materials are all predominantly fast and frenetic, rushing to a virtuosic finale for soloist and orchestra.&lt;br /&gt;&lt;br /&gt;(The work is dedicated to my good friend, Gillian Moore MBE, Artistic Director of the London Sinfonietta).&lt;br /&gt;&lt;br /&gt;James MacMillan&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-3691282380731584659?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/3691282380731584659/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2011/01/macmillan-scotch-bestiary-wayne.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/3691282380731584659'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/3691282380731584659'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/01/macmillan-scotch-bestiary-wayne.html' title='MacMillan: A Scotch Bestiary (Wayne Marshall) -&amp;- Corigliano: The Red Violin (Joshua Bell) - BBC Proms 2005'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_kROXkz4fwrw/TTIHuZqaaAI/AAAAAAAAA4g/pCt6EEgBRMc/s72-c/RAH+BBC+Proms.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-3039721619001670715</id><published>2011-01-13T18:53:00.016Z</published><updated>2012-01-25T00:48:11.772Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='HOLST'/><category scheme='http://www.blogger.com/atom/ns#' term='Grenadier Guards Band'/><title type='text'>Band of the Grenadier Guards / F.J.Harris: Holst Suite no.1 -&amp;- Rosse / Ansell / Wood - Decca 1959</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_kROXkz4fwrw/TS9J3DfH6AI/AAAAAAAAA4Y/FASCI0f8Wmo/s1600/SKL+4041+Grenadiers.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/_kROXkz4fwrw/TS9J3DfH6AI/AAAAAAAAA4Y/FASCI0f8Wmo/s200/SKL+4041+Grenadiers.jpg" width="196" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Gustav Holst: &amp;nbsp;Suite no.1 for Military Band&lt;/b&gt; &amp;nbsp; &amp;nbsp;&amp;nbsp; http://www.megaupload.com/?d=YRFTIQXC&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Frederick Rosse: &amp;nbsp;"The Merchant of Venice"&lt;/b&gt; - &lt;i&gt;Portia ~ Doge's March&lt;/i&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; http://www.megaupload.com/?d=7GSXGSWQ&lt;br /&gt;&lt;br /&gt;&lt;b&gt;John Ansell:  &amp;nbsp;Three Irish Pictures&lt;/b&gt; &amp;nbsp; &amp;nbsp;&amp;nbsp;  &amp;nbsp;http://www.megaupload.com/?d=D179GBWA&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Arthur Wood:&amp;nbsp; Three Dale Dances&lt;/b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=PTOSWB4F&amp;nbsp; &lt;br /&gt;&lt;br /&gt;&lt;b&gt;Band of the Grenadier Guards&lt;/b&gt;  &lt;i&gt;&amp;nbsp;conducted by&lt;/i&gt;&amp;nbsp;  &lt;b&gt;Major F.J.Harris &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/b&gt;Recorded: 1958&lt;b&gt; &amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;a href="http://www.gramophone.net/Issue/Page/September%201970/114/844978/AN+ALBUM+OF+MILITARY+BAND+MUSIC.+Hoist.+Suite+No.+1+in+E+flat.+Bosse.+Portia+and+Doges+March+from+Merchant+of+Venice+Suite.+Ansell.+Three+Irish+Pictures.+Wood.+Three+Dale+Dances.+Grenadier+Guards+Band+conducted+by+Major+F.+J.+Harris.+Decca+Eclipse+ECS2035+Q+ECM2035+%2819s.+11d.%29."&gt;1970 Gramophone review of the Eclipse reissue&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Decca &amp;nbsp;SKL 4041 &lt;/b&gt;&amp;nbsp; 1959 LP/Matrices: &amp;nbsp;ZAL 3408 -1E / ZAL 3409 -1E  &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; Not on CD&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;b&gt;STEREO &lt;/b&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC&lt;/span&gt;&lt;/i&gt;&lt;b&gt; files&lt;/b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; Sleeve-note &amp;gt;&amp;gt;&amp;gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_kROXkz4fwrw/TS9J-FwkzyI/AAAAAAAAA4c/cLzEKiqdzpA/s1600/SKL+4041+sleevenote.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="309" src="http://1.bp.blogspot.com/_kROXkz4fwrw/TS9J-FwkzyI/AAAAAAAAA4c/cLzEKiqdzpA/s320/SKL+4041+sleevenote.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-3039721619001670715?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/3039721619001670715/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2011/01/band-of-grenadier-guardsfjharris-holst.html#comment-form' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/3039721619001670715'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/3039721619001670715'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/01/band-of-grenadier-guardsfjharris-holst.html' title='Band of the Grenadier Guards / F.J.Harris: Holst Suite no.1 -&amp;- Rosse / Ansell / Wood - Decca 1959'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_kROXkz4fwrw/TS9J3DfH6AI/AAAAAAAAA4Y/FASCI0f8Wmo/s72-c/SKL+4041+Grenadiers.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-2382256548513161438</id><published>2011-01-10T17:01:00.046Z</published><updated>2012-01-25T19:37:30.780Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Holst -Imogen'/><category scheme='http://www.blogger.com/atom/ns#' term='VAUGHAN WILLIAMS'/><category scheme='http://www.blogger.com/atom/ns#' term='Purcell Singers'/><category scheme='http://www.blogger.com/atom/ns#' term='Stewart -Jean'/><category scheme='http://www.blogger.com/atom/ns#' term='Ibbott -Daphne'/><title type='text'>Imogen Holst: The Purcell Singers, Jean Stewart &amp; Daphne Ibbott - English Folk Songs (arr: Vaughan Williams) - WRC 1963</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_kROXkz4fwrw/TSs60NOQX6I/AAAAAAAAA4I/-as4bpUG0ec/s1600/SCM+46.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="199" src="http://3.bp.blogspot.com/_kROXkz4fwrw/TSs60NOQX6I/AAAAAAAAA4I/-as4bpUG0ec/s200/SCM+46.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;i&gt;Side One:&lt;/i&gt; &amp;nbsp;&lt;b&gt;Just as the tide was flowing ~ The captain's apprentice ~ The lark in the morning ~ An acre of land&lt;/b&gt;&amp;nbsp; &amp;nbsp; &lt;br /&gt;http://www.megaupload.com/?d=R2IAPC5D&amp;nbsp;    &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;The unquiet grave ~ The carter ~ As I walked out ~ On Christmas night&lt;/b&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=J3O8LU50&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Side Two:&lt;/i&gt; &amp;nbsp;&lt;b&gt;Six studies in English folk song&lt;/b&gt;, for viola &amp;amp; piano &amp;nbsp; &amp;nbsp;&lt;i&gt;(as&lt;/i&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt; WAV&lt;/i&gt;&lt;/span&gt;&lt;i&gt; file&lt;/i&gt;)&amp;nbsp; &amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=LU2GD7ZS &amp;nbsp; &amp;nbsp; &lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;(Lovely on the water ~ Spurn Point ~ Van Dieman's Land ~ She borrowed some of her mother's gold ~ The lady and the dragoon ~ As I walked over London Bridge) &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;http://www.megaupload.com/?d=ZEJR5DN9&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Dives and Lazarus ~ The cuckoo and the nightingale ~ Bushes and briars ~ Wassail song &amp;nbsp; &amp;nbsp;&lt;/b&gt;http://www.megaupload.com/?d=ACFBI9S0&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Rosamond Strode&lt;/b&gt;, &lt;i&gt;Soprano&lt;/i&gt; &amp;nbsp;- &lt;b&gt;&amp;nbsp;Patrick Shuldham-Shaw&lt;/b&gt;, &lt;i&gt;Baritone&lt;/i&gt;&amp;nbsp; - &amp;nbsp;&lt;b&gt;Jean Stewart&lt;/b&gt;, &lt;i&gt;viola&lt;/i&gt; &amp;nbsp;- &amp;nbsp;&lt;b&gt;Daphne Ibbott&lt;/b&gt;, &lt;i&gt;piano&lt;/i&gt;&lt;br /&gt;&lt;b&gt;The Purcell Singers&lt;/b&gt; &lt;i&gt;&amp;nbsp; d&lt;/i&gt;&lt;i&gt;irected by&lt;/i&gt; &lt;b&gt;&amp;nbsp; &lt;/b&gt;&lt;b&gt;Imogen Holst. &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;WAV:&lt;/span&gt;&lt;/i&gt;&lt;b&gt; &amp;nbsp;"The captain's apprentice" &lt;/b&gt;&lt;i&gt;&amp;nbsp;sung by&lt;/i&gt;&lt;b&gt; &amp;nbsp;Patrick Shuldham-Shaw &amp;nbsp; &lt;/b&gt;www.megaupload.com/?d=JUH4G2Y9 &amp;nbsp;&lt;b&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;/b&gt;&lt;a href="http://www.gramophone.net/Issue/Page/January%201964/59/847162/PURCELL+SINGERS.+ENGLISH+FOLKSONG,+%28arr.+Vaughan+Williams%29.+Just+as+the+tide+was+flowing.+The+captains+apprentice.+The+lark+in+the+morning.+An+acre+of+land.+The+unquiet+grave+The+carter.+As+I+walked+out.+On+Christmas+night.+Six+studies+in+English+folksong+for+viola+and+piano%3A+Lovely+on+the+water+Spurn+Point+Van+Diemans+Land+She+borrowed+some+of+her+mothers+gold+The+lady+and+the+dragoon+As+I+walked+over+London+Bridge.+Dives+and+Lazarus.+The+cuckoo+and+the+nightingale.+Bushes+and+briars.+Wassail+song.+Purcell+Singers,+Rosamond+Strode+%28soprano%29,+Patrick+Shuldham+Shaw+%28baritone%29,+Jean+Stewart+%28viola%29,+Daphne+Ibbott+%28piano%29.+World+Record+Club+Ca+CM46%3A+0+SCM46+%2812+in.,+26s.+6d.+incl.+PT.%29.+World+Record+Club,+Parkbridge+House,+The+Little+Green,+Richmond,+Surrey."&gt;Gramophone review&lt;/a&gt;&lt;br /&gt;&lt;b&gt;World Record Club &amp;nbsp;SCM 46 &amp;nbsp; &amp;nbsp;&lt;/b&gt;Original 1963 EMI LP/Matrices: SW 7726 -5 / SW 7727 -1 &amp;nbsp; &amp;nbsp; &lt;b&gt;STEREO &lt;/b&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC&lt;/span&gt;&lt;/i&gt;&lt;b&gt; files &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/b&gt;Not on CD. &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;b&gt;Sleeve-note / Song-texts&lt;/b&gt; &amp;gt;&amp;gt;&amp;gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied. By downloading the file/s you agree to accept these conditions.&lt;/span&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_kROXkz4fwrw/TStBeXDsIrI/AAAAAAAAA4U/u-0zaiHJAB0/s1600/SCM+46+sleevenote.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/_kROXkz4fwrw/TStBeXDsIrI/AAAAAAAAA4U/u-0zaiHJAB0/s400/SCM+46+sleevenote.jpg" width="396" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_kROXkz4fwrw/TSs6-P4KVbI/AAAAAAAAA4M/XYVuCkXWiso/s1600/SCM+46+song-texts++1%252B2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="308" src="http://2.bp.blogspot.com/_kROXkz4fwrw/TSs6-P4KVbI/AAAAAAAAA4M/XYVuCkXWiso/s400/SCM+46+song-texts++1%252B2.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_kROXkz4fwrw/TSs7EI0mPxI/AAAAAAAAA4Q/SBR-fd4Ptt8/s1600/SCM+46+song-texts++3%252B4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="305" src="http://4.bp.blogspot.com/_kROXkz4fwrw/TSs7EI0mPxI/AAAAAAAAA4Q/SBR-fd4Ptt8/s400/SCM+46+song-texts++3%252B4.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-2382256548513161438?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/2382256548513161438/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2011/01/imogen-holst-purcell-singers-jean.html#comment-form' title='15 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/2382256548513161438'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/2382256548513161438'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/01/imogen-holst-purcell-singers-jean.html' title='Imogen Holst: The Purcell Singers, Jean Stewart &amp; Daphne Ibbott - English Folk Songs (arr: Vaughan Williams) - WRC 1963'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_kROXkz4fwrw/TSs60NOQX6I/AAAAAAAAA4I/-as4bpUG0ec/s72-c/SCM+46.jpg' height='72' width='72'/><thr:total>15</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-1065194301239956384</id><published>2011-01-07T00:07:00.036Z</published><updated>2012-01-26T00:20:53.726Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Holst -Imogen'/><category scheme='http://www.blogger.com/atom/ns#' term='HOLST'/><category scheme='http://www.blogger.com/atom/ns#' term='RAF Central Band'/><category scheme='http://www.blogger.com/atom/ns#' term='BMC Oxford Band'/><title type='text'>Imogen Holst conducts... Gustav Holst: Military &amp; Brass Band Music - EMI 1966</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_kROXkz4fwrw/TSZY-V4ECCI/AAAAAAAAA4A/dVtYv7VxEQ8/s1600/CSD+3507+Holst.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://1.bp.blogspot.com/_kROXkz4fwrw/TSZY-V4ECCI/AAAAAAAAA4A/dVtYv7VxEQ8/s200/CSD+3507+Holst.jpg" width="198" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;"A Moorside Suite"&lt;/b&gt;, for Brass Band.&amp;nbsp; (&lt;i&gt;Scherzo ~ Nocturne ~ March&lt;/i&gt;)&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://www.mediafire.com/?t8n8buc2wd73myc"&gt;http://www.mediafire.com/?t8n8buc2wd73myc&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;b&gt;BMC (Oxford) Band&lt;/b&gt;  &lt;i&gt;&amp;nbsp;conducted by&lt;/i&gt;&amp;nbsp; &lt;b&gt;Imogen Holst&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Suite no.1 in E flat,&lt;/b&gt; for Military Band.&amp;nbsp; (&lt;i&gt;Chaconne ~ Intermezzo ~ March&lt;/i&gt;)&lt;br /&gt;&lt;a href="http://www.mediafire.com/?ar6wa0q3a6lahp6"&gt;http://www.mediafire.com/?ar6wa0q3a6lahp6&lt;/a&gt;&lt;br /&gt;&lt;b&gt;Suite no.2 in F major&lt;/b&gt;, for Military Band. &amp;nbsp;(&lt;i&gt;March ~ Song without words ~ Song of the blacksmith ~ Fantasia on the Dargason&lt;/i&gt;)&lt;br /&gt;&lt;a href="http://www.mediafire.com/?pudo7zp99vzv4nw"&gt;&lt;span style="font-size: small;"&gt;http://www.mediafire.com/?pudo7zp99vzv4nw&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;b&gt;The Central Band of the Royal Air Force &lt;/b&gt;&amp;nbsp;&lt;i&gt;conducted by&lt;/i&gt; &amp;nbsp;&lt;b&gt;Imogen Holst&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;"Hammersmith":&lt;/b&gt; A Prelude &amp;amp; Scherzo for Military band, op.52  &amp;nbsp; &lt;a href="http://www.mediafire.com/?48586uj386ldm3d"&gt;http://www.mediafire.com/?48586uj386ldm3d&lt;/a&gt;&lt;br /&gt;&lt;b&gt;The Central Band of the Royal Air Force&lt;/b&gt; &lt;i&gt;&amp;nbsp;conducted by&lt;/i&gt; &lt;b&gt;&amp;nbsp;J.L.Wallace&lt;/b&gt;&lt;br /&gt;&lt;b&gt;HMV &amp;nbsp;CSD 3507 &amp;nbsp;&lt;/b&gt;&amp;nbsp; Original 1966 LP/Matrices: 2YEA 1165 -2 /2YEA 1166 -3  &amp;nbsp; &amp;nbsp; Not on CD. &amp;nbsp; &lt;a href="http://www.gramophone.net/Issue/Page/February%201966/34/823046/HOLST.+%28a%29+Moorside+Suite+%28b%29+Suite+No.+1+in+E+flat+major%2C+Op.+28a+Suite+No.+2+in+F+major%2C+Op.+28b+%28c%29+Prelude+and+Scherzo%2C+Op.+52%2C+Hammersmith.+BMC+%28Oxford%29+Band+%28a%29%2C+Central+Band+of+the+RAF+%28b+and+c%29%2C+conducted+by+Imogen+Hoist+%28a+and+b%29%2C+and+Wing+Commander+J.+L.+Wallace+%28c%29.+HMV+Q+CLP3507%3A+0+CSD3507+%2812+in.%2C+27s.+6id.+plus+4s.+5d.+P.T.%29."&gt;1966 Gramophone review&lt;/a&gt; &amp;nbsp;&lt;b&gt; &amp;nbsp;STEREO &lt;/b&gt;&lt;em&gt;&lt;span style="font-size: large;"&gt;WAV&lt;/span&gt;&lt;/em&gt;&lt;b&gt; files&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;31 October 2011&lt;/b&gt;. Further to today's comment below. Corrected files for 'Moorside' / Suite no.1 have been uploaded (with a few minor edits) plus the original WAV of Suite no.2. 'Hammersmith' may be re-uploaded if the end-of-side 'swish' can be further reduced.&amp;nbsp;  &lt;b&gt;Sleeve-note&lt;/b&gt; &amp;gt;&amp;gt;&amp;gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied. By downloading the file/s you agree to accept these conditions.&lt;/span&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_kROXkz4fwrw/TSZZSYCYvAI/AAAAAAAAA4E/AqC3tNuI6dU/s1600/Holst+CSD+3507+sleevenote.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="314" src="http://3.bp.blogspot.com/_kROXkz4fwrw/TSZZSYCYvAI/AAAAAAAAA4E/AqC3tNuI6dU/s320/Holst+CSD+3507+sleevenote.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-1065194301239956384?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/1065194301239956384/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2011/01/imogen-holst-conducts-gustav-holst.html#comment-form' title='14 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/1065194301239956384'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/1065194301239956384'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2011/01/imogen-holst-conducts-gustav-holst.html' title='Imogen Holst conducts... Gustav Holst: Military &amp; Brass Band Music - EMI 1966'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_kROXkz4fwrw/TSZY-V4ECCI/AAAAAAAAA4A/dVtYv7VxEQ8/s72-c/CSD+3507+Holst.jpg' height='72' width='72'/><thr:total>14</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-7742297080281755221</id><published>2010-12-30T00:16:00.058Z</published><updated>2012-01-25T19:30:18.181Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='London Philharmonic'/><category scheme='http://www.blogger.com/atom/ns#' term='STRAVINSKY'/><category scheme='http://www.blogger.com/atom/ns#' term='WALTON'/><category scheme='http://www.blogger.com/atom/ns#' term='GERSHWIN'/><category scheme='http://www.blogger.com/atom/ns#' term='CLARKE -Jeremiah'/><category scheme='http://www.blogger.com/atom/ns#' term='FALLA'/><category scheme='http://www.blogger.com/atom/ns#' term='SAINT-SAENS'/><category scheme='http://www.blogger.com/atom/ns#' term='SMETANA'/><category scheme='http://www.blogger.com/atom/ns#' term='Bunting -Christopher'/><category scheme='http://www.blogger.com/atom/ns#' term='TCHAIKOVSKY'/><category scheme='http://www.blogger.com/atom/ns#' term='BRUCH'/><category scheme='http://www.blogger.com/atom/ns#' term='Pryor -Gwynneth'/><category scheme='http://www.blogger.com/atom/ns#' term='WOLF-FERRARI'/><category scheme='http://www.blogger.com/atom/ns#' term='Boult -Adrian'/><title type='text'>Sir Adrian Boult / LPO:  On Parade / Bravo! / Bartered Bride ~ Vltava ~ Romeo &amp; Juliet - EMI 1968</title><content type='html'>&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;div class="separator" style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none; clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_kROXkz4fwrw/TRvNqP-WiHI/AAAAAAAAA34/vRrIfOHzlRk/s1600/ST750+-On+Parade.jpg" imageanchor="1" style="clear: left; cssfloat: right; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="191" src="http://3.bp.blogspot.com/_kROXkz4fwrw/TRvNqP-WiHI/AAAAAAAAA34/vRrIfOHzlRk/s200/ST750+-On+Parade.jpg" width="200" /&gt;&lt;/a&gt;&lt;a href="http://2.bp.blogspot.com/_kROXkz4fwrw/TRvNZNr1FSI/AAAAAAAAA3w/HupIawDRV0M/s1600/SXLP+30199+Boult.jpg" imageanchor="1" style="clear: right; cssfloat: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="197" src="http://2.bp.blogspot.com/_kROXkz4fwrw/TRvNZNr1FSI/AAAAAAAAA3w/HupIawDRV0M/s200/SXLP+30199+Boult.jpg" width="200" /&gt;&lt;/a&gt;&lt;a href="http://4.bp.blogspot.com/_kROXkz4fwrw/TRvNgaCagHI/AAAAAAAAA30/9KAoKDLLi2w/s1600/CFP+158+-Bravo%2521.jpg" imageanchor="1" style="cssfloat: right; margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/_kROXkz4fwrw/TRvNgaCagHI/AAAAAAAAA30/9KAoKDLLi2w/s200/CFP+158+-Bravo%2521.jpg" width="198" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;b&gt;Peter Tchaikovsky: &amp;nbsp;"Romeo &amp;amp; Juliet" - Fantasy Overture&lt;/b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=S7AGB418 &lt;br /&gt;&lt;b&gt;Bedrich Smetana: &amp;nbsp;"The Bartered Bride" &amp;nbsp;(&lt;/b&gt; Overture ~ Polka ~ Furiant ~ Dance of the Comedians &amp;nbsp;) &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=38Z8A9S0&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;b&gt;Bedrich Smetana: &amp;nbsp;"Ma Vlast" - Vltava&lt;/b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=2O6KA77V&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;b&gt;HMV 'Concert Classics' &amp;nbsp;SXLP 30199&lt;/b&gt; &amp;nbsp;&amp;nbsp; Matrices: 2YEA 5044 -2 /2YEA 5045 -2 &amp;nbsp; &amp;nbsp; First issue: WRC&amp;nbsp; ST 665 (Smetana) &amp;amp; ST 683 (Tchaikovsky) &amp;nbsp; &amp;nbsp;Not on CD.&lt;/div&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;b&gt;William Walton:&amp;nbsp; Overture - "Portsmouth Point"&lt;/b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=RMV9MYRZ&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;b&gt;Max Bruch: &amp;nbsp;"Kol Nidrei"&lt;/b&gt; &amp;nbsp;(&lt;b&gt; Christopher Bunting&lt;/b&gt;, '&lt;i&gt;cello &lt;/i&gt;) &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=NE07KM7Y&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;b&gt;Jeremiah Clarke: &amp;nbsp;Trumpet Voluntary in D&lt;/b&gt; &amp;nbsp; (&lt;b&gt;Gordon Webb&lt;/b&gt;, &lt;i&gt;trumpet &lt;/i&gt;) &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=75IJNN4N&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;b&gt;Camille Saint-Saens: &amp;nbsp;Dance macab&lt;/b&gt;&lt;b&gt;re &amp;nbsp;&lt;/b&gt; ( &lt;b&gt;Rodney Friend,&lt;/b&gt; &lt;i&gt;violin&lt;/i&gt; ) &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=FA3VKMU0&lt;/div&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;b&gt;George Gershwin: &amp;nbsp;Cuban Overture&lt;/b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=W5NN610I &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Camille Saint-Saens: &amp;nbsp;"Wedding Cake", op.76&lt;/b&gt; &amp;nbsp; ( &lt;b&gt;Gwynneth Pryor,&lt;/b&gt; &lt;i&gt;piano &lt;/i&gt;) &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; http://www.megaupload.com/?d=L4HXEDPX&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;b&gt;Igor Stravinsky: &amp;nbsp;Circus Polka &amp;nbsp; / &amp;nbsp; &lt;/b&gt;&lt;b&gt;Ermanno Wolf-Ferrari:&amp;nbsp; "Jewels of the Madonna" - Intermezzo&lt;/b&gt; &amp;nbsp; ( &lt;b&gt;Richard Adeney&lt;/b&gt;, &lt;i&gt;flute&lt;/i&gt; )&lt;br /&gt;&amp;nbsp;/ &amp;nbsp;&lt;b&gt;Manuel de Falla: &amp;nbsp;"Amor Brujo" - Ritual Fire Dance.&amp;nbsp; &amp;nbsp; &lt;/b&gt;These 3 as one file: &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=RYMGFK9W&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;b&gt;EMI / Classics for Pleasure &amp;nbsp;CFP 158&lt;/b&gt;&amp;nbsp; &amp;nbsp; Matrices: SW 8790 -5G / SW 8791 -3G &amp;nbsp; &amp;nbsp; First issue: WRC&amp;nbsp; ST 698&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;i&gt;Side One: &lt;/i&gt;&lt;b&gt;&amp;nbsp;Rodgers: "Guadalcanal" ~ Coates: "Dam Busters" ~ Sousa: "Washington Post" ~ Trad./Alford: "Lillibulero" ~ J.F.Wagner: "Under the double Eagle"&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;~ Teika: "Old Comrades" ~ Trad.: "British Grenadiers"&lt;/b&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=VGEVYUE8&lt;br /&gt;&lt;i&gt;Side Two:&lt;/i&gt; &amp;nbsp;&lt;b&gt;Sousa: "Stars and Stripes" ~ Alford: "Colonel Bogey" ~ Sousa: "El Capitan" ~ Walford Davies: "RAF March" ~ Zimmermann: "Anchors Aweigh"&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;~ &amp;nbsp;Sousa: "Liberty Bell" ~ Trad.: "Battle Hymn of the Republic"&lt;/b&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; http://www.megaupload.com/?d=EPZBQTOC&amp;nbsp; &lt;/div&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;b&gt;EMI / World Records &amp;nbsp;ST 750&lt;/b&gt;&amp;nbsp; &amp;nbsp; 1968 LP/Matrices: SW 8844 -1G / SW 8845 -3G &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; &lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;London Philharmonic Orchestra&lt;/b&gt; &lt;i&gt;&amp;nbsp;conducted by&lt;/i&gt; &lt;b&gt;&amp;nbsp;Sir Adrian Boult.&lt;/b&gt;&amp;nbsp; &amp;nbsp; Recorded 1967. &amp;nbsp; &amp;nbsp; &lt;b&gt;STEREO &lt;/b&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC&lt;/span&gt;&lt;/i&gt;&lt;b&gt; files &amp;nbsp; &amp;nbsp; CFP 158 sleeve-note &amp;gt;&amp;gt;&amp;gt;&lt;/b&gt;&lt;/div&gt;&lt;i&gt;The Tchaikovsky/Smetana are very fine. &amp;nbsp;Bravo! contains some quirky performances...sparkling Piano playing/sound...and a rather miserable account of the Bruch... &lt;b&gt;:~((&lt;/b&gt;&amp;nbsp;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;Portsmouth Point was on CD.. &amp;nbsp;On Parade (I now see..) was in a 1997 Sony CD (minus Guadalcanal?) as well as the previous 1971 CfP reissue: so possibly a bit less raucous?&lt;/i&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied. &amp;nbsp;ownloading the file/s you agree to accept these conditions&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none; clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_kROXkz4fwrw/TRvOD9hqApI/AAAAAAAAA38/3mgar4agLfU/s1600/cfp+158+sleevenote.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="307" src="http://1.bp.blogspot.com/_kROXkz4fwrw/TRvOD9hqApI/AAAAAAAAA38/3mgar4agLfU/s320/cfp+158+sleevenote.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-7742297080281755221?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/7742297080281755221/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/12/sir-adrian-boult-london-philharmonic-on.html#comment-form' title='11 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/7742297080281755221'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/7742297080281755221'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/12/sir-adrian-boult-london-philharmonic-on.html' title='Sir Adrian Boult / LPO:  On Parade / Bravo! / Bartered Bride ~ Vltava ~ Romeo &amp; Juliet - EMI 1968'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_kROXkz4fwrw/TRvNqP-WiHI/AAAAAAAAA34/vRrIfOHzlRk/s72-c/ST750+-On+Parade.jpg' height='72' width='72'/><thr:total>11</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-5516524348638828844</id><published>2010-12-23T11:53:00.031Z</published><updated>2012-02-16T22:33:19.350Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Pleeth -William'/><category scheme='http://www.blogger.com/atom/ns#' term='RAVEL'/><category scheme='http://www.blogger.com/atom/ns#' term='Kolassi -Irma'/><category scheme='http://www.blogger.com/atom/ns#' term='de Froment -Louis'/><category scheme='http://www.blogger.com/atom/ns#' term='London Philharmonic'/><category scheme='http://www.blogger.com/atom/ns#' term='Gilbert -Geoffrey'/><category scheme='http://www.blogger.com/atom/ns#' term='Collard -Andre'/><category scheme='http://www.blogger.com/atom/ns#' term='CHAUSSON'/><category scheme='http://www.blogger.com/atom/ns#' term='DEBUSSY'/><category scheme='http://www.blogger.com/atom/ns#' term='Robin -Jacqueline'/><title type='text'>Irma Kolassi / LPO - de Froment: Chausson -&amp;- Ravel / Debussy / Greek Folk Songs - Decca 1954/1955</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_kROXkz4fwrw/TRM31ra6AeI/AAAAAAAAA3M/K-9Z2P07bTo/s1600/Kolassi+GV.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="198" src="http://2.bp.blogspot.com/_kROXkz4fwrw/TRM31ra6AeI/AAAAAAAAA3M/K-9Z2P07bTo/s200/Kolassi+GV.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Maurice Ravel: &amp;nbsp;Cinq melodies populaires greques&lt;/b&gt;.&lt;br /&gt;( Chanson de la mariee ~ La-bas vers d'eglise ~ Quell galant m'est comparable ~ Chanson des cueilleusses de lentisques ~ Tout gal )&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;FLAC:&lt;/i&gt;&lt;/span&gt; &amp;nbsp; &amp;nbsp;&amp;nbsp;   &amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; &lt;span style="font-size: large;"&gt;&lt;i&gt;WAV&lt;/i&gt;&lt;i&gt;:&lt;/i&gt;&lt;/span&gt;&lt;i&gt;  &lt;/i&gt;&amp;nbsp;&amp;nbsp; &lt;br /&gt;&lt;i&gt;With&lt;/i&gt; &amp;nbsp;&lt;b&gt;Jacqueline Bonneau&lt;/b&gt;, &lt;i&gt;piano &amp;nbsp; &lt;/i&gt;&amp;nbsp; From: LW 5246 (10") &amp;nbsp;   Recorded: 2/3 December 1955 - West Hampstead Studios&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Maurice Ravel: &amp;nbsp;Chansons madecasses&lt;/b&gt; &amp;nbsp;( Nahandove ~ Aoua! ~ Il est doux )&lt;br /&gt;&lt;div align="left"&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC:&lt;/span&gt;&lt;/i&gt;&amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;i&gt;&lt;span style="font-size: large;"&gt; WAV:&lt;/span&gt;&lt;/i&gt;&amp;nbsp;&amp;nbsp; &lt;/div&gt;&lt;div align="left"&gt;&lt;i&gt;With &amp;nbsp;&lt;/i&gt;&lt;b&gt;Geoffrey Gilbert&lt;/b&gt;, &lt;i&gt;flute&amp;nbsp;&lt;/i&gt; - &lt;b&gt;&amp;nbsp;William Pleeth&lt;/b&gt;, &lt;i&gt;'cello&lt;/i&gt;&amp;nbsp; - &amp;nbsp;&lt;b&gt;Andre Collard&lt;/b&gt;, &lt;i&gt;piano &amp;nbsp; &amp;nbsp; &lt;/i&gt;From: Decca LW 5246 (10")&lt;/div&gt;&lt;div align="left"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;b&gt;Claude Debussy: &amp;nbsp;Fetes galantes&lt;/b&gt;&amp;nbsp; &amp;nbsp;( En sourdine ~ Fantoches )&lt;/div&gt;&lt;div align="left"&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;FLAC: &lt;/i&gt;&lt;/span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;   &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;i&gt;&lt;span style="font-size: large;"&gt;WAV:&lt;/span&gt;&lt;/i&gt; &amp;nbsp; &amp;nbsp; &lt;/div&gt;&lt;div align="left"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;b&gt;Claude Debussy: &amp;nbsp;Trois chansons de Bilitis&lt;/b&gt; &amp;nbsp;( La Flute de Pan ~ La Chevelure ~ La Tombeau des naiades )&lt;/div&gt;&lt;div align="left"&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC:&lt;/span&gt;&lt;/i&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; &lt;i&gt;&lt;span style="font-size: large;"&gt;WAV:&lt;/span&gt;&lt;/i&gt;&amp;nbsp; &amp;nbsp;&amp;nbsp; &lt;/div&gt;&lt;div align="left"&gt;&lt;a href="http://3.bp.blogspot.com/_kROXkz4fwrw/TRM3_uHTEnI/AAAAAAAAA3Q/S8TATKvAN3c/s1600/Kolassi+LW.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/_kROXkz4fwrw/TRM3_uHTEnI/AAAAAAAAA3Q/S8TATKvAN3c/s200/Kolassi+LW.jpg" width="197" /&gt;&lt;/a&gt;&lt;i&gt;With&lt;/i&gt; &amp;nbsp;&lt;b&gt;Andre Collard&lt;/b&gt;, &lt;i&gt;piano &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;From: Decca LW 5161 (10") &amp;nbsp;Recorded: 27 Sept.-1 Oct. 1954 - West Hampstead Studios.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;b&gt;Ernest Chausson:  &amp;nbsp;Poeme de l'amour et de la mer&lt;/b&gt; &amp;nbsp;( La fleur des eaux ~ Interlude ~ La Mort d'amour )&lt;/div&gt;&lt;div align="left"&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC:  &lt;/span&gt;&lt;/i&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;i&gt;&lt;span style="font-size: large;"&gt;WAV:&lt;/span&gt;&lt;/i&gt; &amp;nbsp; &amp;nbsp; &lt;/div&gt;&lt;div align="left"&gt;&lt;b&gt;London Philharmonic Orchestra&lt;/b&gt;  &lt;i&gt;&amp;nbsp;conducted by&lt;/i&gt; &amp;nbsp;&lt;b&gt;Louis de Froment &amp;nbsp;&lt;/b&gt;&lt;/div&gt;&lt;div align="left"&gt;Recorded 9-10 May 1955 - Kingsway Hall. &amp;nbsp;First issued as: Decca LX 3150 (10")&lt;/div&gt;&lt;div align="left"&gt;&lt;b&gt;Decca 'Grandi Voci' 417 559&lt;/b&gt;&amp;nbsp; &amp;nbsp; Issued 1987. &amp;nbsp;Matrices: ARL 19113 -1K / ARL 19114 -1K&lt;/div&gt;&lt;div align="left"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;b&gt;Eight Greek Folksongs: &amp;nbsp; &lt;/b&gt;&lt;i&gt;Side One:&lt;/i&gt; &amp;nbsp;&lt;b&gt;The Little Lamb ~ The spring under the plane tree ~ Rinaki ~ The price of a kiss&lt;/b&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC:&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;i&gt;&lt;span style="font-size: large;"&gt; WAV: &lt;/span&gt; &lt;/i&gt;&amp;nbsp; &lt;/div&gt;&lt;div align="left"&gt;&lt;i&gt;Side Two:&lt;/i&gt; &lt;b&gt;&amp;nbsp;Sirtos from Paros ~ The Priest's wife ~ Cradle song ~ Dourou Dourou&lt;/b&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC:&lt;/span&gt;&lt;/i&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;i&gt;&lt;span style="font-size: large;"&gt;WAV:&lt;/span&gt;&lt;/i&gt; &amp;nbsp; &lt;/div&gt;&lt;div align="left"&gt;&lt;i&gt;With &lt;/i&gt;&lt;b&gt;Andre Collard&lt;/b&gt;, &lt;i&gt;piano&lt;/i&gt;.  &amp;nbsp; &amp;nbsp; Recorded 26/28 May 1954 - West Hampstead Studios.&amp;nbsp; &amp;nbsp;&lt;b&gt;Decca LW 5129&lt;/b&gt;&amp;nbsp; (10") &amp;nbsp;1954 pressing. &amp;nbsp;Matrices: TRL 297 -2B / TRL 298 -1B&lt;/div&gt;&lt;div align="left"&gt;&lt;i&gt;The Chausson &amp;nbsp;sounds suspiciously 'damped down' - especially the orchestra...  The 1954 LW was quite atrocious for surface defects and have made quite an effort to eradicate that. &lt;/i&gt;&lt;b&gt;&amp;nbsp;Greek Folksongs sleeve-note&lt;/b&gt; &amp;gt;&amp;gt;&amp;gt;&lt;br /&gt;&lt;span style="color: #9fc5e8; font-size: large;"&gt;These files will soon be uploaded (as I notice there have been 'a few page views' rec ently) - however; &lt;i&gt;although nobody previously mentioned 'a problem'&lt;/i&gt;, one of the Debussy files I retain (only have FLAC's, I think) is 'defective' - so need to re-dub that part of the LP&lt;/span&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_kROXkz4fwrw/TRM4HmE-Y_I/AAAAAAAAA3U/sRs0UFm04Fg/s1600/Kolassi+LW+sleevenote.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="352" src="http://1.bp.blogspot.com/_kROXkz4fwrw/TRM4HmE-Y_I/AAAAAAAAA3U/sRs0UFm04Fg/s400/Kolassi+LW+sleevenote.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-5516524348638828844?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/5516524348638828844/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/12/irma-kolassi-lpo-de-froment-chausson_23.html#comment-form' title='9 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/5516524348638828844'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/5516524348638828844'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/12/irma-kolassi-lpo-de-froment-chausson_23.html' title='Irma Kolassi / LPO - de Froment: Chausson -&amp;- Ravel / Debussy / Greek Folk Songs - Decca 1954/1955'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_kROXkz4fwrw/TRM31ra6AeI/AAAAAAAAA3M/K-9Z2P07bTo/s72-c/Kolassi+GV.jpg' height='72' width='72'/><thr:total>9</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-8747159853948564031</id><published>2010-12-18T14:33:00.014Z</published><updated>2012-01-27T13:37:54.839Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='SHCHEDRIN'/><category scheme='http://www.blogger.com/atom/ns#' term='Vengerov -Maxim'/><category scheme='http://www.blogger.com/atom/ns#' term='YSAYE'/><category scheme='http://www.blogger.com/atom/ns#' term='BACH - J.S.'/><title type='text'>Maxim Vengerov: Recital @ Barbican Hall - Bach / Ysaye / Shchedrin - BBC 2002</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_kROXkz4fwrw/TQzGHT31BnI/AAAAAAAAA28/NcqR4t7fQYE/s1600/Vengerov+-+Simon+Fowler+photo.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://2.bp.blogspot.com/_kROXkz4fwrw/TQzGHT31BnI/AAAAAAAAA28/NcqR4t7fQYE/s200/Vengerov+-+Simon+Fowler+photo.jpg" width="198" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;J.S.Bach, &lt;/b&gt;arr:&lt;b&gt; &lt;/b&gt;Fox-Liebriche:&lt;b&gt;&amp;nbsp; Toccata &amp;amp; Fugue in D minor&lt;br /&gt;Eugene Ysaye: &amp;nbsp;Sonata in A minor, op.27 no.2&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Rodion Shchedrin: &amp;nbsp;Echo Sonata, op.69 &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/b&gt;PART ONE (44min)   &amp;nbsp; &amp;nbsp; &lt;a href="http://www.sendspace.com/file/7dpjhx"&gt;http://www.sendspace.com/file/7dpjhx&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Eugene Ysaye: &amp;nbsp;Sonata in D minor, op.27 no.3&lt;br /&gt;Eugene Ysaye: &amp;nbsp;Sonata in E minor, op.27 no.4&lt;br /&gt;Eugene Ysaye: &amp;nbsp;Sonata in E major, op.27 no.6&lt;/b&gt;&lt;br /&gt;encores: &lt;b&gt;J.S.Bach: &amp;nbsp;Adagio &amp;nbsp;/ &amp;nbsp;&lt;/b&gt;&amp;nbsp;&lt;b&gt;Rodion Shchedrin:&amp;nbsp; Balalaika, op.100 &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;/b&gt;PART TWO (39min)  &amp;nbsp; &amp;nbsp;&lt;a href="http://www.sendspace.com/file/0qh5rz"&gt;http://www.sendspace.com/file/0qh5rz&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;STEREO&lt;/b&gt; &lt;span style="font-size: large;"&gt;&lt;i&gt;FLAC&lt;/i&gt;&lt;/span&gt; &lt;b&gt;files&lt;/b&gt; &amp;nbsp;&amp;nbsp;  Live performance at the Barbican Hall, London, 10 October 2002.&lt;br /&gt;BBC Radio 3FM. &amp;nbsp;The complete November 2002 broadcast - including BBC Introduction/commentary &amp;amp; Maxim Vengerov's &lt;i&gt;wacky&lt;/i&gt; narration.&lt;br /&gt;(Meridian 104 tuner - Recorded/Playback: Akai GX-52 - TDK SA C90: Dolby-B/HX-Pro &amp;gt; EAC ripped CD-RW)&lt;br /&gt;A Highly-rated concert &lt;a href="http://www.musicweb-international.com/sandh/2002/Aug02/vengerov.htm"&gt;&amp;nbsp;MusicWeb review&lt;/a&gt; &amp;nbsp;.. and &lt;i&gt;rather good&lt;/i&gt; sound-quality! &amp;nbsp;&amp;nbsp; &amp;nbsp;Don't forget two other Ysaye sonata recordings here... by: Ion Viocu -&amp;amp;- Antonio Brosa.&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied. By downloading the file/s you agree to accept these conditions.&amp;nbsp;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-8747159853948564031?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/8747159853948564031/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/12/maxim-vengerov-recital-barbican-hall.html#comment-form' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/8747159853948564031'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/8747159853948564031'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/12/maxim-vengerov-recital-barbican-hall.html' title='Maxim Vengerov: Recital @ Barbican Hall - Bach / Ysaye / Shchedrin - BBC 2002'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_kROXkz4fwrw/TQzGHT31BnI/AAAAAAAAA28/NcqR4t7fQYE/s72-c/Vengerov+-+Simon+Fowler+photo.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-3232139724993582151</id><published>2010-12-09T20:09:00.070Z</published><updated>2012-01-25T19:38:52.163Z</updated><title type='text'>Roby Lakatos Ensemble -&amp;- David Krakauer's 'Klezmer Madness!' - BBC Proms 2001</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_kROXkz4fwrw/TQHoin-wQ_I/AAAAAAAAA2g/ZCsnbErJdiY/s1600/lakatos.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="159" src="http://1.bp.blogspot.com/_kROXkz4fwrw/TQHoin-wQ_I/AAAAAAAAA2g/ZCsnbErJdiY/s200/lakatos.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;THE COMPLETE CONCERT: &amp;nbsp;Royal Albert Hall, 14 August 2001. &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;STEREO&lt;/b&gt; &lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC&lt;/span&gt;&lt;/i&gt; &lt;b&gt;files&lt;/b&gt; &lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Roby Lakatos Ensemble&lt;/b&gt; &amp;nbsp;(&lt;b&gt; &lt;/b&gt;&lt;b&gt;Roby Lakatos &lt;/b&gt;-&lt;/span&gt; &lt;i&gt;arranger &amp;amp; violinist&lt;/i&gt; ) &amp;nbsp; &amp;nbsp; &lt;b&gt;"Gypsy Melodies"&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;b&gt;Traditional: "Two Guitars" &amp;nbsp;/ &amp;nbsp;Brahms: Hungarian Dance no.5&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Roby Lakatos: &amp;nbsp;Symphony 'The Bird in the Dust' &amp;nbsp;-&lt;/b&gt;&amp;amp;&lt;b&gt;- &amp;nbsp;Minuet for Menuhin&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Django Reinhardt: &amp;nbsp;Nuages &amp;nbsp; / &amp;nbsp;Grigoras: &amp;nbsp;Dinicu alouette &amp;nbsp;("The Lark")&lt;/b&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;encores:&amp;nbsp;&lt;b&gt; Dark eyes ("Ochi chornye") &lt;/b&gt;&lt;b&gt;&amp;nbsp; /&amp;nbsp; 'Sabre Dance' (Khachaturian) &amp;nbsp; &amp;nbsp; &lt;/b&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;Split 27/28 minutes: &lt;b&gt;&amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;a href="http://3.bp.blogspot.com/_kROXkz4fwrw/TQHoniFZ4GI/AAAAAAAAA2k/r8OpATEOqw4/s1600/krakauer.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="153" src="http://3.bp.blogspot.com/_kROXkz4fwrw/TQHoniFZ4GI/AAAAAAAAA2k/r8OpATEOqw4/s200/krakauer.jpg" width="200" /&gt;&lt;/a&gt;&lt;b&gt;Part One:&lt;/b&gt; &amp;nbsp; &amp;nbsp;&lt;a href="http://www.mediafire.com/?wi2557ym55g0252"&gt;http://www.mediafire.com/?wi2557ym55g0252&lt;/a&gt; &lt;b&gt;&amp;nbsp; &lt;/b&gt;&lt;b&gt;&amp;nbsp; Part Two:&lt;/b&gt; &amp;nbsp; &amp;nbsp;&lt;a href="http://www.mediafire.com/?ji5lcx6ljdj4hdt"&gt;http://www.mediafire.com/?ji5lcx6ljdj4hdt&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Klezmer Madness! &lt;/b&gt;&amp;nbsp;( &lt;b&gt;David Krakauer&lt;/b&gt; &lt;/span&gt;- &lt;i&gt;arranger &amp;amp; clarinettist&lt;/i&gt; )&lt;br /&gt;&lt;br /&gt;&lt;b&gt;David Krakauer: &amp;nbsp;Klezmer Dance Tune Medley in B flat major &amp;nbsp;-&lt;/b&gt;&amp;amp;&lt;b&gt;- &amp;nbsp;Tribute to Sidney Bechet&lt;/b&gt;&lt;br /&gt;&lt;b&gt;David Krakauer: &amp;nbsp;Gasn Nigon&amp;nbsp; (The Street Song) &amp;nbsp; -&lt;/b&gt;&amp;amp;&lt;b&gt;- &amp;nbsp;Love Song for Lemberg/Lvov&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Traditional: &amp;nbsp;Klezmer Wedding Song &amp;nbsp; &amp;nbsp; &lt;/b&gt;http://www.megaupload.com/?d=8QKE7AYE&lt;br /&gt;Split 30/28 minutes: &lt;b&gt;&amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Part One:&lt;/b&gt; &amp;nbsp; &amp;nbsp;&lt;a href="http://www.mediafire.com/?o93aav77d4e16pk"&gt;http://www.mediafire.com/?o93aav77d4e16pk&lt;/a&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;b&gt;Part Two:&lt;/b&gt; &amp;nbsp; &amp;nbsp;&lt;a href="http://www.mediafire.com/?4rs81vccklr7vuq"&gt;http://www.mediafire.com/?4rs81vccklr7vuq&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;BBC Radio 3FM. Meridian 104 tuner. Recorded/Playback on: Akai GX-52 - Maxell C110 Metal tape: NO Dolby. &amp;nbsp;&lt;a href="http://rocketremnants.blogspot.com/2009/08/ghetto-blaster.html"&gt;rocketremnants.blogspot&lt;/a&gt; have a cassette dub of the Klezmer.&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied. By downloading the file/s you agree to accept these conditions.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-3232139724993582151?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/3232139724993582151/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/12/roby-lakatos-ensemble-david-krakauers.html#comment-form' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/3232139724993582151'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/3232139724993582151'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/12/roby-lakatos-ensemble-david-krakauers.html' title='Roby Lakatos Ensemble -&amp;- David Krakauer&apos;s &apos;Klezmer Madness!&apos; - BBC Proms 2001'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_kROXkz4fwrw/TQHoin-wQ_I/AAAAAAAAA2g/ZCsnbErJdiY/s72-c/lakatos.jpg' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-5989553308234086588</id><published>2010-12-01T00:08:00.027Z</published><updated>2012-01-26T00:09:23.257Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='TANEYEV'/><category scheme='http://www.blogger.com/atom/ns#' term='Isserlis -Steven'/><category scheme='http://www.blogger.com/atom/ns#' term='TCHAIKOVSKY'/><category scheme='http://www.blogger.com/atom/ns#' term='Gitlis -Ivry'/><title type='text'>Ivry Gitlis - Steven Isserlis, etc. @ Wigmore Hall: Taneyev -&amp;- Tchaikovsky - BBC 2002</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_kROXkz4fwrw/TPWRaTKjUvI/AAAAAAAAA00/Po8TFhBhZYM/s1600/photo1.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="168" src="http://1.bp.blogspot.com/_kROXkz4fwrw/TPWRaTKjUvI/AAAAAAAAA00/Po8TFhBhZYM/s200/photo1.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Sergei Taneyev: String Quintet no.1 in G major, op.14&lt;/b&gt;&amp;nbsp;  &amp;nbsp; &lt;br /&gt;&lt;a href="http://www.mediafire.com/?w36qluh37ikujw3"&gt;http://www.mediafire.com/?w36qluh37ikujw3&lt;/a&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;I: &lt;i&gt;Allegro con spirito&lt;/i&gt; &amp;nbsp;~ &amp;nbsp;II: &lt;i&gt;Vivace con fuoco&lt;/i&gt; &amp;nbsp;~ &amp;nbsp;III: &lt;i&gt;Tema con variazione&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Pekka Kuusisto, Arisa Fijita,&lt;/b&gt; &lt;i&gt;violins&lt;/i&gt; - &lt;b&gt;Rachel Roberts,&lt;/b&gt; &lt;i&gt;viola&lt;/i&gt;, - &lt;b&gt;Steven Isserlis, Daniel Müller-Schott, &lt;/b&gt;&lt;i&gt;'cellos.&lt;/i&gt; &lt;br /&gt;&lt;br /&gt;&lt;b&gt;Peter Tchaikovsky: Piano Trio in A minor, op.50&lt;/b&gt; &lt;br /&gt;I: &lt;i&gt;Pezzo elegiaco. Moderato assai—Allegro giusto&amp;nbsp;&lt;/i&gt; ~ &amp;nbsp;II: (i) &lt;i&gt;Tema con variazione. Andante con moto ~&lt;/i&gt;&lt;br /&gt;(ii) &lt;i&gt;Variazione finale e coda. Allegro risoluto e con fuoco — Andante con moto&lt;/i&gt;&lt;br /&gt;Part One: &amp;nbsp; &lt;a href="http://www.mediafire.com/?c164klkjr94pxkb"&gt;http://www.mediafire.com/?c164klkjr94pxkb&lt;/a&gt;&lt;br /&gt;Part Two: &amp;nbsp; &lt;a href="http://www.mediafire.com/?5d41rsvtuf13ns2"&gt;http://www.mediafire.com/?5d41rsvtuf13ns2&lt;/a&gt; &amp;nbsp; &amp;nbsp; Part Three: &amp;nbsp; &amp;nbsp;&lt;a href="http://www.mediafire.com/?posysyowua8ndsw"&gt;http://www.mediafire.com/?posysyowua8ndsw&lt;/a&gt;&lt;br /&gt;&lt;b&gt;Nelson Goerner&lt;/b&gt;, &lt;i&gt;piano&lt;/i&gt; -  &lt;b&gt;Ivry Gitlis&lt;/b&gt;, &lt;i&gt;violin&lt;/i&gt; -  &lt;b&gt;Steven Isserlis&lt;/b&gt;, &lt;i&gt;'cello&lt;/i&gt;&lt;br /&gt;BBC Radio 3FM - Live from Wigmore Hall - 16 January 2002. Rec./Playback: Akai GX-52 (TDK SA C90 tape) &amp;nbsp; &lt;b&gt;STEREO &lt;/b&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;FLAC&lt;/i&gt;&lt;/span&gt;&lt;b&gt; files&lt;/b&gt;&amp;nbsp;  &amp;nbsp; &lt;a href="http://www.musicweb-international.com/sandh/2002/Jan02/Taneyev.htm"&gt;MusicWeb review&lt;/a&gt; &amp;nbsp; "The Times" review &amp;gt;&amp;gt;&amp;gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied. By downloading the file/s you agree to accept these conditions.&lt;/span&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_kROXkz4fwrw/TPWRiE5hCgI/AAAAAAAAA04/Scv5--ESt4U/s1600/Gitlis+-+Times+16+Jan+2002.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_kROXkz4fwrw/TPWRiE5hCgI/AAAAAAAAA04/Scv5--ESt4U/s1600/Gitlis+-+Times+16+Jan+2002.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-5989553308234086588?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/5989553308234086588/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/12/ivry-gitlis-steven-isserlis-etc-wigmore.html#comment-form' title='12 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/5989553308234086588'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/5989553308234086588'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/12/ivry-gitlis-steven-isserlis-etc-wigmore.html' title='Ivry Gitlis - Steven Isserlis, etc. @ Wigmore Hall: Taneyev -&amp;- Tchaikovsky - BBC 2002'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_kROXkz4fwrw/TPWRaTKjUvI/AAAAAAAAA00/Po8TFhBhZYM/s72-c/photo1.jpg' height='72' width='72'/><thr:total>12</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-3724807698088660271</id><published>2010-11-29T18:04:00.012Z</published><updated>2012-02-11T18:43:25.640Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='London SO'/><category scheme='http://www.blogger.com/atom/ns#' term='TCHAIKOVSKY'/><category scheme='http://www.blogger.com/atom/ns#' term='Collins -Anthony'/><title type='text'>Anthony Collins / London Symphony Orchestra - Francesca da Rimini -&amp;- Capriccio Italien - Decca 1956</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_kROXkz4fwrw/TPPqlTxgDSI/AAAAAAAAA0s/sTpWw-optBU/s1600/collins+lxt5186.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/_kROXkz4fwrw/TPPqlTxgDSI/AAAAAAAAA0s/sTpWw-optBU/s200/collins+lxt5186.jpg" width="196" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Peter Tchaikovsky:&lt;br /&gt;"Francesca da Rimini"&lt;/b&gt;&amp;nbsp; (Fantasia after Dante), &amp;nbsp;&lt;b&gt;op.32&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;FLAC: &lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://www.mediafire.com/?g9zlkc2643o4na3"&gt;http://www.mediafire.com/?g9zlkc2643o4na3&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; WAV: &lt;/i&gt;&lt;/span&gt;&amp;nbsp;&lt;a href="http://www.mediafire.com/?4wh9b7v6je63g86"&gt;http://www.mediafire.com/?4wh9b7v6je63g86&lt;/a&gt; &amp;nbsp;  &lt;br /&gt;&lt;br /&gt;&lt;b&gt;"Capriccio Italien", op.45&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;FLAC: &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;WAV:&lt;/i&gt;&lt;/span&gt; &amp;nbsp; &lt;br /&gt;&lt;br /&gt;&lt;b&gt;The London Symphony Orchestra &amp;nbsp;&lt;/b&gt;&lt;i&gt;conducted by&lt;/i&gt;&lt;b&gt;&amp;nbsp; Anthony Collins&lt;/b&gt;&lt;br /&gt;&lt;span style="color: magenta;"&gt;&lt;b&gt;Francesca extensively re-edited Feb.2012 &amp;nbsp;...C.Italien to follow..&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;b&gt;Decca LXT 5186&lt;/b&gt; &amp;nbsp;&amp;nbsp;  1956 LP/Matrices: ARL 3027 -1A / ARL 3026 -1A&lt;br /&gt;Recorded: 17/18 January 1956, Kingsway Hall. &amp;nbsp; Not on CD / unissued as Stereo.  Sleeve-note &amp;gt;&amp;gt;&amp;gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_kROXkz4fwrw/TPPqtrx8PvI/AAAAAAAAA0w/OTBbhHNVzEQ/s1600/LXT+5186+sleevenote.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="385" src="http://4.bp.blogspot.com/_kROXkz4fwrw/TPPqtrx8PvI/AAAAAAAAA0w/OTBbhHNVzEQ/s400/LXT+5186+sleevenote.jpg" width="400" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-3724807698088660271?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/3724807698088660271/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/11/anthony-collins-london-symphony.html#comment-form' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/3724807698088660271'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/3724807698088660271'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/11/anthony-collins-london-symphony.html' title='Anthony Collins / London Symphony Orchestra - Francesca da Rimini -&amp;- Capriccio Italien - Decca 1956'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_kROXkz4fwrw/TPPqlTxgDSI/AAAAAAAAA0s/sTpWw-optBU/s72-c/collins+lxt5186.jpg' height='72' width='72'/><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-1267382050131646933</id><published>2010-11-16T11:52:00.021Z</published><updated>2012-01-26T23:03:41.032Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Shuard -Amy'/><category scheme='http://www.blogger.com/atom/ns#' term='VERDI'/><category scheme='http://www.blogger.com/atom/ns#' term='GIORDANO'/><category scheme='http://www.blogger.com/atom/ns#' term='Royal Opera House'/><category scheme='http://www.blogger.com/atom/ns#' term='R.STRAUSS'/><category scheme='http://www.blogger.com/atom/ns#' term='MASCAGNI'/><category scheme='http://www.blogger.com/atom/ns#' term='Downes -Edward'/><category scheme='http://www.blogger.com/atom/ns#' term='PUCCINI'/><category scheme='http://www.blogger.com/atom/ns#' term='Johnston -James'/><category scheme='http://www.blogger.com/atom/ns#' term='Philharmonia'/><title type='text'>Amy Shuard sings Italian Operatic Arias -&amp;- Elektra - EMI -&amp;- Decca 1951-1968</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_kROXkz4fwrw/TOJwXvaXEuI/AAAAAAAAAzw/wNB0FYLGvN0/s1600/Shuard+SXLP.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://1.bp.blogspot.com/_kROXkz4fwrw/TOJwXvaXEuI/AAAAAAAAAzw/wNB0FYLGvN0/s200/Shuard+SXLP.jpg" width="198" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Mascagni: "Cavalleria Rusticana"&lt;/b&gt; - 'You here Santuzza'  - with &lt;b&gt;James Johnston,&lt;/b&gt; &lt;i&gt;Tenor&lt;/i&gt;&amp;nbsp;   &amp;nbsp; &lt;a href="http://www.mediafire.com/?34vavahagoke6u6"&gt;http://www.mediafire.com/?34vavahagoke6u6&lt;/a&gt;&lt;br /&gt;&lt;b&gt;The Philharmonia Orchestra - Michael Mudie&lt;/b&gt;.  Rec: 7 March 1951 (Columbia 78 - DX.1748)&lt;br /&gt;From &lt;b&gt;HMV &amp;nbsp;RLS 707&lt;/b&gt; (CLP 3720) 3LP album - "Stars of the Old Vic &amp;amp; Sadlers Wells"&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Side One:  &lt;/i&gt;&amp;nbsp;Verdi: "Aida" - 'Ritorna vincitor?'  /  "Aida" - 'Qui Radames verra'  /  "Un Ballo In Maschera" - 'Morro, ma prima in grazia'  /  Mascagni: "Cavalleria Rusticana" - 'Voi lo sapete, o mamma'      &amp;nbsp; &amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=WNJUXNL6&amp;nbsp;     &lt;br /&gt;&lt;i&gt;Side Two:&lt;/i&gt;&amp;nbsp; Puccini: "Turandot" - 'In questa reggia'  /  "Gianni Schicchi" - 'O mio babbino caro'  /  "La Tosca" - 'Vissi d'arte'  /  "La Boheme" - 'Quaundo me'n vo''  /  Giordano: "Andrea Chenier" - 'Ma mamma morta'      &amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=112G7H8A&amp;nbsp;     &lt;br /&gt;&lt;b&gt;Royal Opera House Orchestra - Edward Downes &amp;nbsp;    &amp;nbsp;&lt;/b&gt;&lt;b&gt;HMV &amp;nbsp;SXLP 20046&lt;/b&gt;&amp;nbsp;  &amp;nbsp; 1962 LP - matrices: 2YEA 691 -1 / 2YEA 692 -2&lt;br /&gt;&lt;br /&gt;&lt;b&gt;R. Strauss:&lt;/b&gt;&amp;nbsp; "Elektra" -  'Allein! Weh ganz allein'&amp;nbsp;  &amp;nbsp; &lt;i&gt;&lt;span style="font-size: large;"&gt;WAV:&amp;nbsp;&lt;/span&gt;&lt;/i&gt; &lt;a href="http://www.mediafire.com/?d8ai7ds6rv704w7"&gt;http://www.mediafire.com/?d8ai7ds6rv704w7&lt;/a&gt; &lt;br /&gt;&lt;b&gt;Royal Opera House Orchestra - Edward Downes.&lt;/b&gt;   Rec: 22 June 1968 - Kingsway Hall.&lt;br /&gt;From &lt;b&gt;Decca SET 392/3  &lt;/b&gt;"Covent Garden Anniversary Album". 1968 LP - matrix: ZAL 8489 -1G&lt;br /&gt;&lt;b&gt;STEREO &lt;/b&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;FLAC&lt;/i&gt;&lt;/span&gt;&lt;b&gt; files&lt;/b&gt; (except item one) &amp;nbsp; Dutton issued SXLP 20049 in 2000 (now OOP).  SET 392/3 issued 2009 on Decca Eloquence.    &amp;nbsp;RLS/SXLP sleeve-notes &amp;gt;&amp;gt;&amp;gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied. By downloading the file/s you agree to accept these conditions&lt;/span&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_kROXkz4fwrw/TTxgDtQU5NI/AAAAAAAAA5Y/cPkAZBXU-Ys/s1600/RLS+707+Shuard+%252B+Johnston.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="264" src="http://2.bp.blogspot.com/_kROXkz4fwrw/TTxgDtQU5NI/AAAAAAAAA5Y/cPkAZBXU-Ys/s320/RLS+707+Shuard+%252B+Johnston.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_kROXkz4fwrw/TTwJUT8_PGI/AAAAAAAAA5M/BNpZ8bS00BE/s1600/SXLP+Shuard+sleevenote.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="306" src="http://4.bp.blogspot.com/_kROXkz4fwrw/TTwJUT8_PGI/AAAAAAAAA5M/BNpZ8bS00BE/s320/SXLP+Shuard+sleevenote.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-1267382050131646933?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/1267382050131646933/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/11/amy-shuard-sings-italian-operatic-arias.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/1267382050131646933'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/1267382050131646933'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/11/amy-shuard-sings-italian-operatic-arias.html' title='Amy Shuard sings Italian Operatic Arias -&amp;- Elektra - EMI -&amp;- Decca 1951-1968'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_kROXkz4fwrw/TOJwXvaXEuI/AAAAAAAAAzw/wNB0FYLGvN0/s72-c/Shuard+SXLP.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-1560722832823075922</id><published>2010-11-12T00:25:00.014Z</published><updated>2012-01-23T17:03:06.324Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='WEILL'/><title type='text'>Kurt Weill - "Chansons" - Catherine Sauvage / Christiane Legrand, etc. - Philips 1958</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_kROXkz4fwrw/TNyJPCyL5nI/AAAAAAAAAzc/RhH8L1OeMYE/s1600/Philips+-+Weill.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://1.bp.blogspot.com/_kROXkz4fwrw/TNyJPCyL5nI/AAAAAAAAAzc/RhH8L1OeMYE/s200/Philips+-+Weill.jpg" width="196" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;&lt;span id="search" style="visibility: visible;"&gt;L'Opera de quat'sous: &amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;i&gt;Side One:&lt;/i&gt;  &lt;b&gt;Chant des Canons&lt;/b&gt; (Les Quatre Barbus)&amp;nbsp;  ~  &amp;nbsp;&lt;b&gt;Bilbao Song &lt;/b&gt;(Catherine Sauvage)&amp;nbsp;  ~&amp;nbsp;  &lt;b&gt;Complainte de Mackie&lt;/b&gt; (Yves Robert)&amp;nbsp;  ~&amp;nbsp;  &lt;b&gt;Chanson de Barbara &lt;/b&gt;(C.Sauvage)&lt;b&gt; &amp;nbsp;~ &amp;nbsp;Le roi d'Aquitaine&lt;/b&gt; (Q.Barbus)  &amp;nbsp;~  &amp;nbsp;&lt;b&gt;La Fiancee du Pirate&lt;/b&gt; (C.Sauvage)  &amp;nbsp;~&amp;nbsp;  &lt;b&gt;Grandeur et decadence de la ville de Mahagonny - Overture&lt;/b&gt;&amp;nbsp; &amp;nbsp;~&amp;nbsp;  &lt;b&gt;Speak Low&lt;/b&gt; (Christiane Legrand)&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC&lt;/span&gt;&lt;/i&gt; &amp;nbsp;&lt;a href="http://www.mediafire.com/?d6hq8w402cdhv7y"&gt;http://www.mediafire.com/?d6hq8w402cdhv7y&lt;/a&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;i&gt;&lt;span style="font-size: large;"&gt;WAV&lt;/span&gt;&lt;/i&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=N4JMOHEK&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Side Two:  &lt;/i&gt;&lt;b&gt;Ballade de la ville agreable&lt;/b&gt;&amp;nbsp; &amp;nbsp;~  &amp;nbsp;&lt;b&gt;Sorabaya Johnny&lt;/b&gt; (C.Sauvage)  &amp;nbsp;~  &amp;nbsp;&lt;b&gt;Le Grand Lustucru&lt;/b&gt; (Q.Barbus)  &amp;nbsp;~ &lt;b&gt;&amp;nbsp;Nanna's Lied &lt;/b&gt;(C.Sauvage) &amp;nbsp;~  &amp;nbsp;&lt;b&gt;Tango des Matelots&amp;nbsp; &amp;nbsp;&lt;/b&gt;~  &amp;nbsp;&lt;b&gt;J'attends un navire&lt;/b&gt; (C.Legrand)&amp;nbsp;  ~  &amp;nbsp;&lt;b&gt;Alabama Song&lt;/b&gt; (C.Sauvage)  &amp;nbsp;~ &amp;nbsp;&lt;b&gt;September Song&lt;/b&gt;&amp;nbsp; &amp;nbsp; &lt;span style="font-size: large;"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;FLAC&lt;/i&gt;&lt;/span&gt; &amp;nbsp;&lt;a href="http://www.mediafire.com/?y2r8a81ouhynfp1"&gt;http://www.mediafire.com/?y2r8a81ouhynfp1&lt;/a&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;span style="font-size: large;"&gt;&lt;i&gt;WAV&lt;/i&gt;&lt;/span&gt;&amp;nbsp; &amp;nbsp; http://www.megaupload.com/?d=RN2MA0J7     &lt;br /&gt;&lt;b&gt;Orchestra&lt;/b&gt;  &lt;i&gt;&amp;nbsp;under the direction of &amp;nbsp; &lt;/i&gt;&lt;b&gt;Franck Aussman&lt;/b&gt;&lt;b&gt;.&lt;/b&gt;      &lt;b&gt;&amp;nbsp; &amp;nbsp; Philips 'Realites' &amp;nbsp;V.4.&lt;/b&gt;&amp;nbsp; &amp;nbsp;Original 1958 French Philips pressing/matrices: AA 77.454/5&lt;br /&gt;&lt;i&gt;Good sound-quality - though a bit 'upfront/compressed' &amp;nbsp;- with slight traces of &amp;nbsp;'groove-wear' &amp;nbsp;apparent towards the end. &amp;nbsp; &lt;/i&gt;Further track details &amp;gt;&amp;gt;&amp;gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_kROXkz4fwrw/TNyJUjoubmI/AAAAAAAAAzg/C5gWOBp3Kp8/s1600/Chansons+de+Weill+-+track+list.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_kROXkz4fwrw/TNyJUjoubmI/AAAAAAAAAzg/C5gWOBp3Kp8/s1600/Chansons+de+Weill+-+track+list.jpg" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-1560722832823075922?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/1560722832823075922/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/11/kurt-weill-chansons-catherine-sauvage_12.html#comment-form' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/1560722832823075922'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/1560722832823075922'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/11/kurt-weill-chansons-catherine-sauvage_12.html' title='Kurt Weill - &quot;Chansons&quot; - Catherine Sauvage / Christiane Legrand, etc. - Philips 1958'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_kROXkz4fwrw/TNyJPCyL5nI/AAAAAAAAAzc/RhH8L1OeMYE/s72-c/Philips+-+Weill.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-7622727727302603312</id><published>2010-11-10T13:12:00.006Z</published><updated>2012-01-23T13:40:04.902Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Groves -Charles'/><category scheme='http://www.blogger.com/atom/ns#' term='LAMBERT'/><category scheme='http://www.blogger.com/atom/ns#' term='Argo Chamber Ensemble'/><category scheme='http://www.blogger.com/atom/ns#' term='Watson -Gordon'/><category scheme='http://www.blogger.com/atom/ns#' term='Young -Alexander'/><title type='text'>Gordon Watson / Alexander Young - Charles Groves. Lambert Piano Concerto -&amp;- 8 Li-Po Poems  -  Argo 1955</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_kROXkz4fwrw/TNnjmcTyPRI/AAAAAAAAAy8/eXRqF_zZDks/s1600/Lambert+RG50.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/_kROXkz4fwrw/TNnjmcTyPRI/AAAAAAAAAy8/eXRqF_zZDks/s200/Lambert+RG50.jpg" width="198" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Constant Lambert:&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Concerto for Pianoforte &amp;amp; Nine Players&lt;/b&gt;&amp;nbsp; (&lt;b&gt; Gordon Watson&lt;/b&gt;, &lt;i&gt;piano&lt;/i&gt; )&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;WAV: &amp;nbsp;&lt;/i&gt;&lt;/span&gt;&amp;nbsp;&amp;nbsp;  &lt;a href="http://www.mediafire.com/?l6de5o2m5ndgd0c"&gt;http://www.mediafire.com/?l6de5o2m5ndgd0c&lt;/a&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;   &amp;nbsp;&lt;span style="font-size: large;"&gt;&lt;i&gt;&amp;nbsp; FLAC:&lt;/i&gt;&lt;/span&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=L6JP0F39&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Eight Poems by Li-Po &lt;/b&gt;&amp;nbsp;( &lt;b&gt;Alexander Young&lt;/b&gt;, &lt;i&gt;Tenor&lt;/i&gt; )&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;WAV&lt;/i&gt;&lt;/span&gt;: &amp;nbsp; &amp;nbsp; &lt;a href="http://www.mediafire.com/?q7s375fbq163k3d"&gt;http://www.mediafire.com/?q7s375fbq163k3d&lt;/a&gt;    &amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &lt;span style="font-size: large;"&gt;&lt;i&gt;FLAC: &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/span&gt;  http://www.megaupload.com/?d=EHLTCEZJ&lt;br /&gt;&lt;br /&gt;&lt;b&gt;The Argo Chamber Ensemble&lt;/b&gt; &lt;i&gt;&amp;nbsp;conducted by&lt;/i&gt; &amp;nbsp;&lt;b&gt;Charles Groves&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Argo RG 50&amp;nbsp;&lt;/b&gt;&amp;nbsp; &amp;nbsp; c.1960 Matrices: ARG 2119 -1L / ARG 2120 -1L&lt;br /&gt;Very good recordings &amp;amp; a tape-to-disc transfer of &amp;nbsp;'near-mastertape' quality. Performances are excellent.  &amp;nbsp; &lt;b&gt;Sleeve-note&lt;/b&gt; &amp;gt;&amp;gt;&amp;gt;&lt;br /&gt;&lt;b&gt;Harvey Usill's "A History of Argo" (BIRS - July 1980) &lt;/b&gt;- 13pp scanned / zip folder @&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;a href="http://www.mediafire.com/?h4uvpic3xa7fd3o"&gt;http://www.mediafire.com/?h4uvpic3xa7fd3o&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.mediafire.com/?h4uvpic3xa7fd3o"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_kROXkz4fwrw/TNnjwnHAHiI/AAAAAAAAAzA/6HoTXVSlOok/s1600/RG50+Lambert+sleevenote.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/_kROXkz4fwrw/TNnjwnHAHiI/AAAAAAAAAzA/6HoTXVSlOok/s400/RG50+Lambert+sleevenote.jpg" width="386" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-7622727727302603312?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/7622727727302603312/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/11/gordon-watson-alexander-young-charles.html#comment-form' title='11 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/7622727727302603312'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/7622727727302603312'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/11/gordon-watson-alexander-young-charles.html' title='Gordon Watson / Alexander Young - Charles Groves. Lambert Piano Concerto -&amp;- 8 Li-Po Poems  -  Argo 1955'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_kROXkz4fwrw/TNnjmcTyPRI/AAAAAAAAAy8/eXRqF_zZDks/s72-c/Lambert+RG50.jpg' height='72' width='72'/><thr:total>11</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-2655742483912090293</id><published>2010-11-04T16:24:00.017Z</published><updated>2012-01-26T23:05:12.902Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Leipzig Gewandhaus'/><category scheme='http://www.blogger.com/atom/ns#' term='Durjan -Ogan'/><category scheme='http://www.blogger.com/atom/ns#' term='SHOSTAKOVICH'/><title type='text'>Ogan Durjan / Leipzig Gewandhaus - Shostakovich Symphony 12 - Philips 1970</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_kROXkz4fwrw/TNLeI770vAI/AAAAAAAAAx4/tBvPLoi2JLM/s1600/DSCH+12+-Durjan.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/_kROXkz4fwrw/TNLeI770vAI/AAAAAAAAAx4/tBvPLoi2JLM/s200/DSCH+12+-Durjan.jpg" width="198" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Dmitri Shostakovich: &amp;nbsp;Symphony no.12, op.112  &amp;nbsp; "The Year 1917"&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;I: Revolutionary Petrograd: &amp;nbsp;&lt;i&gt;Moderato - Allegro - Piu mosso&amp;nbsp;&lt;/i&gt;&lt;br /&gt;II: Razliv: &amp;nbsp;&lt;i&gt;Allegro&lt;/i&gt; &lt;i&gt;[L'istesso tempo] &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;/i&gt;&lt;a href="http://www.mediafire.com/?cpr38g6nnqqgk41"&gt;http://www.mediafire.com/?cpr38g6nnqqgk41&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;III: Aurora: &lt;i&gt;&amp;nbsp;L'istesso tempo - Allegro&lt;/i&gt;&lt;br /&gt;IV: Dawn of Humanity: &lt;i&gt;&amp;nbsp;L'istesso tempo - Allegretto - Allegro - Moderato &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/i&gt; &lt;a href="http://www.mediafire.com/?w6dkejkizzjp7yw"&gt;http://www.mediafire.com/?w6dkejkizzjp7yw&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Gewandhaus Orchestra, Leipzig - Ogan Durjan &amp;nbsp; &amp;nbsp; STEREO &amp;nbsp; &lt;/b&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;FLAC&lt;/i&gt;&lt;/span&gt;&lt;b&gt; files &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;a href="http://www.anne-kristin-mai.de/dourianarchiv.htm"&gt;http://www.anne-kristin-mai.de/dourianarchiv.htm&lt;/a&gt;&lt;br /&gt;&lt;b&gt;Philips 6580 012&lt;/b&gt;&amp;nbsp; &amp;nbsp; Dutch Matrices: 2 / 1.  &amp;nbsp;1974 Dutch pressing. VEB/DDR recording.&amp;nbsp; A Philips 'limited edition' CD was issued in 1992.&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;By downloading the file/s you agree to accept these conditions.&amp;nbsp;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-2655742483912090293?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/2655742483912090293/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/11/ogan-durjan-leipzig-gewandhaus.html#comment-form' title='7 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/2655742483912090293'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/2655742483912090293'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/11/ogan-durjan-leipzig-gewandhaus.html' title='Ogan Durjan / Leipzig Gewandhaus - Shostakovich Symphony 12 - Philips 1970'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_kROXkz4fwrw/TNLeI770vAI/AAAAAAAAAx4/tBvPLoi2JLM/s72-c/DSCH+12+-Durjan.jpg' height='72' width='72'/><thr:total>7</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-8396154468047099385</id><published>2010-10-27T14:43:00.016+01:00</published><updated>2012-01-26T20:04:52.319Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Novak Quartet'/><category scheme='http://www.blogger.com/atom/ns#' term='PROKOFIEV'/><title type='text'>Novak Quartet - Prokofiev String Quartets 1 &amp; 2 - Philips 1970</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_kROXkz4fwrw/TMgsL0WxBMI/AAAAAAAAAvU/36Xd3t_gMYc/s1600/Prokofiev+_+Novak+Qt.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="198" src="http://2.bp.blogspot.com/_kROXkz4fwrw/TMgsL0WxBMI/AAAAAAAAAvU/36Xd3t_gMYc/s200/Prokofiev+_+Novak+Qt.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Serge Prokofiev:&lt;/b&gt;&lt;br /&gt;&lt;b&gt;String Quartet no.1, op.50&lt;/b&gt;&amp;nbsp; (1930)  &amp;nbsp;I: &lt;i&gt;Allegro &lt;/i&gt;&amp;nbsp;~ &amp;nbsp;II: &lt;i&gt;Andante molto vivace&lt;/i&gt; &amp;nbsp;~&amp;nbsp; III: &lt;i&gt;Andante&lt;/i&gt; &amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;a href="http://www.mediafire.com/?7lafopgoovv3pa7"&gt;http://www.mediafire.com/?7lafopgoovv3pa7&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;String Quartet no.2, op.92 &amp;nbsp;&lt;/b&gt;(1941)  &amp;nbsp;I: &lt;i&gt;Allegro sostenuto&lt;/i&gt; &amp;nbsp;~&amp;nbsp; II: &lt;i&gt;Adagio&lt;/i&gt; &amp;nbsp;~&amp;nbsp; III: &lt;i&gt;Allegro&lt;/i&gt; &amp;nbsp; &amp;nbsp; &lt;a href="http://www.mediafire.com/?3alqmn78isdc5s8"&gt;http://www.mediafire.com/?3alqmn78isdc5s8&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Novak Quartet&lt;/b&gt; &amp;nbsp;( Antonin Novak&amp;nbsp;  &lt;i&gt;&amp;amp;&lt;/i&gt; &amp;nbsp;Dusan Pandula, &lt;i&gt;Violin&lt;/i&gt;&lt;i&gt;s&lt;/i&gt; - Josef Podjuki, &lt;i&gt;Viola&lt;/i&gt; - Jaroslav Chovanec, &lt;i&gt;'Cello )&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Philips 6503 114 &lt;/b&gt;- reissued/remastered 1984. Matrices: -2/-2. &amp;nbsp;Original Philips issue: 6500 103. VEB/DDR recording.  &lt;b&gt;&amp;nbsp; &lt;/b&gt;&lt;strong&gt;Not on CD&lt;/strong&gt;&lt;br /&gt;&lt;b&gt;STEREO &lt;/b&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;FLAC &lt;/i&gt;&lt;/span&gt;&lt;b&gt;files &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;i&gt;Excellent performances - &amp;amp; very high-quality tape-to-disc transfers... &amp;nbsp;&lt;/i&gt;  &lt;b&gt;Sleeve-note&lt;/b&gt; &amp;gt;&amp;gt;&amp;gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;By downloading the file/s you agree to accept these conditions&lt;/span&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_kROXkz4fwrw/TMgsbRPiK6I/AAAAAAAAAvY/3-tEdRz9kMI/s1600/Prokofiev+-+Novak+Qt+sleevenote.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="396" src="http://2.bp.blogspot.com/_kROXkz4fwrw/TMgsbRPiK6I/AAAAAAAAAvY/3-tEdRz9kMI/s400/Prokofiev+-+Novak+Qt+sleevenote.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-8396154468047099385?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/8396154468047099385/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/10/novak-quartet-prokofiev-string-quartets.html#comment-form' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/8396154468047099385'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/8396154468047099385'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/10/novak-quartet-prokofiev-string-quartets.html' title='Novak Quartet - Prokofiev String Quartets 1 &amp; 2 - Philips 1970'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_kROXkz4fwrw/TMgsL0WxBMI/AAAAAAAAAvU/36Xd3t_gMYc/s72-c/Prokofiev+_+Novak+Qt.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-8801547735512792797</id><published>2010-10-22T17:03:00.018+01:00</published><updated>2012-01-25T19:17:59.267Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='HINDEMITH'/><category scheme='http://www.blogger.com/atom/ns#' term='Doktor -Paul'/><category scheme='http://www.blogger.com/atom/ns#' term='London Philharmonic'/><category scheme='http://www.blogger.com/atom/ns#' term='Downes -Edward'/><category scheme='http://www.blogger.com/atom/ns#' term='WALTON'/><title type='text'>Paul Doktor - LPO / Edward Downes - Walton Viola Concerto / Hindemith Der Schwanendreher - CBS 1968</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_kROXkz4fwrw/TMG1qqVVnAI/AAAAAAAAAvM/tnfTVHjy3t4/s1600/Walton+-+Hindemith+-+CBS.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/_kROXkz4fwrw/TMG1qqVVnAI/AAAAAAAAAvM/tnfTVHjy3t4/s200/Walton+-+Hindemith+-+CBS.jpg" width="197" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;William Walton:  Concerto for Viola &amp;amp; Orchestra&lt;/b&gt; &amp;nbsp; (1961 revised version) &amp;nbsp; &amp;nbsp; http://www.megaupload.com/?d=OSQBWGDC&lt;br /&gt;I: &lt;i&gt;Andante comodo &amp;nbsp;~ &amp;nbsp;&lt;/i&gt;II:&lt;i&gt; Vivo con molto preciso &amp;nbsp;~&amp;nbsp; &lt;/i&gt;III:&lt;i&gt; Allegro moderato&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Paul Hindemith:  "Der Schwanendreher"&lt;/b&gt;&amp;nbsp;  &amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=5YLISU9Z&lt;br /&gt;I: &lt;i&gt;Langsam - Massig bewegt, mit Kraft &amp;nbsp;~&amp;nbsp; &lt;/i&gt;II:&lt;i&gt; Sehr ruhig &amp;nbsp;~&amp;nbsp; &lt;/i&gt;III: &lt;i&gt;Massig schnell&amp;nbsp;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Paul Doktor&lt;/b&gt;, &lt;i&gt;viola &lt;/i&gt;- &lt;b&gt;London Philharmonic Orchestra - Edward Downes. &amp;nbsp; &lt;/b&gt;&lt;b&gt;CBS 72677 &lt;/b&gt;- 1968 matrices: A5 / B6   &amp;nbsp; &lt;b&gt;&amp;nbsp; &amp;nbsp;STEREO&lt;/b&gt; &lt;span style="font-size: large;"&gt;&lt;i&gt;FLAC&lt;/i&gt;&lt;/span&gt; &lt;b&gt;files&lt;i&gt; &lt;/i&gt;&lt;/b&gt;&lt;i&gt;&amp;nbsp; &amp;nbsp; &lt;/i&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;This was deleted by 1971 &amp;amp; has not been reissued on CD.&amp;nbsp; The performances are highly enjoyable - with very good sound-quality (far superior to the Gramophone reviewer's claim). &lt;/i&gt;&lt;i&gt;&amp;nbsp;  &amp;nbsp;&lt;/i&gt;&amp;nbsp;&lt;i&gt;&lt;a href="http://www.gramophone.net/Issue/Page/November%201968/65/848580/WALTON.+Viola+Concerto+%28Revised+version%29.+Paul+Doktor+%28viola%29%2C+London+Philharmonic+Orchestra+conducted+by+Edward+Downes.+CBS+0+72677+%2812+in.%2C+42s.+9d.%29."&gt;"Gramophone" review - LINK&lt;/a&gt; &lt;/i&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;i&gt; &amp;nbsp;&lt;/i&gt;&lt;b&gt;Sleeve-note &amp;gt;&amp;gt;&amp;gt;&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt; By downloading the file/s you agree to accept these conditions&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_kROXkz4fwrw/TMG11-iw0KI/AAAAAAAAAvQ/3AZBa2NlFpY/s1600/Walton+-+Hindemith+-+CBS+sleevenote.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="393" src="http://3.bp.blogspot.com/_kROXkz4fwrw/TMG11-iw0KI/AAAAAAAAAvQ/3AZBa2NlFpY/s400/Walton+-+Hindemith+-+CBS+sleevenote.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-8801547735512792797?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/8801547735512792797/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/10/paul-doktor-lpo-edward-downes-walton.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/8801547735512792797'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/8801547735512792797'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/10/paul-doktor-lpo-edward-downes-walton.html' title='Paul Doktor - LPO / Edward Downes - Walton Viola Concerto / Hindemith Der Schwanendreher - CBS 1968'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_kROXkz4fwrw/TMG1qqVVnAI/AAAAAAAAAvM/tnfTVHjy3t4/s72-c/Walton+-+Hindemith+-+CBS.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-9151052550111405145</id><published>2010-10-20T11:40:00.011+01:00</published><updated>2012-01-25T19:32:23.551Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Sargent -Malcolm'/><category scheme='http://www.blogger.com/atom/ns#' term='VAUGHAN WILLIAMS'/><category scheme='http://www.blogger.com/atom/ns#' term='ELGAR'/><category scheme='http://www.blogger.com/atom/ns#' term='BBC SO'/><title type='text'>Malcolm Sargent / BBC Symphony Orchestra - Tallis Fantasia / Wand of Youth suite 2 - HMV 1953</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_kROXkz4fwrw/TL7GnDk57JI/AAAAAAAAAvE/uUchotisnHM/s1600/Sargent+BLP.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://1.bp.blogspot.com/_kROXkz4fwrw/TL7GnDk57JI/AAAAAAAAAvE/uUchotisnHM/s200/Sargent+BLP.jpg" width="196" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Ralph Vaughan Williams:&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Fantasia on a Theme by Thomas Tallis &amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;/b&gt;http://www.megaupload.com/?d=KVBPK1I4&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Sir Edward Elgar:&lt;br /&gt;"Wand of Youth", Suite no.2, op.1b&lt;/b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; http://www.megaupload.com/?d=VS21KGIH&lt;br /&gt;&lt;i&gt;March ~ The Little Bells ~ Moths &amp;amp; Butterfles ~ Fountain Dance ~ The Tame Bears ~ The Wild Bears&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;BBC Symphony Orchestra - Sir Malcolm Sargent&lt;/b&gt;&lt;br /&gt;&lt;b&gt;HMV BLP 1019 &lt;/b&gt;(10" LP) 1958 pressing.&amp;nbsp;  Matrices: 0XEA 294 -2N / 0XEA 295 -3N  &amp;nbsp; &amp;nbsp;Recorded circa 1952, Abbey Road Studio no.1&lt;br /&gt;&lt;a href="http://www.gramophone.net/Issue/Page/June%201953/37/743288/ELGAR.+Wand+of+Youth+Suite+No.+2%2C+Op.+xb.+VAUGHAN+WILLIAMS.+Fantasia+on+a+Theme+by+Thomas+Tails.+B.B.C.+Symphony+Orchestra+%28Sargent%29.+H.M.V.+BLPio+19.+Fantasia+SP%3A+DB97834."&gt;Gramophone 1953 review: the Elgar is far better than stated - LINK&lt;/a&gt;&amp;nbsp; ..I don't believe this has been reissued since deletion some 50+years ago.&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC &lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;files&lt;/span&gt;&lt;/i&gt;&lt;i&gt;   &lt;/i&gt;&amp;nbsp; &amp;nbsp; Sleeve-note &amp;gt;&amp;gt;&amp;gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_kROXkz4fwrw/TL7Gvz95YQI/AAAAAAAAAvI/HjMJNpSjJQg/s1600/Sargent+BLP+sleevenote.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/_kROXkz4fwrw/TL7Gvz95YQI/AAAAAAAAAvI/HjMJNpSjJQg/s400/Sargent+BLP+sleevenote.jpg" width="396" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-9151052550111405145?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/9151052550111405145/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/10/malcolm-sargent-bbc-symphony-orchestra.html#comment-form' title='6 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/9151052550111405145'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/9151052550111405145'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/10/malcolm-sargent-bbc-symphony-orchestra.html' title='Malcolm Sargent / BBC Symphony Orchestra - Tallis Fantasia / Wand of Youth suite 2 - HMV 1953'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_kROXkz4fwrw/TL7GnDk57JI/AAAAAAAAAvE/uUchotisnHM/s72-c/Sargent+BLP.jpg' height='72' width='72'/><thr:total>6</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-1736511206031656314</id><published>2010-09-20T23:05:00.091+01:00</published><updated>2012-01-25T16:13:09.874Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Philip Jones Brass Ensemble'/><category scheme='http://www.blogger.com/atom/ns#' term='Gamba -Rumon'/><category scheme='http://www.blogger.com/atom/ns#' term='BBC PO'/><category scheme='http://www.blogger.com/atom/ns#' term='ARNOLD'/><title type='text'>Malcolm Arnold: Symphonies 1 - 7, etc. - Rumon Gamba / BBC Philharmonic - BBC 2001</title><content type='html'>&lt;table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; text-align: right;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_kROXkz4fwrw/TJfaMtDdG1I/AAAAAAAAAr8/r84B0_Zyf7A/s320/M.+Arnold+BBC.jpg" style="margin-left: auto; margin-right: auto;" /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Malcolm Arnold - 1966&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;b&gt;Symphony no.1, op.22&lt;/b&gt; &amp;nbsp;(1948/9) &amp;nbsp; &amp;nbsp;I: &lt;i&gt;Allegro &amp;nbsp;&lt;/i&gt;~ &amp;nbsp;II: &lt;i&gt;Andanti&lt;/i&gt;&lt;i&gt;no&amp;nbsp;&lt;/i&gt; ~ &amp;nbsp;III: &lt;i&gt;Vivace con fuoco &amp;nbsp;&amp;nbsp;&lt;/i&gt;&lt;br /&gt;&lt;a href="http://www.mediafire.com/?dh45s5zzd4vt3c1"&gt;http://www.mediafire.com/?dh45s5zzd4vt3c1&lt;/a&gt;&lt;br /&gt;&lt;b&gt;Symphony no.2, op.40&lt;/b&gt; &amp;nbsp;(1952/3) &amp;nbsp; I: &lt;i&gt;Allegretto&lt;/i&gt; &amp;nbsp;~&amp;nbsp; II: &lt;i&gt;Vivace &amp;nbsp;&lt;/i&gt;~ &amp;nbsp;III: &lt;i&gt;Lento &amp;nbsp;&lt;/i&gt;~ &amp;nbsp;IV: &lt;i&gt;Allegro con brio&amp;nbsp;&lt;/i&gt;&lt;br /&gt;&lt;a href="http://www.mediafire.com/?s14r3e6q9vvdjhq"&gt;http://www.mediafire.com/?s14r3e6q9vvdjhq&lt;/a&gt;&lt;br /&gt;&lt;b&gt;Concerto for Flute &amp;amp; Strings no.1, op.45&lt;/b&gt; &amp;nbsp;(1954) &amp;nbsp; I: &lt;i&gt;Allegro energico&lt;/i&gt; &amp;nbsp;~&amp;nbsp; II: &lt;i&gt;Andante&lt;/i&gt; &amp;nbsp;~&amp;nbsp; III: &lt;i&gt;Con fuoco &amp;nbsp;&amp;nbsp;&lt;/i&gt;&lt;br /&gt;&lt;a href="http://www.mediafire.com/?ofsf24jfzdab92b"&gt;http://www.mediafire.com/?ofsf24jfzdab92b&lt;/a&gt;&lt;br /&gt;&lt;b&gt;Symphony no.3, op.63&lt;/b&gt; &amp;nbsp;(1954/7) &amp;nbsp;I: &lt;i&gt;Allegro&lt;/i&gt;&amp;nbsp; ~&amp;nbsp; II: &lt;i&gt;Lento&lt;/i&gt; &amp;nbsp;~ &amp;nbsp;III: &lt;i&gt;Allegro con brio&lt;/i&gt;&lt;br /&gt;&lt;a href="http://www.mediafire.com/?240jp45cqb50tt1"&gt;http://www.mediafire.com/?240jp45cqb50tt1&lt;/a&gt;&lt;br /&gt;&lt;b&gt;Symphony no.4, op.71&lt;/b&gt; &amp;nbsp;(1960) &amp;nbsp; I: &lt;i&gt;Allegro&lt;/i&gt; &amp;nbsp;~&amp;nbsp; II: &lt;i&gt;Vivace ma non troppo&amp;nbsp;&lt;/i&gt; ~ &amp;nbsp;III: &lt;i&gt;Andantino&amp;nbsp;&lt;/i&gt; ~&amp;nbsp; IV: &lt;i&gt;Con fuoco&lt;/i&gt; &amp;nbsp; &lt;br /&gt;&lt;a href="http://www.mediafire.com/?qbcn6r4by9pt5tb"&gt;http://www.mediafire.com/?qbcn6r4by9pt5tb&lt;/a&gt;&lt;br /&gt;Broadcast &amp;nbsp;&lt;b&gt;BBC Radio 3 FM&lt;/b&gt; - 18/19 October 2001 - the Flautist is 'unknown'..&lt;br /&gt;&lt;b&gt;Symphony no.4, op.71&lt;/b&gt; &lt;b&gt;&amp;nbsp;192kbps DAB versi&lt;/b&gt;&lt;b&gt;on &lt;/b&gt;(19 Oct.2006): wider dynamic-range.. but the FM version has 'sonic advantages'.. &amp;nbsp;&lt;a href="http://www.mediafire.com/?tlrtcz7wvl733l2"&gt;http://www.mediafire.com/?tlrtcz7wvl733l2&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt; Symphony no.7, op. 113&lt;/b&gt;,&amp;nbsp; (1973) &amp;nbsp; &amp;nbsp; &lt;a href="http://www.mediafire.com/?jbcjv6xs388ll5a"&gt;http://www.mediafire.com/?jbcjv6xs388ll5a&lt;/a&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The Smoke&lt;/b&gt; (Overture),&lt;b&gt; op. 21&lt;/b&gt;&amp;nbsp; (1948) &amp;nbsp; &amp;nbsp; &lt;a href="http://www.mediafire.com/?mur0eivd6s89yq0"&gt;http://www.mediafire.com/?mur0eivd6s89yq0&lt;/a&gt;&lt;br /&gt;I:&lt;i&gt; Allegro energico&lt;/i&gt; (Katherine)&amp;nbsp; ~&amp;nbsp; II:&lt;i&gt; Andante con moto - Molto vivace - Lento&lt;/i&gt; (Robert)&amp;nbsp; ~&amp;nbsp; III:&lt;i&gt; Allegro - Allegretto - Allegro - Allegretto - Allegro&lt;/i&gt; (Edward)&lt;br /&gt;Re-Broadcast on&amp;nbsp; &lt;b&gt;BBC Radio 3 DAB&lt;/b&gt; 192kbps -&amp;nbsp; 19/24 October 2006&lt;br /&gt;&lt;br /&gt;&lt;b&gt;"Tam O'Shanter", op.51&lt;/b&gt;&amp;nbsp; (1955)&lt;b&gt;&amp;nbsp; &amp;nbsp; &lt;/b&gt;&lt;a href="http://www.mediafire.com/?e65gic9dgelrqnw"&gt;http://www.mediafire.com/?e65gic9dgelrqnw&lt;/a&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; 4 Scottish Dances, op. 59&lt;/b&gt; &amp;nbsp;(1957) &amp;nbsp; &amp;nbsp;&lt;a href="http://www.mediafire.com/?uz02yfa5uwpoiuc"&gt;http://www.mediafire.com/?uz02yfa5uwpoiuc&lt;/a&gt;&lt;br /&gt;&lt;b&gt;Symphony no.5, op.74&lt;/b&gt;&amp;nbsp; (1961) &amp;nbsp; I: &lt;i&gt;Tempestuoso&lt;/i&gt;&amp;nbsp; ~ &amp;nbsp;II: &lt;i&gt;Andante con moto &lt;/i&gt;&amp;nbsp;~ &amp;nbsp;III: &lt;i&gt;Con fuoco &lt;/i&gt;&amp;nbsp;~ &amp;nbsp;IV: &lt;i&gt;Risoluto &amp;nbsp; &amp;nbsp; &lt;/i&gt;&lt;a href="http://www.mediafire.com/?deie4uy25oicde4"&gt;http://www.mediafire.com/?deie4uy25oicde4&lt;/a&gt;&lt;br /&gt;&lt;b&gt;Symphony no.6, op.9&lt;/b&gt;&lt;b&gt;5&amp;nbsp;&lt;/b&gt; (1967) &amp;nbsp; I:&lt;i&gt; Energico  ~  &lt;/i&gt;II:&lt;i&gt; Lento – Allegretto – Lento  ~  &lt;/i&gt;III:&lt;i&gt; Con fuoco &amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;/i&gt;http://&lt;a href="http://www.mediafire.com/?lv6vwnrn7i6a28w"&gt;http://www.mediafire.com/?lv6vwnrn7i6a28w&lt;/a&gt;&lt;br /&gt;&lt;i&gt;Live Broadcast, in the presence of the Composer:&lt;/i&gt; &lt;b&gt;&amp;nbsp;BBC Radio 3 FM&lt;/b&gt; - 21 October 2001&amp;nbsp; ( Concert sequence: Tam / Sym.6 /-/ Scottish / Sym.5 )&lt;br /&gt;&lt;b&gt;BBC Philharmonic Orchestra - Rumon Gamba.&lt;/b&gt; &amp;nbsp; Performed in the Royal Northern College of Music, Manchester. &amp;nbsp; &lt;b&gt;STEREO&lt;/b&gt; &lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC&lt;/span&gt;&lt;/i&gt;&lt;i&gt; &lt;/i&gt;&lt;b&gt;files &amp;nbsp; &lt;/b&gt;&lt;b&gt;MiniDisc &lt;/b&gt;&lt;b&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/b&gt;Co-ax transfers&lt;b&gt;&lt;i&gt; &lt;/i&gt;&lt;/b&gt;&amp;nbsp;(except for the&lt;b&gt;&lt;i&gt; &lt;/i&gt;&lt;/b&gt;DAB's of Sym. 4, 7, "The Smoke" which are direct analogue transfers).&amp;nbsp; Symphony 4 duplicated as previous FM recording had 4secs of, now mostly removed, subdued 'car-ignition noise'.&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied. By downloading the file/s you agree to accept these conditions &amp;nbsp;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-1736511206031656314?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/1736511206031656314/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/09/malcolm-arnold-philip-jones-brass.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/1736511206031656314'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/1736511206031656314'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/09/malcolm-arnold-philip-jones-brass.html' title='Malcolm Arnold: Symphonies 1 - 7, etc. - Rumon Gamba / BBC Philharmonic - BBC 2001'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_kROXkz4fwrw/TJfaMtDdG1I/AAAAAAAAAr8/r84B0_Zyf7A/s72-c/M.+Arnold+BBC.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-9181773283253841076</id><published>2010-09-17T14:36:00.014+01:00</published><updated>2012-01-25T19:41:22.322Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Irving -Robert'/><category scheme='http://www.blogger.com/atom/ns#' term='TCHAIKOVSKY'/><category scheme='http://www.blogger.com/atom/ns#' term='Philharmonia'/><title type='text'>Robert Irving / Philharmonia - Swan Lake - HMV 1953</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_kROXkz4fwrw/TJNuhaVH9pI/AAAAAAAAArk/75_Y7mUDLBw/s1600/Irving+CLP+1018.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="198" src="http://2.bp.blogspot.com/_kROXkz4fwrw/TJNuhaVH9pI/AAAAAAAAArk/75_Y7mUDLBw/s200/Irving+CLP+1018.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Peter Tchaikovsky:  "Swan Lake", op.20&lt;/b&gt; - excerpts (54 minutes)&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Side One:&lt;/b&gt; &lt;b&gt;&amp;nbsp;Act.1.&lt;/b&gt; Scene ~ Valse ~ Sujet ~ Danses des coupes / &lt;b&gt;Act.2. &lt;/b&gt;Scene ~ Danses des cygnes.&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;FLAC:  &lt;/i&gt;&lt;/span&gt;&amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=RPHWNXKE&amp;nbsp;  &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;i&gt;&lt;span style="font-size: large;"&gt;WAV:&lt;/span&gt;&lt;/i&gt; &amp;nbsp; &amp;nbsp; http://www.megaupload.com/?d=D8ZURZJ7&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Side Two: &amp;nbsp;Act.3.&lt;/b&gt; Danse hongroise ~ Danse espagnole ~ Danse napolitaine ~ Mazurka ~ Pas de deux ~ Scene / &lt;b&gt;Act.4&lt;/b&gt;. Entr'acte ~ Scene ~ Danses des petits cygnes ~ Scene ~ Scene finale.&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;FLAC:&lt;/i&gt;&lt;/span&gt;&amp;nbsp; &amp;nbsp; http://www.megaupload.com/?d=WB15DIOF&amp;nbsp;  &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;span style="font-size: large;"&gt;&lt;i&gt;WAV:&lt;/i&gt;&lt;/span&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=V23EH4ZW&lt;br /&gt;&lt;br /&gt;&lt;b&gt;The Philharmonia Orchestra - Robert Irving. &amp;nbsp; &lt;/b&gt;&lt;b&gt;HMV CLP 1018&lt;/b&gt;.  &amp;nbsp;Matrices: 2XEA 398 -4N / 2XEA 399 -3N&amp;nbsp; (1959 pressing).  &lt;br /&gt;Recorded: 4 May 1953, Kingway Hall. &amp;nbsp;&lt;b&gt;&amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;b&gt;Sleeve-note scan&lt;/b&gt; &amp;gt;&amp;gt;&amp;gt; &amp;nbsp; &lt;i&gt;(Minimal residual 'surface noises' are occasionally apparent).&lt;/i&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_kROXkz4fwrw/TJNuqAkynLI/AAAAAAAAArs/VnulCsTeR2U/s1600/CLP+1018+sleevenote.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="397" src="http://4.bp.blogspot.com/_kROXkz4fwrw/TJNuqAkynLI/AAAAAAAAArs/VnulCsTeR2U/s400/CLP+1018+sleevenote.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-9181773283253841076?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/9181773283253841076/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/09/robert-irving-philharmonia-swan-lake.html#comment-form' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/9181773283253841076'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/9181773283253841076'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/09/robert-irving-philharmonia-swan-lake.html' title='Robert Irving / Philharmonia - Swan Lake - HMV 1953'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_kROXkz4fwrw/TJNuhaVH9pI/AAAAAAAAArk/75_Y7mUDLBw/s72-c/Irving+CLP+1018.jpg' height='72' width='72'/><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-8927841778696306596</id><published>2010-09-10T21:02:00.039+01:00</published><updated>2012-01-25T19:32:04.826Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Desormiere -Roger'/><category scheme='http://www.blogger.com/atom/ns#' term='TCHAIKOVSKY'/><category scheme='http://www.blogger.com/atom/ns#' term='Paris Conservatoire'/><category scheme='http://www.blogger.com/atom/ns#' term='Fistoulari -Anatole'/><title type='text'>Anatole Fistoulari / Roger Desormiere - Paris Conservatoire - Nutcracker / Sleeping Princess - Decca 1951</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;a href="http://4.bp.blogspot.com/_kROXkz4fwrw/TIqOTYq-IyI/AAAAAAAAAqo/ACT4OoGP168/s1600/nutcracker+lxt+5371.jpg" imageanchor="1" style="clear: right; cssfloat: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/_kROXkz4fwrw/TIqOTYq-IyI/AAAAAAAAAqo/ACT4OoGP168/s200/nutcracker+lxt+5371.jpg" width="198" /&gt;&lt;/a&gt;&lt;b&gt;Peter Tchaikovsky: The Nutcracker, op.71&lt;/b&gt; &amp;nbsp;&amp;nbsp; (&lt;i&gt; conducted b&lt;/i&gt;&lt;i&gt;y&lt;/i&gt; &lt;b&gt;&amp;nbsp;Anatole Fistoulari&lt;/b&gt; )&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;b&gt;Suite no.1:&lt;/b&gt; &amp;nbsp;Minature overture ~ March ~ Dance of the Sugar-Plum Fairy ~ Russian Dance ~ Arab Dance ~ Chinese Dance ~ Dance of the Mirlitons ~ Waltz of the Flowers&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;WAV:&amp;nbsp; &amp;nbsp; &lt;/i&gt;&lt;/span&gt;http://www.megaupload.com/?d=VWXCR9JK&amp;nbsp; &amp;nbsp; &lt;i&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;&amp;nbsp; FLAC: &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/i&gt; http://www.megaupload.com/?d=L7EHAWTC&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;b&gt;Suite no.2: &lt;/b&gt;&amp;nbsp;Scene (Act.1) &amp;amp; Coda ~ Pas de deux ~ Scene &amp;amp; Grandfather Dance ~ Pas de deux ~ Waltz of the Snowflakes ~ Scene (Act.2) ~ Spanish Dance ~ Final Waltz &amp;amp; Apotheosis &lt;/div&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;WAV: &amp;nbsp;&amp;nbsp;&lt;/i&gt;&lt;/span&gt; http://www.megaupload.com/?d=IVLU9Q95&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC: &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/i&gt; http://www.megaupload.com/?d=J98ZNYLD&lt;br /&gt;&lt;b&gt;Decca LXT 5371&lt;/b&gt;&amp;nbsp; 1957 matrices: ARL 901 -4Dr / ARL 902 -5Dr &amp;nbsp; (first issued as LXT 2611)&lt;br /&gt;&lt;br /&gt;&lt;b&gt;The Sleeping Princess, op.66&lt;/b&gt; &lt;b&gt;- Ballet Suite: &amp;nbsp;&lt;/b&gt;&amp;nbsp; ( &lt;i&gt;conducted by&lt;/i&gt; &lt;b&gt;&amp;nbsp;Roger Desormiere&lt;/b&gt; )&lt;br /&gt;Introduction (Prologue) ~ Finale, Act.1 (The Lilac Fairy) ~ Pas d'action, Act.1 ~ Pas de caraciere, Act.3 (Puss in Boots &amp;amp; the White Cat) ~ Panorama, Act.2 ~ Valse, Act.3. &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;span style="font-size: large;"&gt;&lt;i&gt;WAV: &amp;nbsp;&amp;nbsp;&lt;/i&gt;&lt;/span&gt; http://www.megaupload.com/?d=KX77BNS7&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; &lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC: &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/i&gt; http://www.megaupload.com/?d=DF0W4U2P&lt;br /&gt;&lt;b&gt;Decca ACL 8&lt;/b&gt; &amp;nbsp; 1958 matrix: ARL 899 -3Er &amp;nbsp; (first issued as LXT 2610) &amp;nbsp; Both recorded in La Maison de la Mutualite, Paris - June 1951. &lt;b&gt;&amp;nbsp;&lt;/b&gt;LXT 5371 sleeve-note &amp;nbsp;&amp;amp;&amp;nbsp; ACL 8 sleeve &amp;gt;&amp;gt;&amp;gt;&lt;i&gt; &lt;/i&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;div class="separator" style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none; clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_kROXkz4fwrw/TIqPc-IemfI/AAAAAAAAArA/cJqoA9T8GZw/s1600/lxt+5371+sleevenote.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="290" ox="true" src="http://2.bp.blogspot.com/_kROXkz4fwrw/TIqPc-IemfI/AAAAAAAAArA/cJqoA9T8GZw/s320/lxt+5371+sleevenote.jpg" width="320" /&gt;&lt;/a&gt;&lt;a href="http://2.bp.blogspot.com/_kROXkz4fwrw/TIqPj0MaU4I/AAAAAAAAArI/A1aKqn5e0Tg/s1600/ACL+8.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" ox="true" src="http://2.bp.blogspot.com/_kROXkz4fwrw/TIqPj0MaU4I/AAAAAAAAArI/A1aKqn5e0Tg/s320/ACL+8.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-8927841778696306596?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/8927841778696306596/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/09/anatole-fistoulari-roger-desormiere.html#comment-form' title='7 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/8927841778696306596'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/8927841778696306596'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/09/anatole-fistoulari-roger-desormiere.html' title='Anatole Fistoulari / Roger Desormiere - Paris Conservatoire - Nutcracker / Sleeping Princess - Decca 1951'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_kROXkz4fwrw/TIqOTYq-IyI/AAAAAAAAAqo/ACT4OoGP168/s72-c/nutcracker+lxt+5371.jpg' height='72' width='72'/><thr:total>7</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-6652204394499602661</id><published>2010-09-03T02:30:00.047+01:00</published><updated>2012-01-25T19:22:12.496Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='SCHUMANN'/><category scheme='http://www.blogger.com/atom/ns#' term='LISZT'/><category scheme='http://www.blogger.com/atom/ns#' term='BARTOK'/><category scheme='http://www.blogger.com/atom/ns#' term='BALAKIREV'/><category scheme='http://www.blogger.com/atom/ns#' term='SCHUBERT'/><category scheme='http://www.blogger.com/atom/ns#' term='STRAVINSKY'/><category scheme='http://www.blogger.com/atom/ns#' term='Cherkassky -Shura'/><category scheme='http://www.blogger.com/atom/ns#' term='BENNETT -Richard Rodney'/><title type='text'>Shura Cherkassky: Schubert/Schumann/Liszt - WRC 1960 ... Stravinsky/Balakirev/Bennett/Bartok - Philips 1968</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_kROXkz4fwrw/TIBO8Y2V8xI/AAAAAAAAApg/nwNGC_2TtMs/s1600/Cherkassky+4FM.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="199" src="http://1.bp.blogspot.com/_kROXkz4fwrw/TIBO8Y2V8xI/AAAAAAAAApg/nwNGC_2TtMs/s200/Cherkassky+4FM.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Igor Stravinsky: &amp;nbsp;Three movements from "Petrushka" &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/b&gt; http://www.megaupload.com/?d=BR0OT7NM &lt;br /&gt;&lt;b&gt;Mily Balakirev: &amp;nbsp;"Islamey" &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/b&gt; http://www.megaupload.com/?d=NOLPSP1M&lt;br /&gt;&lt;b&gt;Richard Rodney Bennett: &amp;nbsp;Five Etudes&lt;/b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=BF3SROOR&lt;br /&gt;&lt;b&gt;Bela Bartok: &amp;nbsp;Sonata.&lt;/b&gt; &amp;nbsp; &lt;i&gt;Allegro moderato ~ Sostenuto e pesante ~ Allegro molto&lt;/i&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=W8R8XNX3&lt;br /&gt;&lt;i&gt;(a &lt;b&gt;very&lt;/b&gt; slight 'swish' in parts of the slow movement..)&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Philips 4FM 10002 &amp;nbsp; &amp;nbsp;&lt;/b&gt;1968 Philips UK matrices: -1 / -1 &amp;nbsp; &lt;a href="http://www.gramophone.net/Issue/Page/November%201968/94/848608/SHURA+CHERKASSKY.+PIANO+RECITAL.+Shura+Cherkas+sky+%28piano%29.+Philips+Fourfront+0+4FM10002+%2812+in.,+27s.+11d.%29."&gt;1968 Gramophone Review - also 'contrary' review of the 1986 ASV CD -&lt;i&gt; LINK&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Franz Schubert: &amp;nbsp;Piano Sonata in A, D.959&lt;/b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=O87OJ5I5&lt;br /&gt;&lt;div style="border: medium none;"&gt;&lt;i&gt;Allegro ~ Andantino ~ Scherzo: Allegro vivace ~ Allegretto&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Robert Schumann: &amp;nbsp;Fantasiestucke, op.111&lt;/b&gt;&amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=N0D2XXSE&lt;/div&gt;&lt;i&gt;Molto vivace e Appassionato ~ Andantino ~ Con Forza e Ben Marcato&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Franz Liszt: &amp;nbsp;Grand Galop Chromatique&lt;/b&gt;&amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=WYHZ0M2W&lt;br /&gt;&lt;b&gt;World Record Club &amp;nbsp;T 58&lt;/b&gt; (mono only). 1962 LP - matrices: W 7136 -3N /W 7137 -3N &lt;span style="font-size: large;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp; FLAC&lt;/i&gt;&lt;/span&gt; files &amp;nbsp; T 58 sleeve, &amp;amp; sleeve-note scans &amp;gt;&amp;gt;&amp;gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied. By downloading the file/s you agree to &lt;/span&gt;&lt;span style="font-size: x-small;"&gt;accept these conditions&lt;/span&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_kROXkz4fwrw/TIBPD6T8GwI/AAAAAAAAApo/FchDQX2f5fs/s1600/Cherkassky+T58.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="315" src="http://2.bp.blogspot.com/_kROXkz4fwrw/TIBPD6T8GwI/AAAAAAAAApo/FchDQX2f5fs/s320/Cherkassky+T58.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_kROXkz4fwrw/TIBPa8p9LNI/AAAAAAAAApw/tb2nBV0Vy-E/s1600/Cherkassky+4FM+sleevenote.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_kROXkz4fwrw/TIBPa8p9LNI/AAAAAAAAApw/tb2nBV0Vy-E/s320/Cherkassky+4FM+sleevenote.jpg" /&gt;&lt;/a&gt;&lt;a href="http://4.bp.blogspot.com/_kROXkz4fwrw/TIBPmtfbNnI/AAAAAAAAAp4/YJqPUnCvNhg/s1600/T58+sleevenote.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_kROXkz4fwrw/TIBPmtfbNnI/AAAAAAAAAp4/YJqPUnCvNhg/s320/T58+sleevenote.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-6652204394499602661?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/6652204394499602661/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/09/shura-cherkassy-schubertschumannliszt.html#comment-form' title='9 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/6652204394499602661'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/6652204394499602661'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/09/shura-cherkassy-schubertschumannliszt.html' title='Shura Cherkassky: Schubert/Schumann/Liszt - WRC 1960 ... Stravinsky/Balakirev/Bennett/Bartok - Philips 1968'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_kROXkz4fwrw/TIBO8Y2V8xI/AAAAAAAAApg/nwNGC_2TtMs/s72-c/Cherkassky+4FM.jpg' height='72' width='72'/><thr:total>9</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-2001775298540784220</id><published>2010-08-25T21:53:00.052+01:00</published><updated>2012-01-22T23:24:00.964Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='RPO'/><category scheme='http://www.blogger.com/atom/ns#' term='London Jazz Ensemble'/><category scheme='http://www.blogger.com/atom/ns#' term='Wordworth -Barry'/><category scheme='http://www.blogger.com/atom/ns#' term='Lanchbery -John'/><category scheme='http://www.blogger.com/atom/ns#' term='BENNETT -Richard Rodney'/><category scheme='http://www.blogger.com/atom/ns#' term='McCABE'/><category scheme='http://www.blogger.com/atom/ns#' term='Atherton -David'/><category scheme='http://www.blogger.com/atom/ns#' term='Philharmonia'/><category scheme='http://www.blogger.com/atom/ns#' term='Buketoff -Igor'/><category scheme='http://www.blogger.com/atom/ns#' term='BBC Concert'/><title type='text'>Richard Rodney Bennett: Jazz Calendar / Symphony 1 / Aubade ..... John McCabe: Symphony 3</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_kROXkz4fwrw/THV-kldn_EI/AAAAAAAAAn0/YBAggnujU5k/s1600/RRB+ZRG.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="193" src="http://1.bp.blogspot.com/_kROXkz4fwrw/THV-kldn_EI/AAAAAAAAAn0/YBAggnujU5k/s200/RRB+ZRG.jpg" width="200" /&gt;&lt;/a&gt;&lt;a href="http://3.bp.blogspot.com/_kROXkz4fwrw/THV-H7wM5OI/AAAAAAAAAnk/dB9KupgSefU/s1600/RRB+6500.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/_kROXkz4fwrw/THV-H7wM5OI/AAAAAAAAAnk/dB9KupgSefU/s200/RRB+6500.jpg" width="195" /&gt;&lt;/a&gt;&lt;a href="http://2.bp.blogspot.com/_kROXkz4fwrw/THV-Ppgg7TI/AAAAAAAAAns/nyHS5PkVW3o/s1600/RRB+SB.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="198" src="http://2.bp.blogspot.com/_kROXkz4fwrw/THV-Ppgg7TI/AAAAAAAAAns/nyHS5PkVW3o/s200/RRB+SB.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Jazz Calendar&lt;/b&gt;&amp;nbsp; (1964)  &amp;nbsp; &lt;b&gt;London Jazz Ensemble - John Lanchbery&lt;/b&gt;. &lt;/span&gt;&lt;b&gt;Philips 6500 301&lt;/b&gt;.  1971 matrix: 1Y -1&amp;nbsp; &lt;a href="http://www.mediafire.com/?c5engrcyqb38cc8"&gt;http://www.mediafire.com/?c5engrcyqb38cc8&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Aubade for Orchestra&lt;/b&gt;&amp;nbsp; (1964)   &amp;nbsp; &amp;nbsp;&lt;b&gt;Philharmonia Orchestra - David Atherton. &amp;nbsp;Argo ZRG 907.&lt;/b&gt;&amp;nbsp; 1979 Decca matrix: ZRG 4896 -1Y &amp;nbsp; &amp;nbsp; &amp;nbsp; http://www.megaupload.com/?d=CTRRRLK9&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Symphony no.1&amp;nbsp;&lt;/b&gt; (1965)   &amp;nbsp; &lt;b&gt;Royal Philharmonic Orchestra - Igor Buketoff. &amp;nbsp;&lt;/b&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;b&gt;RCA SB-6730. &amp;nbsp;&lt;/b&gt; 1967 Decca matrix:  T2PY 9348 -1K&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=OIVD3ZH9&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;John McCabe:&amp;nbsp; Symphony no.3 &amp;nbsp;"Hommages"  &amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;(1978)  &lt;b&gt;&amp;nbsp; BBC Concert Orchestra - Barry Wordsworth&lt;/b&gt;&lt;/span&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; http://www.megaupload.com/?d=F3SMO452&lt;br /&gt;BBC Radio 3 DAB &amp;nbsp;(192 kbps).&amp;nbsp; Broadcast 3 October 2005. &amp;nbsp; Live recording: 27 September 2005 - Watford Colosseum. &amp;nbsp; (Sony ST SDB900 tuner &amp;nbsp;-optical &amp;gt; MiniDisc)&lt;br /&gt;&lt;i&gt;The Philips / Argo couplings are issued on LYRITA / NMC CD's. &amp;nbsp; McCabe's Symphony no.3&amp;nbsp; has not been commercially recorded.&lt;/i&gt;&lt;br /&gt;&lt;i&gt;'Aubade' &amp;nbsp;(&lt;/i&gt;&lt;i&gt;15 Aug 1978 - Kingsway Hall&lt;/i&gt;&lt;i&gt;)&lt;/i&gt;&lt;i&gt;. Symphony (1st. pressing) recorded by Bob Auger/ PYE. &lt;/i&gt;&lt;b&gt;&amp;nbsp;STEREO&lt;/b&gt;&lt;i&gt; &lt;span style="font-size: large;"&gt;F&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;LAC&lt;/i&gt;&lt;/span&gt; &lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;b&gt;files &lt;/b&gt;&amp;nbsp; Philips / RCA Sleeve-note scans + 'Aubade' sleeve-note &amp;gt;&amp;gt;&amp;gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied.  By downloading the file/s you agree to accept these conditions&lt;/span&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: small;"&gt;Aubade for orchestra&lt;br /&gt;&lt;br /&gt;This short orchestral work was commissioned by the BBC for performance at the 1964 Henry Wood Promenade Concerts; it is dedicated to the memory of John Hollingsworth - a conductor who was a familiar figure to Prom audiences until his untimely death shortly before, and who had conducted many of Bennett's early film scores.&lt;br /&gt;&lt;br /&gt;&amp;nbsp;Aubade (Morning Song) is prefaced by the following quotation from John Donne: ". . . And all the powerfull Kings, and all the beautifull Queens of this world were but as a bed of flowers, some gathered at six, some at seven, some at eight, all in one Morning, in respect of this Day". The piece is cast as a single slow movement in which the form of each of the outer sections reflects the A-B-A form of the work as a whole. The opening statement on horns and woodwind of a slow to unfold and mostly tranquil melody soon develops a more passionate curve. It then rises to a quickly reached climax on woodwind and strings, pulsed by a repeated-note figure on the brass, before gradually subsiding back to the gentler mood of the opening bars with the scoring now reversed between wind and strings. In the central section, the ascending horn phrase with which the piece began is transformed into a shimmer of woodwind arabesques, while the strings explore a new and more dance-like theme evidently associated with the repeated-note brass figure heard earlier. The dance episode is then restated a tone higher, this time with the woodwind arabesques failing instead of rising, in preparation for the altered return of the opening section of the piece. This return overlaps with the continuing arabesques, which now alternate descending and ascending versions of the initial melodic shapes. Thereafter, as the arabesques die away, the music resumes its original course, ending the piece as at the close of the first section, with the addition of a more prolonged and hushed cadence.&lt;br /&gt;&lt;br /&gt;SUSAN BRADSHAW&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_kROXkz4fwrw/THWAJJmxtdI/AAAAAAAAAn8/DjfU_bOwZYs/s1600/RR+Bennett+6500+sleevenote.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="310" src="http://1.bp.blogspot.com/_kROXkz4fwrw/THWAJJmxtdI/AAAAAAAAAn8/DjfU_bOwZYs/s320/RR+Bennett+6500+sleevenote.jpg" width="320" /&gt;&lt;/a&gt;&lt;a href="http://1.bp.blogspot.com/_kROXkz4fwrw/THWAXDO9XBI/AAAAAAAAAoE/fuNHbyqeydM/s1600/RR+Bennett+SB+sleevenote.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_kROXkz4fwrw/THWAXDO9XBI/AAAAAAAAAoE/fuNHbyqeydM/s320/RR+Bennett+SB+sleevenote.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-2001775298540784220?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/2001775298540784220/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/08/richard-rodney-bennett-jazz-calendar.html#comment-form' title='42 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/2001775298540784220'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/2001775298540784220'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/08/richard-rodney-bennett-jazz-calendar.html' title='Richard Rodney Bennett: Jazz Calendar / Symphony 1 / Aubade ..... John McCabe: Symphony 3'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_kROXkz4fwrw/THV-kldn_EI/AAAAAAAAAn0/YBAggnujU5k/s72-c/RRB+ZRG.jpg' height='72' width='72'/><thr:total>42</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-8961586499609260138</id><published>2010-08-23T20:32:00.056+01:00</published><updated>2012-01-25T19:22:58.366Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='RAVEL'/><category scheme='http://www.blogger.com/atom/ns#' term='Voicu -Ion'/><category scheme='http://www.blogger.com/atom/ns#' term='ENESCU'/><category scheme='http://www.blogger.com/atom/ns#' term='YSAYE'/><category scheme='http://www.blogger.com/atom/ns#' term='Kopatchinskaja -Patricia'/><category scheme='http://www.blogger.com/atom/ns#' term='ANTHEIL'/><title type='text'>Ion Voicu (violin) plays Enescu / Ravel / Ysaye - Decca 1973</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_kROXkz4fwrw/THLMf0bcP7I/AAAAAAAAAmk/HVRgRJTLMhc/s1600/Ion+Voicu.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/_kROXkz4fwrw/THLMf0bcP7I/AAAAAAAAAmk/HVRgRJTLMhc/s200/Ion+Voicu.jpg" width="191" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;&lt;span style="font-size: small;"&gt;Maurice Ravel: &lt;/span&gt;&lt;/b&gt;&lt;b&gt; &lt;/b&gt;&lt;b&gt;&amp;nbsp;Sonata for Violin and Pian&lt;/b&gt;o  &amp;nbsp; (1927) &amp;nbsp; &amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=ODOK3NIF &lt;br /&gt;&lt;i&gt;Allegretto ~ Blues: Moderato ~ Perpetuum Mobile: Allegro &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/i&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: small;"&gt;Eugene Ysaye:&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;&lt;/span&gt; &lt;b&gt;&amp;nbsp;Sonata no.3 for Violin, op.27&lt;/b&gt; &amp;nbsp;  (1924) &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=WK2G8T1F &lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Georges Enescu:&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;&lt;/span&gt; &lt;b&gt;&amp;nbsp;Sonata no.2 for Piano and Violin, op.6&lt;/b&gt;&amp;nbsp; &amp;nbsp;(1899)&lt;br /&gt;&lt;i&gt;Assez Mouvemente ~ Tranquillement ~ Vif &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;http://www.megaupload.com/?d=8T63T7KB&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Ion Voicu&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;&lt;/span&gt; (Violin) &amp;nbsp;and &lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: small;"&gt;Victoria Stefanescu&lt;/span&gt;&lt;/b&gt;&amp;nbsp; (Piano)&lt;br /&gt;&lt;b&gt;Decca SDD 352&lt;/b&gt;&amp;nbsp; Matrices: ZAL 11456 -3W / ZAL 11457 -1W  &amp;nbsp; Recorded: 21-26 April 1972 &amp;nbsp;- Sofiensaal, Vienna &amp;nbsp; &lt;i&gt;(no US LP / not issued on CD)&lt;/i&gt;&lt;br /&gt;&lt;b&gt;STEREO&lt;/b&gt; &lt;span style="font-size: large;"&gt;&lt;i&gt;&amp;nbsp;FLAC&lt;/i&gt;&lt;/span&gt; files &amp;nbsp; &amp;nbsp; &amp;nbsp;SDD 352 sleeve-note scan &amp;gt;&amp;gt;&amp;gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE:  This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied. &amp;nbsp;By downloading the file/s you agree to accept these conditions.&lt;/span&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_kROXkz4fwrw/THLMnZ-ez_I/AAAAAAAAAms/idfpaGxwigU/s1600/Voicu+SDD+sleevenote.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://4.bp.blogspot.com/_kROXkz4fwrw/THLMnZ-ez_I/AAAAAAAAAms/idfpaGxwigU/s400/Voicu+SDD+sleevenote.jpg" width="392" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-8961586499609260138?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/8961586499609260138/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/08/ion-voicu-violin-plays-enescu-ravel.html#comment-form' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/8961586499609260138'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/8961586499609260138'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/08/ion-voicu-violin-plays-enescu-ravel.html' title='Ion Voicu (violin) plays Enescu / Ravel / Ysaye - Decca 1973'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_kROXkz4fwrw/THLMf0bcP7I/AAAAAAAAAmk/HVRgRJTLMhc/s72-c/Ion+Voicu.jpg' height='72' width='72'/><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-5117231392796699139</id><published>2010-08-16T01:20:00.098+01:00</published><updated>2012-01-27T21:58:10.101Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='GERHARD'/><category scheme='http://www.blogger.com/atom/ns#' term='Davis -Colin'/><category scheme='http://www.blogger.com/atom/ns#' term='Del Mar -Norman'/><category scheme='http://www.blogger.com/atom/ns#' term='Prausnitz -Frederik'/><category scheme='http://www.blogger.com/atom/ns#' term='BBC SO'/><title type='text'>Gerhard - Symphonies 3 / 4 -&amp;- Concerto for Orchestra - BBC SO - Argo/EMI/BBC 1967/8</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_kROXkz4fwrw/TGiDO7E5pTI/AAAAAAAAAl0/jP01YiN_9D4/s1600/Prausnitz+HMV.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="192" src="http://3.bp.blogspot.com/_kROXkz4fwrw/TGiDO7E5pTI/AAAAAAAAAl0/jP01YiN_9D4/s200/Prausnitz+HMV.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://1.bp.blogspot.com/_kROXkz4fwrw/TGiDWM_-aZI/AAAAAAAAAl8/gYb6VncpwU8/s1600/del+Mar+Argo.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://1.bp.blogspot.com/_kROXkz4fwrw/TGiDWM_-aZI/AAAAAAAAAl8/gYb6VncpwU8/s200/del+Mar+Argo.jpg" width="198" /&gt;&lt;/a&gt;&lt;span style="font-size: small;"&gt;Roberto Gerhard:&lt;/span&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: small;"&gt;Symphony no.3&amp;nbsp; "Collages"&lt;/span&gt;&lt;/b&gt; - for electronic tape &amp;amp; orchestra &amp;nbsp; (1960)&lt;br /&gt;&lt;i&gt;Allegro moderato ~ Lento ~ Allegro con brio ~ Moderato ~ Vivace ~ Allegretto ~ Calmo.&lt;/i&gt;&lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;span style="font-size: large;"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://www.mediafire.com/?tv29lrcosuloa8w"&gt;http://www.mediafire.com/?tv29lrcosuloa8w&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;b&gt;BBC Symphony Orchestra - Frederik Prausnitz &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;EMI / HMV ASD 2427&lt;/b&gt; &amp;nbsp; Matrix: 2YEA 3553 -1G &amp;nbsp;(first edition pressing, 1968)&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Concerto for Orchestra &amp;nbsp;&lt;/b&gt;&lt;/span&gt; (1965) &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;a href="http://www.mediafire.com/?bq276umsvu1mhpf"&gt;http://www.mediafire.com/?bq276umsvu1mhpf&lt;/a&gt;&lt;br /&gt;&lt;b&gt;BBC Symphony Orchestra - Norman Del Mar &amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;b&gt;Argo ZRG 553 &amp;nbsp;&lt;/b&gt;&amp;nbsp; Matrix: ZRG 2986 -2G &lt;br /&gt;(first edition pressing, 1968). &amp;nbsp;Recorded: 4 April 1967, Kingsway Hall&lt;br /&gt;&lt;b&gt;Above files re-edited from the WAV's - January 2012&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Symphony no.4 &amp;nbsp;"New York"&amp;nbsp;&lt;/b&gt;&lt;/span&gt; (1967) &amp;nbsp; &lt;span style="font-size: large;"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://www.mediafire.com/?xs6qkls4ihewegh"&gt;http://www.mediafire.com/?xs6qkls4ihewegh&lt;/a&gt;&lt;/span&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;br /&gt;&lt;b&gt;BBC Symphony Orchestra - Colin Davis &amp;nbsp;&lt;/b&gt;UK premiere - Royal Festival Hall. 4 December 1968. &amp;nbsp;BBC Radio 3 FM&amp;nbsp;  Stereo re-broadcast: 24 September 2007.&lt;i&gt; &amp;nbsp;High-quality sound...&lt;/i&gt;&lt;br /&gt;&lt;b&gt;STEREO&lt;/b&gt; &amp;nbsp;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC&lt;/span&gt;&lt;/i&gt; &lt;b&gt;files&lt;/b&gt; &amp;nbsp;&amp;nbsp; &lt;i&gt;The EMI/Argo &amp;nbsp;recordings are not on CD - the couplings are issued as EMI / LYRITA CD's. &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;&amp;nbsp;&lt;a href="http://www.musicweb-international.com/gerhard/index.htm"&gt;MusicWeb's Gerhard analysis - &lt;i&gt;LINK&lt;/i&gt;&lt;/a&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;b&gt;sl&lt;/b&gt;&lt;b&gt;eeve-notes &amp;gt;&amp;gt;&amp;gt;&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: &amp;nbsp;This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied. &lt;/span&gt;&lt;span style="font-size: x-small;"&gt;By downloading the file/s you agree to accept these conditions.&lt;/span&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_kROXkz4fwrw/TGlDX6YEbdI/AAAAAAAAAmM/55DQFLuefo4/s1600/ASD+2427+sleevenote.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="382" src="http://3.bp.blogspot.com/_kROXkz4fwrw/TGlDX6YEbdI/AAAAAAAAAmM/55DQFLuefo4/s400/ASD+2427+sleevenote.jpg" width="400" /&gt;&lt;/a&gt;&lt;a href="http://4.bp.blogspot.com/_kROXkz4fwrw/TGlDjJMwOuI/AAAAAAAAAmU/6pfKvkH1AlQ/s1600/ZRG+533+sleevenote.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://4.bp.blogspot.com/_kROXkz4fwrw/TGlDjJMwOuI/AAAAAAAAAmU/6pfKvkH1AlQ/s400/ZRG+533+sleevenote.jpg" width="396" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-5117231392796699139?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/5117231392796699139/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/08/gerhard-symphonies-3-4-concerto-for.html#comment-form' title='10 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/5117231392796699139'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/5117231392796699139'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/08/gerhard-symphonies-3-4-concerto-for.html' title='Gerhard - Symphonies 3 / 4 -&amp;- Concerto for Orchestra - BBC SO - Argo/EMI/BBC 1967/8'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_kROXkz4fwrw/TGiDO7E5pTI/AAAAAAAAAl0/jP01YiN_9D4/s72-c/Prausnitz+HMV.jpg' height='72' width='72'/><thr:total>10</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-1521616805444458012</id><published>2010-07-15T17:21:00.029+01:00</published><updated>2012-01-25T19:20:31.231Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Walter -Bruno'/><category scheme='http://www.blogger.com/atom/ns#' term='New York PO'/><category scheme='http://www.blogger.com/atom/ns#' term='DVORAK'/><title type='text'>Bruno Walter / New York Philharmonic - Dvorak Symphony 8 - CBS 1947</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_kROXkz4fwrw/TD8x_jVkUgI/AAAAAAAAAjk/pay8Zcd3bl8/s1600/Walter+-+Dvorak.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="198" src="http://4.bp.blogspot.com/_kROXkz4fwrw/TD8x_jVkUgI/AAAAAAAAAjk/pay8Zcd3bl8/s200/Walter+-+Dvorak.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Antonin Dvorak:  Symphony no.8 (4) in G major, op.88&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Side One:&amp;nbsp; I: &amp;nbsp;&lt;i&gt;Allegro con brio&lt;/i&gt;  &amp;nbsp;~ &amp;nbsp;II: &lt;i&gt;&amp;nbsp;Adagio &amp;nbsp; - &amp;nbsp;&lt;/i&gt;Side Two: &amp;nbsp;III: &amp;nbsp;&lt;i&gt;Allegretto grazioso&lt;/i&gt;&amp;nbsp; &amp;nbsp;~  &amp;nbsp;IV: &amp;nbsp;&lt;i&gt;Allegro ma non troppo&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;WAV&lt;/span&gt; &amp;nbsp; &amp;nbsp;&lt;/i&gt;Side One:&amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=4C355MUS &amp;nbsp; &amp;nbsp;Side Two:&lt;i&gt; &amp;nbsp; &amp;nbsp;&lt;/i&gt;http://www.megaupload.com/?d=10UDX5K9&lt;br /&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC&lt;/span&gt; &lt;/i&gt;&amp;nbsp; Side One: &amp;nbsp; http://www.megaupload.com/?d=DCIKD3MP &amp;nbsp; &amp;nbsp;Side Two:&amp;nbsp; &amp;nbsp;http://www.megaupload.com/?d=GDZ2G6C9&lt;br /&gt;&lt;br /&gt;&lt;b&gt;New York Philharmonic-Symphony Orchestra - Bruno Walter &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;b&gt; &amp;nbsp;EMI / Columbia 33CX 1036&lt;/b&gt;&amp;nbsp; &amp;nbsp;&lt;i&gt; &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;Recorded: 28 November 1947, Carnegie Hall, New York. &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;i&gt;Original 1953 pressing.&lt;/i&gt;&amp;nbsp;  Matrices: XLP 443 -6N / XLP 444 -5N.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-1521616805444458012?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/1521616805444458012/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/07/bruno-walter-new-york-dvorak-symphony-8.html#comment-form' title='7 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/1521616805444458012'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/1521616805444458012'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/07/bruno-walter-new-york-dvorak-symphony-8.html' title='Bruno Walter / New York Philharmonic - Dvorak Symphony 8 - CBS 1947'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_kROXkz4fwrw/TD8x_jVkUgI/AAAAAAAAAjk/pay8Zcd3bl8/s72-c/Walter+-+Dvorak.jpg' height='72' width='72'/><thr:total>7</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-8232280084533292371</id><published>2010-07-13T21:03:00.049+01:00</published><updated>2012-01-25T19:21:46.249Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='London SO'/><category scheme='http://www.blogger.com/atom/ns#' term='Tjeknavorian -Loris'/><title type='text'>Loris Tjeknavorian / LSO - "Othello" - EMI 1985 digital</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_kROXkz4fwrw/TDzBKuZDO3I/AAAAAAAAAjU/U_yimIGrQDU/s1600/Othello+EMI.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/_kROXkz4fwrw/TDzBKuZDO3I/AAAAAAAAAjU/U_yimIGrQDU/s200/Othello+EMI.jpg" width="195" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;&lt;span style="font-size: small;"&gt;Loris Tjeknavorian: &amp;nbsp;Symphonic Suite from the ballet "Othello", op.31&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;Side One:&lt;/b&gt;&lt;/i&gt; &lt;b&gt;I:&lt;/b&gt; Presentation of Iago's Character ~ Plotting Dance ~ Dialogue: Entry of Desdemona ~ Othello's Bravura Dance ~ Dialogue: Desdemona &amp;amp; Othello Pas de Deux ~ The Rage of Iago &amp;nbsp;/ &lt;b&gt;I&lt;/b&gt;&lt;b&gt;I&lt;/b&gt; (pt.1) Storm ~ Love Pas de Deux&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; http://www.megaupload.com/?d=3NIEW8HY&lt;br /&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;Side Two: &lt;/b&gt;&lt;/i&gt;&lt;b&gt;II&lt;/b&gt; (pt.2): Festive Dance ~ Dagger Dance ~ Othello's Rage &amp;nbsp;/ &amp;nbsp;&lt;b&gt;III: &lt;/b&gt;Jealousy Pas de Deux ~ Remorse of Othello ~ Finale: Deaths of Desdemona &amp;amp; Othello. &amp;nbsp;&amp;nbsp; http://www.megaupload.com/?d=SGXOFAJ5&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: small;"&gt;London Symphony Orchestra - Loris  Tjeknavorian &amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;EMI Digital EL 27 0322 &lt;/b&gt;&amp;nbsp; UK DMM - Matrices: 1/1. &amp;nbsp;  Recorded: 17/18 January 1985 - St.Barnabas Church, London. &amp;nbsp;&lt;strong&gt;STEREO&lt;/strong&gt; &lt;em&gt;&lt;span style="font-size: large;"&gt;FLAC&lt;/span&gt;&lt;/em&gt; &lt;strong&gt;files&lt;/strong&gt;&lt;br /&gt;&lt;i&gt;A slight 'cyclic crackle' affected the start of side 1 - now virtually eliminated..&amp;nbsp; Not on CD....and a sc&lt;/i&gt;&lt;i&gt;arce LP - also rated as an 'Audiophile must-have'... &amp;nbsp;Sleeve-note scan &amp;gt;&amp;gt;&amp;gt;&lt;/i&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: &lt;/span&gt;&lt;span style="font-size: x-small;"&gt;This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied. By downloading the file/s you agree to accept these conditions.&lt;/span&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_kROXkz4fwrw/TDzBbux4DnI/AAAAAAAAAjc/knyMnm5sDpw/s1600/Othello+sleevenote+EMI.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="636" src="http://1.bp.blogspot.com/_kROXkz4fwrw/TDzBbux4DnI/AAAAAAAAAjc/knyMnm5sDpw/s640/Othello+sleevenote+EMI.jpg" width="640" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-8232280084533292371?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/8232280084533292371/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/07/loris-tjeknavorian-lso-othello-emi-1985.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/8232280084533292371'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/8232280084533292371'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/07/loris-tjeknavorian-lso-othello-emi-1985.html' title='Loris Tjeknavorian / LSO - &quot;Othello&quot; - EMI 1985 digital'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_kROXkz4fwrw/TDzBKuZDO3I/AAAAAAAAAjU/U_yimIGrQDU/s72-c/Othello+EMI.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-9198472600551365736</id><published>2010-07-02T17:01:00.066+01:00</published><updated>2012-01-25T19:23:45.314Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Sargent -Malcolm'/><category scheme='http://www.blogger.com/atom/ns#' term='RPO'/><category scheme='http://www.blogger.com/atom/ns#' term='VAUGHAN WILLIAMS'/><title type='text'>Malcolm Sargent / RPO - Vaughan-Williams' 9th Symphony - BBC 1958</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_kROXkz4fwrw/TDdga2VBXAI/AAAAAAAAAjE/LqwNATjoG5s/s1600/RVW9.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_kROXkz4fwrw/TDdga2VBXAI/AAAAAAAAAjE/LqwNATjoG5s/s320/RVW9.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;Ralph Vaughan Williams:  Symphony no.9, in E minor&lt;/b&gt;&lt;br /&gt;I. &lt;i&gt;Moderato maestoso&lt;/i&gt; &amp;nbsp; ~&amp;nbsp;  II. &lt;i&gt;Andante sostenuto&lt;/i&gt; &amp;nbsp; ~&amp;nbsp;  III. &lt;i&gt;Scherzo: Allegro pesante&lt;/i&gt;&amp;nbsp; &amp;nbsp;~&amp;nbsp; IV. &lt;i&gt;Andante tranquillo&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC&lt;/span&gt; &lt;/i&gt;&amp;nbsp;(82MB)  &amp;nbsp; &lt;a href="http://www.mediafire.com/?faxbwo6aqv4qrze"&gt;http://www.mediafire.com/?faxbwo6aqv4qrze&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;b&gt;Royal Philharmonic Orchestra - Sir Malcolm Sargent&lt;/b&gt;&lt;br /&gt;UK/World premiere performance at the Royal Festival Hall, 2nd April 1958, broadcast on the BBC Home Service.&lt;br /&gt;&lt;br /&gt;BBC Radio 3 FM circa 2004 (repeat) &amp;nbsp;Direct digital MiniDisc to CD transfer. &lt;b&gt;&lt;i&gt;Full Frequency &amp;amp; Dynamic-Range . &lt;/i&gt;&lt;/b&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Concert announcement &amp;nbsp;+ &amp;nbsp;Frequency-Range Analysis.... &amp;nbsp; &amp;nbsp; &lt;/b&gt;&lt;i&gt;&lt;b&gt;500&lt;/b&gt;&lt;b&gt; downloads in 6 months...&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;"NIGERIAN SCAM" &amp;nbsp;email (updated, 10 Oct..) from Messrs 'Pristine' also included &amp;gt;&amp;gt;&amp;gt;&lt;/span&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_kROXkz4fwrw/TJ3tPQk6HhI/AAAAAAAAAsI/_OIzna3_Jfc/s1600/Rose.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_kROXkz4fwrw/TJ3tPQk6HhI/AAAAAAAAAsI/_OIzna3_Jfc/s1600/Rose.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="widget-content" style="background-color: black;"&gt;&lt;span style="font-size: small;"&gt;To tinear@ymail.com&lt;br /&gt;Sent: 27 September 2010 11:26:19&lt;br /&gt;To:  tinear@ymail.com&lt;br /&gt;&lt;br /&gt;When  I first read the email from Pristine Audio addressed to you, that was  on the Music Parlour blog I thought it a joke,it can not possibly be for  real.Can it?&lt;br /&gt;Food on table,starving children! it reads like one of those scam emails from Nigeria.&lt;br /&gt;&lt;br /&gt;I  enjoy visiting your blog on a regular basis,mainly for the information  on labels etc,and do the odd download of something I am interested in  hearing,&lt;br /&gt;I have no view re charging for Music Parlour,it's your blog  and your call.I do not doubt you put a lot of time and effort in a  excellent and professional (maybe that's Pristine's problem)  undertaking.&lt;br /&gt;&lt;br /&gt;I would suggest to Pristine Audio if they are that worried by you,do it better,problem solved.That is how the world works.&lt;br /&gt;&lt;br /&gt;Reply:&lt;br /&gt;&lt;br /&gt;Yes - that was for real.&lt;br /&gt;The sort of email one should never send - and a 'Sword of Damocles' if ever there was.&lt;br /&gt;I  hadn't intended ever using it - (ie, he 'could' have relied upon his  'confidence' in me) but now wish to draw a line - as, over the years, he  has been taking people for fools - and I've absolutely lost interest in  'correcting' his errors/misinformation on RMCR...which he considers as   'destroying' his business (yeh, right!!).&lt;br /&gt;&lt;br /&gt;He is, no doubt, a  decent 'nice' person - but seemingly has acquired many 'enemies' -  either due to his 'success' (turning 'lead into gold') - or the fact he  will charge heavily for 'synthesised' transfers of LP/78 - or, ie, very  easy copying of BBC broadcasts (as in the RVW 9/Sargent - which he had  the nerve to describe as 'rare' - hence my upload - which I'd anyway  previously intended doing as had uploaded the Sargent/Moiseiwitsch's  from the same 2000/1 BBC series 'BBC Legends') - or by the fact he has  got his stuff 'advertised' all-over - pretty annoying when one realises  how 'cheap'/commonplace most of the originating LP's are...&lt;br /&gt;&lt;br /&gt;Re: charging.&lt;br /&gt;This is quite simple.&lt;br /&gt;Take  the Fistoulari 'Nutcracker' - which otherwise is only available as a  Japanese 'Opus Kura' copy from LP...100 downloads in a week.&lt;br /&gt;That  'new' LP will/can take an evening for just 1 or 2 sides to edit-free of  most 'blemishes' ..and I use PU cartridges which are £250+ to retip/new  styli (if available) -then there's the Electricity/CD-RW's becoming  faulty, etc etc: which all adds up.&lt;br /&gt;&lt;br /&gt;If I can arrange a  (secure/easy) method to recoup just my typical costs/minimum value of my  (hard) 'labour' then I would be happier.&lt;br /&gt;The intention would be to  charge a flat-rate nominal £1 for something like "Nutcracker" - but, in  that case, it would be for both sets of matrices I have - with the  download/s available in FLAC/WAV - also the originating WAV + possibly a  320mp3.&lt;br /&gt;&lt;br /&gt;'Free' uploads would still be made - albeit, perhaps  mostly those where there are 'copyright conditions' attached - though  existing ones would remain - and possibly added-to.&lt;br /&gt;&lt;br /&gt;It may well  be an unsuccessful 'experiment' - if so, that's the point where the  Blog/s should cease - but virtually no-one else is offering 'untainted'  (other than the CD!) transfers like I've done - simply preferring to  offer 'fakes'  (ie, similar to Pristine - who even claims his transfers  are better than the commercial-issue CD from tape-masters - see the  Krips LSO Brahms/Mozart of a few months back) - with the use of  'click-repair', or similar; meaning they spend relatively little time on  a transfer compared to mine - but with so much potential  'damage' to  the sound (as you can see in comments in the Dart/Brandenburgs posting  from someone who is aware of that aspect).&lt;br /&gt;&lt;br /&gt;Anyway, what Pristine  basically doesn't want is 'competition' - but when you realise how  little I have ever given to his business (despite my having such a large  percentage of what he has, or is likely to issue), then that email is  extremely revealing - and in such contrast to what you will see being  peddled elsewhere!&lt;/span&gt; &lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_kROXkz4fwrw/TLHc4SSxGHI/AAAAAAAAAuI/tNg5PGaraJI/s1600/Andrew+Rose.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_kROXkz4fwrw/TLHc4SSxGHI/AAAAAAAAAuI/tNg5PGaraJI/s1600/Andrew+Rose.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-size: x-small;"&gt;&lt;span class="widget-item-control"&gt; &lt;span class="item-control blog-admin"&gt;  &lt;/span&gt; &lt;/span&gt;&lt;/span&gt;     &lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;/i&gt;&lt;br /&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_kROXkz4fwrw/TDkCZllKGWI/AAAAAAAAAjM/lARI6yHAMPw/s1600/rvw+rfh.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="255" src="http://4.bp.blogspot.com/_kROXkz4fwrw/TDkCZllKGWI/AAAAAAAAAjM/lARI6yHAMPw/s400/rvw+rfh.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_kROXkz4fwrw/TDdZ0XBvdXI/AAAAAAAAAi8/MUyDX9qGXYM/s1600/Frequency+graph+29.24min.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://2.bp.blogspot.com/_kROXkz4fwrw/TDdZ0XBvdXI/AAAAAAAAAi8/MUyDX9qGXYM/s640/Frequency+graph+29.24min.jpg" width="640" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-9198472600551365736?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/9198472600551365736/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/07/malcolm-sargent-rpo-vaughan-williams.html#comment-form' title='15 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/9198472600551365736'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/9198472600551365736'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/07/malcolm-sargent-rpo-vaughan-williams.html' title='Malcolm Sargent / RPO - Vaughan-Williams&apos; 9th Symphony - BBC 1958'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_kROXkz4fwrw/TDdga2VBXAI/AAAAAAAAAjE/LqwNATjoG5s/s72-c/RVW9.jpg' height='72' width='72'/><thr:total>15</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-169877442523366446</id><published>2010-06-12T01:04:00.071+01:00</published><updated>2012-01-25T19:42:11.759Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='MAHLER'/><category scheme='http://www.blogger.com/atom/ns#' term='Walter -Bruno'/><category scheme='http://www.blogger.com/atom/ns#' term='New York PO'/><title type='text'>Bruno Walter / New York Philharmonic - Mahler Symphony 1 - CBS 1954</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_kROXkz4fwrw/TBLOGy_DNcI/AAAAAAAAAhM/oixQzsfMpEY/s1600/mahler+1+walter.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="198" src="http://3.bp.blogspot.com/_kROXkz4fwrw/TBLOGy_DNcI/AAAAAAAAAhM/oixQzsfMpEY/s200/mahler+1+walter.jpg" width="200" /&gt;&lt;/a&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Gustav Mahler: &amp;nbsp;Symphony no.1, in D major&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Side 1:&lt;/b&gt; &amp;nbsp;I. &lt;i&gt;&amp;nbsp;Langsam&lt;/i&gt; ~ II. &lt;i&gt;&amp;nbsp;Kraftig Bewegt &amp;nbsp; - &amp;nbsp; Side 2: III. Feierlich und Gemessen ~ IV. Sturmisch Bewegt&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;WAV &lt;/span&gt;&amp;nbsp;files: &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;b&gt;Side 1: &lt;/b&gt;&lt;i&gt;&lt;b&gt;&amp;nbsp; &lt;/b&gt;&lt;/i&gt;http://www.megaupload.com/?d=LR8CLYFM&lt;b&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Side 2: &lt;/b&gt;&amp;nbsp; http://www.megaupload.com/?d=K97YPPB3&lt;br /&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC &lt;/span&gt;&amp;nbsp;files: &amp;nbsp; &lt;/i&gt;&lt;b&gt;Side 1:&lt;/b&gt; &amp;nbsp; &lt;a href="http://www.sendspace.com/file/u0a6c3"&gt;http://www.sendspace.com/file/u0a6c3&lt;/a&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Side 2:&lt;/b&gt; &amp;nbsp;&lt;i&gt; &amp;nbsp;&lt;/i&gt;&lt;a href="http://www.sendspace.com/file/d9ku03"&gt;http://www.sendspace.com/file/d9ku03&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: small;"&gt;New York Philharmonic-Symphony Orchestra - Bruno Walter&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: small;"&gt;P&lt;/span&gt;&lt;/b&gt;&lt;b&gt;hilips ABL 3222&lt;/b&gt; &amp;nbsp;- matrices: &amp;nbsp;AA 01150 -1L = 7&amp;nbsp; /&amp;nbsp; AA 01150 -2L = 5&lt;br /&gt;Recorded: 25 January 1954 - Carnegie Hall, New York. &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; Philips UK mastered/pressed in 1959. &lt;b&gt;&lt;i&gt;&amp;nbsp;sleeve-note&lt;/i&gt;&lt;/b&gt; &amp;gt;&amp;gt;&amp;gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_kROXkz4fwrw/TBLOiVeIMwI/AAAAAAAAAhU/dwXw9poS-4U/s1600/Mahler+ABL+3222.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="385" src="http://2.bp.blogspot.com/_kROXkz4fwrw/TBLOiVeIMwI/AAAAAAAAAhU/dwXw9poS-4U/s400/Mahler+ABL+3222.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-169877442523366446?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/169877442523366446/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/06/bruno-walter-new-york-mahler-1st-cbs_12.html#comment-form' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/169877442523366446'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/169877442523366446'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/06/bruno-walter-new-york-mahler-1st-cbs_12.html' title='Bruno Walter / New York Philharmonic - Mahler Symphony 1 - CBS 1954'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_kROXkz4fwrw/TBLOGy_DNcI/AAAAAAAAAhM/oixQzsfMpEY/s72-c/mahler+1+walter.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-3696359147829020113</id><published>2010-06-07T19:34:00.074+01:00</published><updated>2012-01-23T20:17:21.314Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='JANACEK'/><category scheme='http://www.blogger.com/atom/ns#' term='MARTINU'/><category scheme='http://www.blogger.com/atom/ns#' term='Belohlavek -Jiri'/><category scheme='http://www.blogger.com/atom/ns#' term='Waldhans -Jiri'/><category scheme='http://www.blogger.com/atom/ns#' term='BBC SO'/><category scheme='http://www.blogger.com/atom/ns#' term='Brno'/><title type='text'>Leos Janacek: Jiri Waldhans - Brno - Supraphon 1967 / Jiri Belohlavek - BBC SO - BBC 2000</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_kROXkz4fwrw/TA06_G-9kwI/AAAAAAAAAhE/rNXZO5hxR-M/s1600/Janacek+-+Waldhans.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://1.bp.blogspot.com/_kROXkz4fwrw/TA06_G-9kwI/AAAAAAAAAhE/rNXZO5hxR-M/s200/Janacek+-+Waldhans.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Leos Janacek:&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;b&gt;Lachian Dances&lt;/b&gt;: &lt;i&gt;&amp;nbsp;Ancient Dance ~ Blessed dance ~ Dymak ~ Ancient Dance ~ Celadna Dance ~ Saws&lt;/i&gt;&lt;br /&gt;&lt;a href="http://www.mediafire.com/?s1a8rdlu3a5602n"&gt;http://www.mediafire.com/?s1a8rdlu3a5602n&lt;/a&gt;&lt;br /&gt;&lt;b&gt;The Fiddler's Child  &amp;nbsp;&lt;/b&gt;( Ballad for Orchestra ) &amp;nbsp; &amp;nbsp;&lt;a href="http://www.mediafire.com/?2e7qaxhfbslg8ua"&gt;http://www.mediafire.com/?2e7qaxhfbslg8ua&lt;/a&gt;&lt;br /&gt;&lt;b&gt;Jealousy &amp;nbsp;&lt;/b&gt;( Prelude to the Opera 'Jenufa' ) &amp;nbsp; &amp;nbsp; &lt;a href="http://www.mediafire.com/?4bbl2db1b7jlb74"&gt;http://www.mediafire.com/?4bbl2db1b7jlb74&lt;/a&gt;&lt;br /&gt;&lt;b&gt;The Ballad of the Blanik Hill &amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;i&gt; &lt;/i&gt;&lt;a href="http://www.mediafire.com/?09pgt3rfnix4s4z"&gt;http://www.mediafire.com/?09pgt3rfnix4s4z&lt;/a&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: small;"&gt;Brno State Philharmonic Orchestra - Jiri Waldhans. &amp;nbsp; &lt;/span&gt;&lt;/b&gt;&lt;b&gt;Supraphon &lt;/b&gt;&amp;nbsp;&lt;b&gt;SUAST 50894 &amp;nbsp;&lt;/b&gt;&amp;nbsp;Matrices: E 863/A  - E 864/A. &amp;nbsp;1968 pressing.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: small;"&gt;The Fiddler's Child &lt;/span&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: small;"&gt;( Ballad for Orchestra )&lt;/span&gt;&lt;b&gt;&lt;span style="font-size: small;"&gt; &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;Stephen Bryant,&lt;i&gt; &lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;violin &amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://www.mediafire.com/?8cpfd8oh44l8wit"&gt;http://www.mediafire.com/?8cpfd8oh44l8wit&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: small;"&gt;From the House of the Dead - Suite arr. &lt;span id="main" style="visibility: visible;"&gt;&lt;span id="search" style="visibility: visible;"&gt;Frantisek&lt;/span&gt;&lt;/span&gt; Jilek &lt;/span&gt;&amp;nbsp;&lt;/b&gt;&lt;b&gt; &amp;nbsp; &lt;/b&gt;&lt;a href="http://www.mediafire.com/?zpy34gd6rrzaec3"&gt;http://www.mediafire.com/?zpy34gd6rrzaec3&lt;/a&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;BBC Symphony Orchestra - Jiri Belohlavek&lt;/b&gt;&lt;/span&gt;&lt;b&gt; &amp;nbsp; &lt;/b&gt;&lt;strong&gt;BBC Radio 3 FM.&amp;nbsp;&lt;/strong&gt; &amp;nbsp;Live from Barbican Hall. 31 October 2000 &amp;nbsp; (Digital MiniDisc transfer)&lt;br /&gt;&lt;i&gt;&lt;/i&gt;&lt;a href="http://www.guardian.co.uk/culture/2000/nov/07/artsfeatures4"&gt;The Guardian review of the BBC Concert - &lt;/a&gt;&lt;i&gt;&lt;a href="http://www.guardian.co.uk/culture/2000/nov/07/artsfeatures4"&gt;LINK&lt;/a&gt; &lt;/i&gt;&amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;a href="http://www.gramophone.net/Issue/Page/October%201968/61/776229/"&gt;The Gramophone - 1968 review of the Supraphon LP - &lt;i&gt;LINK&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: small;"&gt;STEREO&lt;/span&gt;&lt;/b&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt; FLAC&lt;/span&gt; &lt;/i&gt;&lt;strong&gt;&amp;nbsp;files&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied.  By downloading the file/s you agree to accept these conditions&amp;nbsp;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-3696359147829020113?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/3696359147829020113/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/06/leos-janacek-jiri-waldhans-brno.html#comment-form' title='15 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/3696359147829020113'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/3696359147829020113'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/06/leos-janacek-jiri-waldhans-brno.html' title='Leos Janacek: Jiri Waldhans - Brno - Supraphon 1967 / Jiri Belohlavek - BBC SO - BBC 2000'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_kROXkz4fwrw/TA06_G-9kwI/AAAAAAAAAhE/rNXZO5hxR-M/s72-c/Janacek+-+Waldhans.jpg' height='72' width='72'/><thr:total>15</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-5747475239985847780</id><published>2010-06-01T15:00:00.039+01:00</published><updated>2012-01-25T19:23:14.925Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Rev -Livia'/><category scheme='http://www.blogger.com/atom/ns#' term='Drouet -Jean-Pierre'/><category scheme='http://www.blogger.com/atom/ns#' term='BARTOK'/><category scheme='http://www.blogger.com/atom/ns#' term='Joy -Genevieve'/><category scheme='http://www.blogger.com/atom/ns#' term='Gugolz -Robert'/><category scheme='http://www.blogger.com/atom/ns#' term='Casadesus -Jean-Claude'/><category scheme='http://www.blogger.com/atom/ns#' term='Fenyves -Lorand'/><category scheme='http://www.blogger.com/atom/ns#' term='Robin -Jacqueline'/><title type='text'>Genevieve Joy &amp; Jacqueline Robin ... Lorand Fenyves / Robert Gugolz / Livia Rev - Bartok - Concert Hall 1967</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_kROXkz4fwrw/TAaCl0yVAuI/AAAAAAAAAg8/P70HpLctR9Q/s1600/SMSC+2491.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://1.bp.blogspot.com/_kROXkz4fwrw/TAaCl0yVAuI/AAAAAAAAAg8/P70HpLctR9Q/s200/SMSC+2491.jpg" width="195" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Bela Bartok:&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Sonata for two Pianos &amp;amp; Percussion&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;i&gt;Assai lento: Allegro molto ~ Lento, ma non troppo ~ Allegro non troppo &amp;nbsp; &amp;nbsp; &lt;/i&gt;http://www.megaupload.com/?d=12GXU8FH&lt;br /&gt;&lt;b&gt;Genevieve Joy &amp;nbsp;&amp;amp; &amp;nbsp;Jacqueline Robin&lt;/b&gt;  &lt;i&gt;&amp;nbsp;(pianos) &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;b&gt;Jean-Claude Casadesus, Jean-Pierre Drouet&lt;/b&gt;  &lt;i&gt;&amp;nbsp;(percussion)&lt;/i&gt; &lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: small;"&gt;"Contrasts" for Violin, Clarinet &amp;amp; Piano&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;Verbunkos&lt;i&gt; (Recruiting Dance) ~ &lt;/i&gt;Piheno&lt;i&gt; (Relaxation) ~ &lt;/i&gt;Sebes&lt;i&gt; (Fast Dance) &amp;nbsp; &amp;nbsp;&lt;/i&gt;http://www.megaupload.com/?d=3NSIGOLH&lt;br /&gt;&lt;b&gt;Lorand Fenyves&lt;/b&gt; &amp;nbsp;&lt;i&gt;(violin)&lt;/i&gt; - &lt;b&gt;Robert Gugolz&lt;/b&gt; &lt;i&gt;&amp;nbsp;(clarinet)&lt;/i&gt; - &lt;b&gt;Livia Rev&lt;/b&gt; &lt;i&gt;&amp;nbsp;(piano)&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Concert Hall SMSC 2491&lt;/b&gt;&amp;nbsp; - Swiss matrices? - 1969 Philips UK pressing &amp;nbsp;&amp;nbsp; &lt;b&gt;&lt;span style="font-size: small;"&gt;STEREO&lt;/span&gt;&lt;/b&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt; FLAC&lt;/span&gt;&lt;/i&gt;&lt;b&gt; files&lt;/b&gt;&lt;i&gt; &amp;nbsp; &lt;/i&gt;&lt;i&gt;&lt;b&gt;&amp;nbsp;sleeve-note&lt;/b&gt; &amp;gt;&amp;gt;&amp;gt;&lt;/i&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: &lt;/span&gt;&lt;span style="font-size: x-small;"&gt;This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied. &amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;By downloading the file/s you agree to accept these conditions.&lt;/span&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;The period 1937-1939 was climactic for Bartok both in his personal life and as a composer. By 1937 the Anschluss of Germany with Austria was already inevitable and Bartok had to decide whether he could still work in his beloved Hungary. By 1939 war had broken out, and he foresaw it would no longer be possible for him to continue his creative work in his own country. Yet musically these years were perhaps the most important in his career as a composer. The Music for Strings, Celesta and Percussion, commissioned for the tenth anniversary of the Basle Chamber Orchestra, was given its first performance in January 1937, the Sonata for two Pianos and Percussion, another Basle commission, was heard there in the following January, Contrasts, commissioned by Benny Goodman and Joseph Szigeti, had its first performance in New York in January 1939, and two months later the Violin Concerto, commissioned by Zoitan Szekely, was given in Amsterdam. To this already impressive list should be added the publication of his Microcosmos for piano, and the Divertimento for String Orchestra, completed in August 1939.&lt;br /&gt;&lt;br /&gt;The Sonata for two Pianos and Percussion was commissioned by the Basle section of the International Society for Contemporary Music for the tenth anniversary of its founding, and the two piano parts were written for Bartok himself and his young wife Ditta PAsztory. 1t had a tremendous success" wrote the composer. "Mrs. Bartok played very well-this was her first appearance in a foreign country". In the following June, husband and wife repeated the work at the I.S.C.M. Festival in London. Bartok wrote that they had played better and more freely than in Basle, but that while the drummer was as good as the one there, the other percussion player was more uncertain, since rehearsal was limited to 6½ hours.When Bartok eventually went to America he rescored the Sonata for orchestra, revising certain passages in the piano parts. While this made the work more suitable for symphonic performance it did not increase its musical impact.'&lt;br /&gt;&lt;br /&gt;The list of percussion instruments in the original version includes 3 timpani, xylophone, side drums with and without snares, cymbals both in pairs and suspended, bass drum, triangle and tam-tam. In the opening movement these instruments are used mainly for rhythmical emphasis, but later they become soloists in their own right, particularly the xylophone, which plays an important thematic part in the final movement. As is usual with Bartok his instructions to the players are written with meticulous care. At the beginning of the second movement he indicates whether the drummers should play in the centre or on the extreme edge of the skin, while the cymbal is instructed to play alternately with a thin wooded stick and a soft-headed one, either at the extreme edge or the dome of the instrument. At the end of the final movement, which dies away into silence, the cymbal has to be played "with the fingernail, or the blade of a pocketknife, on the very edge".&lt;br /&gt;&lt;br /&gt;Before the days of atonality, music students were taught to look at the final chord of a work to discover in what key it was. The present work ends in a definite C major, but a glance at the opening shows that the timpani begins it with a drum-roll on F sharp. This augmented fourth (or tritone) between C and F sharp is a basic element in Bartok's plan. The opening theme of the Assai lento introduction is a chromatic figure revolving around a tritone based on F sharp, while the main Allegro molto is begun by the timpani on a C-F sharp ostinato. There are three main themes, the last of them, distinguished by repeated leaping intervals of a sixth, being later treated fugally.&lt;br /&gt;&lt;br /&gt;After this long and complex movement comes one in structurally simple ternary form, but which thoroughly exploits the colouristic potentialities of all the percussion instruments. It is a type of movement which Bartok increasingly used in his later works, and includes a faster middle 'night music' section with the pianos indulging in glissandi on both black and white keys. The final movement is again typical Bartok with the xylophone introducing the bucolic main theme in a scale of C with sharpened fourth and flattened seventh. This sonata rondo movement displays all Bartok's skill in developing fragments of his thematic material and exploiting these fragments, both in their new and original forms, by such means as canonic imitation and inversion. The coda is as striking as it is simple in conception. First a new version of the opening motive against an intermittent rhythm on the side-drum and an occasional timpani glissando, getting softer and softer. Then a cadence (ending in C) from the pianos, after which side-drum and fingernail-tapped cymbal accompany the held piano chords to eventual silence.&lt;br /&gt;&lt;br /&gt;In his maturity, except for works specially composed for the violinists d'Aranyi, Szekely and Szigeti, Bartok wrote no chamber music including the piano. In Contrasts, therefore, he gives the piano a comparatively subordinate role, while the virtuoso violin and clarinet are each allotted a cadenza, the latter in the opening Verbunkos and the former in the Sebes. The Verbunkos was an 18th-century national Hungarian dance in which soldiers in full uniform with swords and spurs took part. Like the later Czardas it consisted of two sections, slow and fast. in the Czardas, however, there was often a highly ornamented middle section, and Bartok replaces this with a slow interlude called Pihend (Relaxation). The Sebes can be considered as the fast section of the Verbunkos, though it contains an interlude at slower speed.&lt;br /&gt;&lt;br /&gt;As in the Sonata for two Pianos and Percussion, the sharpened fourth of the scale is important, and indeed Bartok's disruption of the major-minor scales based on his folk-music researches may eventually have more importance than the theoretical conceptions that have abolished tonality. It only needs to be added that the clarinet uses both his A and B flat instruments and that the violin begins the final Sebes with an instrument tuned to G sharp-D-A-E flat, so that open-string doublestopping of two tritones is possible. Incidentally, Benny Goodman originally hoped that the work would go on two sides of a twelve-inch record, but luckily Bartok found this to be impossible.&lt;br /&gt;&lt;br /&gt;JULIAN HERBAGE&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-5747475239985847780?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/5747475239985847780/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/06/genevieve-joy-jacqueline-robin-et-al_01.html#comment-form' title='9 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/5747475239985847780'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/5747475239985847780'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/06/genevieve-joy-jacqueline-robin-et-al_01.html' title='Genevieve Joy &amp;amp; Jacqueline Robin ... Lorand Fenyves / Robert Gugolz / Livia Rev - Bartok - Concert Hall 1967'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_kROXkz4fwrw/TAaCl0yVAuI/AAAAAAAAAg8/P70HpLctR9Q/s72-c/SMSC+2491.jpg' height='72' width='72'/><thr:total>9</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-4076305530516003570</id><published>2010-05-21T14:05:00.089+01:00</published><updated>2012-01-23T19:33:14.368Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='BBC Scottish'/><category scheme='http://www.blogger.com/atom/ns#' term='Whyte -Ian'/><category scheme='http://www.blogger.com/atom/ns#' term='Brosa -Antonio'/><category scheme='http://www.blogger.com/atom/ns#' term='BRITTEN'/><category scheme='http://www.blogger.com/atom/ns#' term='YSAYE'/><title type='text'>Antonio Brosa (violin) plays... Britten. Violin Concerto -&amp;- Ysaye - BBC 1950's</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_kROXkz4fwrw/S_aEw8eQ1BI/AAAAAAAAAgA/hcfUvImL8gI/s1600/Antonio+Brosa.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="249" src="http://4.bp.blogspot.com/_kROXkz4fwrw/S_aEw8eQ1BI/AAAAAAAAAgA/hcfUvImL8gI/s320/Antonio+Brosa.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Benjamin Britten: &amp;nbsp;Concerto for Violin &amp;amp; Orchestra, op.15 &amp;nbsp; &lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;M&lt;/i&gt;&lt;/span&gt;&lt;i&gt;oderato con moto ~ Vivace ~ Passacaglia, Andante lento &amp;nbsp;&amp;nbsp;&lt;/i&gt;&lt;br /&gt;&lt;a href="http://www.mediafire.com/?zc83ujg1c31avdc"&gt;http://www.mediafire.com/?zc83ujg1c31avdc&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: small;"&gt;Antonio Brosa, &lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;violin&lt;/i&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-size: small;"&gt; &amp;nbsp;- BBC Scottish Orchestra &amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;conducted by&lt;/i&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-size: small;"&gt; &amp;nbsp;Dr. Ian Whyte&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Eugene Ysaye: &amp;nbsp;Sonata &amp;nbsp;in A minor, op.27&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt; no.2&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;Obsession &lt;i&gt;&amp;nbsp;(Poco vivo)&lt;/i&gt; ~ Malincolia &lt;i&gt;&amp;nbsp;(Poco lento)&lt;/i&gt; ~ Danse des ombres &amp;nbsp;&lt;i&gt;(Sarabande)&lt;/i&gt; ~ Les furies &amp;nbsp;&lt;i&gt;(Allegro furioso) &amp;nbsp; &amp;nbsp; &lt;/i&gt;&lt;br /&gt;&lt;a href="http://www.mediafire.com/?46ljlzi08uc0yjg"&gt;http://www.mediafire.com/?46ljlzi08uc0yjg&lt;/a&gt;&lt;br /&gt;&lt;b&gt;Antonio Brosa, &lt;/b&gt;&lt;i&gt;violin&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Stereo Records &amp;amp; Tapes - SRT/Custom 009. &amp;nbsp;&lt;/b&gt;Private LP - released in 1975.&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;FLA&lt;/i&gt;&lt;i&gt;C&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt; &lt;/i&gt;&lt;/span&gt;&lt;strong&gt;files&lt;/strong&gt;&lt;i&gt; &amp;nbsp; &lt;/i&gt;&lt;a href="http://www.charm.rhul.ac.uk/discography/search/search_advanced?operatorSel_0=and&amp;amp;parameterSel_0=performer&amp;amp;parameterKey_0=artist_003294&amp;amp;parameterKeyTxt_0=Antonio%20Brosa,%20violin#"&gt;CHARM: Mendelssohn: Violin Concerto (Andante)&lt;/a&gt; &amp;nbsp; &amp;nbsp; &lt;a href="http://www.antoniobrosa.com/"&gt;Antonio Brosa website (now defunct..)&lt;/a&gt;&lt;br /&gt;"The Times" 22/11/54 review of the Ysaye &amp;nbsp; +&amp;nbsp;&lt;i&gt; &lt;/i&gt;SRT 009 label scan&lt;i&gt;&lt;b&gt; &lt;/b&gt;&lt;/i&gt;&amp;gt;&amp;gt;&amp;gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;i&gt;&lt;/i&gt;&lt;br /&gt;&lt;a href="http://www.blogger.com/post-edit.g?blogID=5133566289887482688&amp;amp;postID=4076305530516003570" name="more"&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_kROXkz4fwrw/S_aE3AgqzCI/AAAAAAAAAgI/omEqgfvmOR8/s1600/SRT+009.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_kROXkz4fwrw/S_aE3AgqzCI/AAAAAAAAAgI/omEqgfvmOR8/s1600/SRT+009.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="398" src="http://3.bp.blogspot.com/_kROXkz4fwrw/S_aE3AgqzCI/AAAAAAAAAgI/omEqgfvmOR8/s400/SRT+009.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_kROXkz4fwrw/S_aE3AgqzCI/AAAAAAAAAgI/omEqgfvmOR8/s1600/SRT+009.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;br /&gt;&lt;/a&gt;&lt;a href="http://4.bp.blogspot.com/_kROXkz4fwrw/S_exU5FrVRI/AAAAAAAAAgc/CuWNUR0GoOw/s1600/Ysaye+22+Nov+54.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://4.bp.blogspot.com/_kROXkz4fwrw/S_exU5FrVRI/AAAAAAAAAgc/CuWNUR0GoOw/s400/Ysaye+22+Nov+54.jpg" width="220" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-4076305530516003570?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/4076305530516003570/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/05/antonio-brosa-violin-plays-britten_21.html#comment-form' title='7 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/4076305530516003570'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/4076305530516003570'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/05/antonio-brosa-violin-plays-britten_21.html' title='Antonio Brosa (violin) plays... Britten. Violin Concerto -&amp;amp;- Ysaye - BBC 1950&amp;#39;s'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_kROXkz4fwrw/S_aEw8eQ1BI/AAAAAAAAAgA/hcfUvImL8gI/s72-c/Antonio+Brosa.jpg' height='72' width='72'/><thr:total>7</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-9200657282100156500</id><published>2010-04-30T19:19:00.067+01:00</published><updated>2010-12-22T18:06:02.398Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='USSR SO'/><category scheme='http://www.blogger.com/atom/ns#' term='Rakhlin -Natan'/><category scheme='http://www.blogger.com/atom/ns#' term='SHOSTAKOVICH'/><title type='text'>Natan Rakhlin / USSR SO - Shostakovich Symphony 11 - CCCP 1957</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_kROXkz4fwrw/S9sezYgq08I/AAAAAAAAAeY/wovRXpZ5iCs/s1600/Rakhlin+11.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://1.bp.blogspot.com/_kROXkz4fwrw/S9sezYgq08I/AAAAAAAAAeY/wovRXpZ5iCs/s200/Rakhlin+11.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;&lt;span style="font-size: small;"&gt;Dmitri Shostakovich: &amp;nbsp;Symphony no.11, in G minor, op.103. "1905"&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;D-04234 - mvt.1  &lt;b&gt;&amp;nbsp;The Palace Square &amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;br /&gt;D-04235 - mvt.2  &lt;b&gt;&amp;nbsp;The 9th of January &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;D-02436 - mvt.3  &lt;b&gt;&amp;nbsp;In Memoriam &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;D-04237 - mvt.4 &amp;nbsp;&lt;b&gt;The Tocsin&lt;/b&gt; &amp;nbsp; &lt;br /&gt;&lt;span style="font-size: small;"&gt;The above 4 movements as &lt;/span&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;F&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;LAC's &lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;in a Zip folder: &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;a href="http://www.sendspace.com/file/y0bpoq"&gt;http://www.sendspace.com/file/y0bpoq&lt;/a&gt;&lt;br /&gt;&amp;nbsp;(I will be re-uploading some edited files onto Megaupload)&lt;br /&gt;&lt;br /&gt;&lt;b&gt;USSR State Symphony Orchestra &amp;nbsp;&lt;/b&gt;&lt;i&gt;conducted by&lt;/i&gt;&lt;b&gt; &amp;nbsp;Natan Rakhlin.&lt;/b&gt;&lt;br /&gt;As premiered on 30 October 1957 and recorded shortly afterwards. &amp;nbsp; The original &amp;nbsp;&lt;b&gt;CCCP&lt;/b&gt; &amp;nbsp;pressings &lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;br /&gt;Some movements might need slight 'Click-Repair' due to remaining surface-crackle - &lt;i&gt;which is&lt;/i&gt;&lt;i&gt; somewhat more obvious than I would like... &amp;nbsp;&lt;/i&gt;&lt;br /&gt;Mvt 4 remains the best side for pressing quality/sonics.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-9200657282100156500?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/9200657282100156500/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/04/natan-rakhlin-ussr-so-shostakovich_30.html#comment-form' title='6 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/9200657282100156500'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/9200657282100156500'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/04/natan-rakhlin-ussr-so-shostakovich_30.html' title='Natan Rakhlin / USSR SO - Shostakovich Symphony 11 - CCCP 1957'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_kROXkz4fwrw/S9sezYgq08I/AAAAAAAAAeY/wovRXpZ5iCs/s72-c/Rakhlin+11.jpg' height='72' width='72'/><thr:total>6</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-1116212205153912497</id><published>2010-04-22T12:06:00.100+01:00</published><updated>2012-01-27T13:45:19.835Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='BUSH -Alan'/><category scheme='http://www.blogger.com/atom/ns#' term='Hind -Rolf'/><category scheme='http://www.blogger.com/atom/ns#' term='Slatkin -Leonard'/><category scheme='http://www.blogger.com/atom/ns#' term='BBC SO'/><title type='text'>Leonard Slatkin / BBC SO / Ashley Holland - Alan Bush: Piano Concerto - BBC 2000</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_kROXkz4fwrw/S9AtBnoRztI/AAAAAAAAAdw/6OQyTn0hPs4/s1600/alan4.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://2.bp.blogspot.com/_kROXkz4fwrw/S9AtBnoRztI/AAAAAAAAAdw/6OQyTn0hPs4/s200/alan4.jpg" width="150" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;&lt;span style="font-size: small;"&gt;Alan Bush: Piano Concerto, op.18 &lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;(1937)&lt;/span&gt;&lt;br /&gt;I.&lt;i&gt; Con moto moderato ma deciso &amp;nbsp;~ &amp;nbsp;&lt;/i&gt;II.&lt;i&gt; Scherzo: Con vivicata, ma non troppo &amp;nbsp;~ &lt;/i&gt;&amp;nbsp;III.&lt;i&gt; Grave&amp;nbsp; ~ &amp;nbsp;&lt;/i&gt;IV.&lt;i&gt; Finale: Allegro vigoroso ma non troppo&lt;/i&gt;&lt;br /&gt;&lt;b&gt;STEREO &lt;/b&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC: &lt;/span&gt;&lt;/i&gt;&lt;a href="http://www.sendspace.com/file/f1xbjq"&gt;&lt;span style="font-size: small;"&gt;http://www.sendspace.com/file/f1xbjq&lt;/span&gt;&lt;/a&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Rolf Hind, &lt;/b&gt;&lt;i&gt;&amp;nbsp;p&lt;/i&gt;&lt;i&gt;iano -&lt;/i&gt;&lt;b&gt; Ashley Holland, &lt;/b&gt;&lt;i&gt;&amp;nbsp;Baritone &amp;nbsp;-&lt;/i&gt;&lt;b&gt; Apollo Voices &amp;nbsp;- BBC Symphony Orchestra - Leonard Slatkin&lt;/b&gt;&lt;br /&gt;&lt;b&gt;BBC Radio 3 FM&lt;/b&gt; &amp;nbsp;Live from Maida Vale Studios - 19 December 2000. (Digital MiniDisc transfer) The version with BBC intro/applause is too large to upload..&lt;br /&gt;&lt;br /&gt;&lt;b&gt;"Song to Labour"&lt;/b&gt;: &amp;nbsp;&lt;b&gt;A portrait of Alan Bush, narrated by John Amis,&lt;/b&gt; which preceded the above performance.&amp;nbsp; &lt;br /&gt;&lt;b&gt;MONO&lt;/b&gt; &lt;span style="font-size: large;"&gt;&lt;i&gt;FLAC:&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://www.sendspace.com/file/47d1aw"&gt;http://www.sendspace.com/file/47d1aw&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt; &lt;br /&gt;&lt;i&gt;The 4th mvt, this performance, @ &lt;/i&gt;&lt;span style="color: #f6b26b;"&gt;&lt;b&gt;Alan Bush Music Trust&lt;/b&gt;:&lt;/span&gt; &lt;a href="http://www.alanbushtrust.org.uk/"&gt;http://www.alanbushtrust.org.uk&lt;/a&gt;&lt;a href="http://www.musicweb-international.com/SandH/2001/Jan01/Bush.htm"&gt;MusicWeb review of the Piano Concerto&lt;/a&gt; &amp;nbsp; &amp;nbsp; &lt;a href="http://www.musicweb-international.com/BushA/alanbush.htm"&gt;MusicWeb review of this performance&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;COPYRIGHT NOTICE: This is made available solely for the purpose of evaluating/reviewing the copyrighted recording, after which it must not be otherwise stored/copied.  By downloading the file/s you agree to accept these conditions.&amp;nbsp;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-1116212205153912497?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/1116212205153912497/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/04/leonard-slatkin-bbc-so-alan-bush-piano.html#comment-form' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/1116212205153912497'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/1116212205153912497'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/04/leonard-slatkin-bbc-so-alan-bush-piano.html' title='Leonard Slatkin / BBC SO / Ashley Holland - Alan Bush: Piano Concerto - BBC 2000'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_kROXkz4fwrw/S9AtBnoRztI/AAAAAAAAAdw/6OQyTn0hPs4/s72-c/alan4.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-3992603159932774070</id><published>2010-04-21T00:47:00.038+01:00</published><updated>2012-01-26T20:06:59.351Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Irving -Robert'/><category scheme='http://www.blogger.com/atom/ns#' term='GRETRY'/><category scheme='http://www.blogger.com/atom/ns#' term='New SO'/><category scheme='http://www.blogger.com/atom/ns#' term='GLUCK'/><category scheme='http://www.blogger.com/atom/ns#' term='Gilbert -Geoffrey'/><title type='text'>Robert Irving / New SO - Gluck -&amp;- Gretry: Ballet Suites - Decca 1955</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_kROXkz4fwrw/S848GEbNyNI/AAAAAAAAAdg/odkA6NqSFB8/s1600/Irving+LXT+5063.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="197" src="http://2.bp.blogspot.com/_kROXkz4fwrw/S848GEbNyNI/AAAAAAAAAdg/odkA6NqSFB8/s200/Irving+LXT+5063.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;&lt;span style="font-size: small;"&gt;Christoph Gluck: &amp;nbsp;Ballet Suite no.1 &amp;nbsp; &lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: small;"&gt;( arr: Felix Mottl )&lt;/span&gt;&lt;br /&gt;Introduction &lt;i&gt;("Don Juan") - &lt;/i&gt;&amp;nbsp;Air gai ~ Lento ~ Air gai &amp;nbsp;&lt;i&gt;("Iphigenie en Aulide") ~ &lt;/i&gt;Dance of the Blessed Spirits &amp;nbsp;&lt;i&gt;("Orfeo ed Euridice")&lt;/i&gt; ~ Musette &amp;nbsp;&lt;i&gt;("Armide") - &lt;/i&gt;Air gai &amp;nbsp;&lt;i&gt;("Iphigenie en Aulide")&lt;/i&gt; ~ Siciliene&amp;nbsp; &lt;i&gt;("Armide") &lt;/i&gt;~ Air gai &amp;nbsp;&lt;i&gt;("Iphigenie en Aulide")&amp;nbsp;&lt;/i&gt;&lt;br /&gt;&lt;a href="http://www.mediafire.com/?emt2rconhj6d0eb"&gt;http://www.mediafire.com/?emt2rconhj6d0eb&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: small;"&gt;Andre Gretry: &amp;nbsp;Ballet Suite &lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp; ( arr: Constant Lambert )&lt;/span&gt;&lt;br /&gt;Largo - Andante ~ Gigue legere ~ Pantomime ~ Passepied ~ Largo ~ Pantomime ~ Tambourin ~ Loure ~ Air lent ~ Passepied ~ Gavotte ~ Finale. &amp;nbsp;&lt;a href="http://www.mediafire.com/?7y7ggh0cn1rhu19"&gt;http://www.mediafire.com/?7y7ggh0cn1rhu19&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Geoffrey Gilbert&lt;/b&gt; &amp;nbsp;(Flute solo) &amp;nbsp;&lt;b&gt;The New Symphony Orchestra of London - Robert Irving&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Decca LXT 5063&lt;/b&gt;&amp;nbsp; &amp;nbsp;- 1959 Matrices: ARL 2519 -5Nr / ARL 2520 -4Nr &amp;nbsp; Recorded: 14/15 February 1955, Kingsway Hall, London.&amp;nbsp; &lt;strong&gt;Not on CD&lt;/strong&gt;.&amp;nbsp; &amp;nbsp; &lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC&lt;/span&gt; files&lt;/i&gt; &amp;nbsp; &amp;nbsp;&lt;b&gt;Sleeve-note scan&lt;/b&gt;&amp;gt;&amp;gt;&amp;gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.blogger.com/post-edit.g?blogID=5133566289887482688&amp;amp;postID=3992603159932774070" name="more"&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_kROXkz4fwrw/S8481zM1-aI/AAAAAAAAAdo/smCvgQom828/s1600/LXT+5063+sleevenote.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_kROXkz4fwrw/S8481zM1-aI/AAAAAAAAAdo/smCvgQom828/s320/LXT+5063+sleevenote.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-3992603159932774070?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/3992603159932774070/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/04/robert-irving-new-so-gluck-gretry.html#comment-form' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/3992603159932774070'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/3992603159932774070'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/04/robert-irving-new-so-gluck-gretry.html' title='Robert Irving / New SO - Gluck -&amp;amp;- Gretry: Ballet Suites - Decca 1955'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_kROXkz4fwrw/S848GEbNyNI/AAAAAAAAAdg/odkA6NqSFB8/s72-c/Irving+LXT+5063.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-8997440436427566210</id><published>2010-04-17T17:59:00.053+01:00</published><updated>2012-01-25T19:33:17.025Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Munchinger -Karl'/><category scheme='http://www.blogger.com/atom/ns#' term='Pepin -Andre'/><category scheme='http://www.blogger.com/atom/ns#' term='Stuttgart CO'/><category scheme='http://www.blogger.com/atom/ns#' term='BACH - J.S.'/><title type='text'>Karl Munchinger / Stuttgart CO - J.S. Bach: Orchestral Suites 2 &amp; 3 - Decca 1949/50</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-_D_F7kAtJJk/TrKqE31V11I/AAAAAAAABbg/TPE6IrbL4_E/s1600/Bach+ACL29.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="194" src="http://2.bp.blogspot.com/-_D_F7kAtJJk/TrKqE31V11I/AAAAAAAABbg/TPE6IrbL4_E/s200/Bach+ACL29.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Johann Sebastian Bach: &amp;nbsp;Orchestral Suites&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;b&gt;No. 2&amp;nbsp; in B minor for Flute, Strings &amp;amp; Continuo, &amp;nbsp;BWV 1067&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/b&gt;&lt;i&gt;Overture ~ Rondeau ~ Sarabande ~ Bouree I &amp;amp; II ~ Polonaise ~ Menuet ~ Badinerie&amp;nbsp; &lt;/i&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Andre Pepin&lt;i&gt;&amp;nbsp; &lt;/i&gt;&lt;/b&gt;&lt;i&gt;(Flute)&lt;/i&gt; &amp;nbsp;&amp;amp; &lt;b&gt;&amp;nbsp;Doris Rossiaud &lt;/b&gt;&lt;i&gt;&amp;nbsp;(Continuo)&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;WAV: &lt;/span&gt;&lt;/i&gt;&lt;a href="http://www.mediafire.com/?c23s453v7u8088d"&gt;http://www.mediafire.com/?c23s453v7u8088d&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;No. 3&amp;nbsp; in D major, &amp;nbsp;BWV 1068&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/b&gt;&lt;i&gt;Overture ~ Air ~ Gavotte no.1 ~ Gavotte no.2 ~ &amp;nbsp;Bouree ~ Gigue &amp;nbsp;&amp;nbsp;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;WAV: &lt;/span&gt;&lt;/i&gt;&lt;a href="http://www.mediafire.com/?5rs5cbh44m96b2n"&gt;http://www.mediafire.com/?5rs5cbh44m96b2n&lt;/a&gt;&lt;br /&gt;&amp;nbsp; &lt;br /&gt;&lt;b&gt;Stuttgart Chamber Orchestra&amp;nbsp; &lt;/b&gt;&lt;i&gt;conducted by&lt;/i&gt;&lt;b&gt;&amp;nbsp; Karl Munchinger&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Decca ACL 29 &lt;/b&gt;&amp;nbsp;- 1958 Matrices: ARL 1729 - 1Dr / ARL 1728 -1Dr. &amp;nbsp;&amp;nbsp; First issued as: Decca LX 3043 / LX 3002 &amp;nbsp; &lt;br /&gt;Recorded: October 1950 / November 1949 - Victoria Hall, Geneva. &amp;nbsp; Somewhat 'buzzy' string-tone - more evident in No.3. &amp;nbsp; &amp;nbsp; &lt;b&gt;Not on CD &lt;/b&gt;&amp;nbsp; &lt;br /&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;Re-edited files derived from the previous&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt; FLAC &lt;/span&gt;files - November 2011 (unfortunately the originating WAV files were lost: the FLAC files have been converted to WAV - then edited).&lt;/i&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-8997440436427566210?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/8997440436427566210/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/04/karl-munchinger-stuttgart-co-bach-2.html#comment-form' title='14 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/8997440436427566210'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/8997440436427566210'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/04/karl-munchinger-stuttgart-co-bach-2.html' title='Karl Munchinger / Stuttgart CO - J.S. Bach: Orchestral Suites 2 &amp; 3 - Decca 1949/50'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-_D_F7kAtJJk/TrKqE31V11I/AAAAAAAABbg/TPE6IrbL4_E/s72-c/Bach+ACL29.jpg' height='72' width='72'/><thr:total>14</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-6217582686067271745</id><published>2010-04-12T19:29:00.052+01:00</published><updated>2012-01-26T20:09:04.685Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='London Philharmonic'/><category scheme='http://www.blogger.com/atom/ns#' term='Paris Conservatoire'/><category scheme='http://www.blogger.com/atom/ns#' term='PROKOFIEV'/><category scheme='http://www.blogger.com/atom/ns#' term='Boult -Adrian'/><title type='text'>Sir Adrian Boult / LPO - Paris Conservatoire - Prokofiev. Love of 3 Oranges / Lieutenant Kije - Decca 1955</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_kROXkz4fwrw/S8NmFO4qX9I/AAAAAAAAAck/hlrwXZOB_ac/s1600/Prokofiev+Boult.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/_kROXkz4fwrw/S8NmFO4qX9I/AAAAAAAAAck/hlrwXZOB_ac/s200/Prokofiev+Boult.jpg" width="193" /&gt;&lt;/a&gt;&lt;b&gt;&lt;span style="font-size: small;"&gt;Serge Prokofiev: &amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;"The Love of Three Oranges" - Symphonic Suite, op.33a&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;Les Ridicules ~ Le Magicien Tchelio et Fata Morgana jouent aux cartes (Scene Infernale) ~ Marche ~Scherzo ~ Le Prince et la Princesse ~ La Fuite &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;a href="http://www.mediafire.com/?41beb6b6fhqsejz"&gt;http://www.mediafire.com/?41beb6b6fhqsejz&lt;/a&gt;&lt;br /&gt;&lt;b&gt;London Philharmonic Orchestra - Sir Adrian Boult &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;/b&gt;Recorded: 27-29 June 1955, Kingsway Hall, London&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;"Lieutenant Kije" - Symphonic Suite, op.60&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;The Birth of Kije ~ Romance ~ The Wedding of Kije ~ Troika ~ The Burial of Kije &lt;br /&gt;&lt;a href="http://www.mediafire.com/?rtn77c3akwa4fj2"&gt;http://www.mediafire.com/?rtn77c3akwa4fj2&lt;/a&gt;&lt;br /&gt;&lt;b&gt;Paris Conservatoire Orchestra - Sir Adrian Boult &amp;nbsp; &amp;nbsp;- &amp;nbsp;&lt;/b&gt;Recorded: 9 June 1955 - La Maison de la Mutualite, Paris.&lt;br /&gt;&lt;b&gt;Decca ACL 159&lt;/b&gt; - 1962 Matrices: ARL 2669 -4Ar / ARL 2668 -3Ar &amp;nbsp; &lt;i&gt;Is&lt;/i&gt;&lt;i&gt;sued 1956: Decca LXT 5119.&amp;nbsp; This ACL has a slightly wider dynamic-range.&lt;/i&gt;&lt;br /&gt;&lt;i&gt; &lt;/i&gt;&lt;i&gt;(Kije was later reissued from the Stereo taping - Three Oranges never issued on CD). &amp;nbsp; &lt;/i&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC&lt;/span&gt;&amp;nbsp; files&lt;/i&gt; &amp;nbsp;&amp;nbsp;&lt;b&gt;&amp;nbsp; LXT 5119 sleeve/sleeve-note scan &lt;/b&gt;&amp;gt;&amp;gt;&amp;gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_kROXkz4fwrw/S8NmSBEu9uI/AAAAAAAAAcs/VbTaXspDi40/s1600/lxt+5119+-+sleevenote.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_kROXkz4fwrw/S8NmSBEu9uI/AAAAAAAAAcs/VbTaXspDi40/s320/lxt+5119+-+sleevenote.jpg" /&gt;&lt;/a&gt;&lt;a href="http://4.bp.blogspot.com/_kROXkz4fwrw/S8NsFYg16jI/AAAAAAAAAc0/5dSglaB_iME/s1600/LXT5119.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_kROXkz4fwrw/S8NsFYg16jI/AAAAAAAAAc0/5dSglaB_iME/s320/LXT5119.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-6217582686067271745?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/6217582686067271745/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/04/sir-adrian-boult-lpo-paris_12.html#comment-form' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/6217582686067271745'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/6217582686067271745'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/04/sir-adrian-boult-lpo-paris_12.html' title='Sir Adrian Boult / LPO - Paris Conservatoire - Prokofiev. Love of 3 Oranges / Lieutenant Kije - Decca 1955'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_kROXkz4fwrw/S8NmFO4qX9I/AAAAAAAAAck/hlrwXZOB_ac/s72-c/Prokofiev+Boult.jpg' height='72' width='72'/><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-7879772461984882008</id><published>2010-04-10T17:25:00.058+01:00</published><updated>2012-01-25T19:24:19.727Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Dart -Thurston'/><category scheme='http://www.blogger.com/atom/ns#' term='LALANDE'/><category scheme='http://www.blogger.com/atom/ns#' term='Boyd Neel Orchestra'/><category scheme='http://www.blogger.com/atom/ns#' term='Hopkins -Antony'/><title type='text'>Antony Hopkins / Boyd Neel Orchestra &amp; Soloists: De Lalande choral - L'Oiseau-Lyre 1957</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_kROXkz4fwrw/S8Clo1IuWMI/AAAAAAAAAcM/H8o4pMm_ONw/s1600/Lalande+OL+50153.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/_kROXkz4fwrw/S8Clo1IuWMI/AAAAAAAAAcM/H8o4pMm_ONw/s200/Lalande+OL+50153.jpg" width="197" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Michel-Richard de Lalande: &lt;/b&gt;&lt;/span&gt;&amp;nbsp; ( &lt;i&gt;edited by&lt;/i&gt; Stanley Sadie )&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Te Deum&lt;/b&gt;&amp;nbsp;   &amp;nbsp;(1684, rev.1689) &amp;nbsp; &amp;nbsp; &amp;nbsp; http://www.megaupload.com/?d=IA1NB5F4&lt;br /&gt;&lt;b&gt;Confitemini  &amp;nbsp;&lt;/b&gt;&amp;nbsp; (1705) &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; http://www.megaupload.com/?d=8QW56IZX&lt;br /&gt;&amp;nbsp; &lt;br /&gt;&lt;b&gt;Heather Harper&lt;/b&gt;, &lt;b&gt;Eileen McLoughlin &lt;/b&gt;(Sopranos); &amp;nbsp;&lt;b&gt;John Whitworth &lt;/b&gt;(Counter-tenor); &amp;nbsp;&lt;b&gt;Leslie Fyson&lt;/b&gt; (Tenor); &lt;b&gt;&amp;nbsp;James Atkins&lt;/b&gt; (Bass); &lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;St Anthony Singers&lt;/b&gt;, &lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;b&gt;Desmond Dupre&lt;/b&gt; (Viola da Gamba); &lt;b&gt;&amp;nbsp;Eric Halfpenny&lt;/b&gt; (Serpent); &lt;b&gt;&amp;nbsp;Thurston Dart&lt;/b&gt; (Organ Continuo)&lt;br /&gt;&lt;b&gt;Boyd Neel Orchestra&lt;/b&gt;  &lt;i&gt;&amp;nbsp;conducted by&lt;/i&gt; &lt;b&gt;&amp;nbsp;Antony Hopkins&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Editions de L'Oiseau-Lyre &amp;nbsp;OL 50153&lt;/b&gt; &amp;nbsp;  Matrices: TT 411 -1B / TT 412 -1B &amp;nbsp; (1956/7 - no stereo)&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC &amp;nbsp;&lt;/span&gt;files&amp;nbsp; &amp;nbsp;&lt;/i&gt; &lt;i&gt;"His music is of Great Majesty &amp;amp; Splendour"&lt;/i&gt; &amp;nbsp;- &lt;b&gt;&amp;nbsp;Thurston Dart's 1957 sleeve-note &amp;gt;&amp;gt;&amp;gt; &amp;nbsp;&lt;/b&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;i&gt;&lt;/i&gt;&lt;i&gt;&lt;a href="http://www.blogger.com/post-edit.g?blogID=5133566289887482688&amp;amp;postID=7879772461984882008" name="more"&gt;&lt;/a&gt;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_kROXkz4fwrw/S8CmNRXZFAI/AAAAAAAAAcU/Ml7_EpMi-mY/s1600/Lalande+Sleevenote.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_kROXkz4fwrw/S8CmNRXZFAI/AAAAAAAAAcU/Ml7_EpMi-mY/s320/Lalande+Sleevenote.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-7879772461984882008?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/7879772461984882008/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/04/antony-hopkins-boyd-neel-orchestra.html#comment-form' title='13 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/7879772461984882008'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/7879772461984882008'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/04/antony-hopkins-boyd-neel-orchestra.html' title='Antony Hopkins / Boyd Neel Orchestra &amp;amp; Soloists: De Lalande choral - L&amp;#39;Oiseau-Lyre 1957'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_kROXkz4fwrw/S8Clo1IuWMI/AAAAAAAAAcM/H8o4pMm_ONw/s72-c/Lalande+OL+50153.jpg' height='72' width='72'/><thr:total>13</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-5145904921294773245</id><published>2010-04-07T00:11:00.030+01:00</published><updated>2012-01-27T17:07:04.738Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Dart -Thurston'/><category scheme='http://www.blogger.com/atom/ns#' term='Philomusica of London'/><category scheme='http://www.blogger.com/atom/ns#' term='HANDEL'/><title type='text'>Thurston Dart / Philomusica - "The Water Music" - L'Oiseau-Lyre 1959</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_kROXkz4fwrw/S7u--fr1l1I/AAAAAAAAAb8/PjuHkzyUry4/s1600/Water+Music+-+Dart.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/_kROXkz4fwrw/S7u--fr1l1I/AAAAAAAAAb8/PjuHkzyUry4/s200/Water+Music+-+Dart.jpg" width="195" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;G.F. Handel:&amp;nbsp; "The Water Music"&lt;/b&gt; &lt;/span&gt;&amp;nbsp; (&lt;i&gt; edited by&lt;/i&gt; Brian Priestman )&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Side One:&lt;/i&gt;&lt;b&gt;&amp;nbsp; Suite no.1 in F&amp;nbsp; &lt;/b&gt;(pt.1) &amp;nbsp; &amp;nbsp;&lt;a href="http://www.mediafire.com/?sotvcc8c8ovnsk6"&gt;http://www.mediafire.com/?sotvcc8c8ovnsk6&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Side Two:&amp;nbsp;&lt;/i&gt;&lt;b&gt; Suite no.1 in F&lt;/b&gt;&amp;nbsp; (pt.2) &lt;b&gt;~ Suite no.2 in G ~ Suite no.3 in D&lt;/b&gt;&lt;br /&gt;&lt;a href="http://www.mediafire.com/?ifxcpj4f4x1sc4i"&gt;http://www.mediafire.com/?ifxcpj4f4x1sc4i&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Philomusica of London&lt;/b&gt;&amp;nbsp; &lt;i&gt;directed by&lt;/i&gt;&amp;nbsp; &lt;b&gt;Thurston Dart &amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Editions de L'Oiseau-Lyre&amp;nbsp; SOL 60010&lt;/b&gt; &lt;br /&gt;Matrices:&amp;nbsp; ZTT 509 -2M / ZTT 510 -1M &amp;nbsp; Recorded c.1959 &amp;nbsp;Original LP &amp;nbsp;&lt;b&gt;STEREO&lt;/b&gt; &amp;nbsp;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC&lt;/span&gt;&amp;nbsp;&lt;/i&gt; &lt;b&gt;files&amp;nbsp;&lt;/b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;b&gt;Sleeve-note &lt;/b&gt;&amp;nbsp;&amp;gt;&amp;gt;&amp;gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_kROXkz4fwrw/S7u_f92fQYI/AAAAAAAAAcE/8DNb2oCtuDM/s1600/Dart+SOL+60010.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_kROXkz4fwrw/S7u_f92fQYI/AAAAAAAAAcE/8DNb2oCtuDM/s320/Dart+SOL+60010.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-5145904921294773245?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/5145904921294773245/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/04/thurston-dart-philomusica-water-music-l.html#comment-form' title='7 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/5145904921294773245'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/5145904921294773245'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/04/thurston-dart-philomusica-water-music-l.html' title='Thurston Dart / Philomusica - &amp;quot;The Water Music&amp;quot; - L&amp;#39;Oiseau-Lyre 1959'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_kROXkz4fwrw/S7u--fr1l1I/AAAAAAAAAb8/PjuHkzyUry4/s72-c/Water+Music+-+Dart.jpg' height='72' width='72'/><thr:total>7</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-6577138471281330227</id><published>2010-04-04T21:12:00.139+01:00</published><updated>2012-01-25T19:43:43.272Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Dart -Thurston'/><category scheme='http://www.blogger.com/atom/ns#' term='Philomusica of London'/><category scheme='http://www.blogger.com/atom/ns#' term='BACH - J.S.'/><title type='text'>Thurston Dart / Philomusica - 6 Brandenburg Concertos - L'Oiseau-Lyre 1959 stereo</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;a href="http://2.bp.blogspot.com/_kROXkz4fwrw/TK7qawen0SI/AAAAAAAAAto/c-YzlcOQucU/s1600/Bach+Brandenburg+1-2-6+Dart.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="198" src="http://2.bp.blogspot.com/_kROXkz4fwrw/TK7qawen0SI/AAAAAAAAAto/c-YzlcOQucU/s200/Bach+Brandenburg+1-2-6+Dart.jpg" width="200" /&gt;&lt;/a&gt;&lt;a href="http://2.bp.blogspot.com/_kROXkz4fwrw/TK7qhBZHaYI/AAAAAAAAAts/D23gyO251tk/s1600/Bach+Brandenburg+3-4-5+Dart.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="198" src="http://2.bp.blogspot.com/_kROXkz4fwrw/TK7qhBZHaYI/AAAAAAAAAts/D23gyO251tk/s200/Bach+Brandenburg+3-4-5+Dart.jpg" width="200" /&gt;&lt;/a&gt;&lt;span style="font-size: large;"&gt;Johann Sebastian Bach:&amp;nbsp; The Six Brandenburg Concertos:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;In a file folder: &lt;/span&gt;   &amp;nbsp; &lt;a href="http://www.mediafire.com/?bv8233u6e8n3d"&gt;http://www.mediafire.com/?bv8233u6e8n3d&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Concerto no.2 in F major,&amp;nbsp; BWV 1047 &amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Concerto no.1 in F major,&amp;nbsp; BWV 1046 &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;i&gt;Concerto no.1 in F major, &amp;nbsp;BWV 1046 - transfer from DPA 577 (1977 release - matrices 2A / 2A)&lt;/i&gt;&lt;br /&gt;&lt;i&gt; &lt;/i&gt;&lt;b&gt;Concerto no.6 in B flat major,&amp;nbsp; BWV 1051 &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Concerto no.4 in G major,&amp;nbsp; BWV 1049 &amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;div style="border: medium none;"&gt;&lt;div style="border: medium none;"&gt;&lt;b&gt;Concerto no.5 in D major,&amp;nbsp; BWV 1050 &amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="border: medium none;"&gt;&lt;div style="border: medium none;"&gt;&lt;b&gt;Concerto no.3 in G major,&amp;nbsp; BWV 1048 &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Philomusica of London -&lt;/b&gt; &lt;i&gt;directed by&amp;nbsp; &lt;/i&gt;&lt;b&gt;Thurston Dart&amp;nbsp;&lt;/b&gt; &lt;i&gt;(harpsichord)&lt;/i&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;b&gt; &amp;nbsp;&lt;/b&gt;&lt;b&gt;Editions de L'Oiseau-Lyre&amp;nbsp; SOL 60005/6&lt;/b&gt; &amp;nbsp;Matrices: ZTT 495 -1K / ZTT 496 -1K&amp;nbsp; &amp;amp;&amp;nbsp; ZTT 497 -1K / ZTT 498 -1K&lt;/div&gt;&lt;/div&gt;Originally issued 1958 as (mono)&amp;nbsp; OL 50167 (Concerti 1, 2, 4)&amp;nbsp; OL 50160 (Concerti 3 &amp;amp; 5) &amp;nbsp;- Concerto no.6 re-recorded 10/11 October 1958 - Decca West Hampstead Studios.&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC&lt;/span&gt;&amp;nbsp; files&lt;/i&gt; &amp;nbsp; &amp;nbsp;&lt;i&gt;Original 1959 LP's. &amp;nbsp;&lt;b&gt;Brandenburg no.1&lt;/b&gt; additionally from the 1977 re-issue due to previous defective mastering towards the latter-part of the work. &amp;nbsp;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;Screen-shot (1959 mastering on the Left - RH channel is the bottom trace, side-change @ 13:10) shows marked differences. &amp;nbsp;&lt;/i&gt;&lt;i&gt;See comments. &amp;nbsp;&lt;/i&gt;&lt;br /&gt;Sleeve-note scans + 1977 2LP reissue sleeve + 1958/9 "EMG Monthly Letter" reviews &amp;nbsp;+ SOL &amp;amp; DPA waveform screen-shot &amp;gt;&amp;gt;&amp;gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;The EMG Monthly Letter (October 1958) OL 50167&lt;br /&gt;"The Oiseau-Lyre record is to some extent a curiosity since Mr. Dart has decided that Brandenburg No.1 should be played with two high trumpets instead of two horns.&amp;nbsp; He advances plausible arguments that Bach wanted the old&lt;i&gt; jagdhorn&lt;/i&gt; which plays an octave higher than the normally used French horns.&amp;nbsp; As a compromise he uses two F trumpets.&amp;nbsp; The effect is almost brutally harsh and brilliant (especially since the recording seems to have been made in a very small studio) and it certainly takes some getting used to, particularly when the trumpets are not quite in tune.&amp;nbsp; The performance does not appear in any case to be very well rehearsed and there are infelicities in the ensemble.&amp;nbsp; No.2 would have fared much better had that excellent trumpet player, Dennis Clift, been on the top of his form.&amp;nbsp; His instrument is, unfortunately, slightly sharp all the time, which sets the teeth on edge, despite his brilliance.&amp;nbsp; No.4 is given with two recorders which make a very pleasing sound, but again in these two concertos, as in No.1, the playing lacks the last ounce of necessary efficiency.&amp;nbsp; Where there are trumpets the small studio makes the sound unbearably hard, and only No.4 does not suffer from this disadvantage"&lt;br /&gt;&lt;br /&gt;The EMG Monthly Letter (March 1959) SOL 60005/6&lt;br /&gt;" In this re-coupling one gets the best and the poorest of these performances on each record.&amp;nbsp; The most satisfactory are those of Nos. 3, 5 and 6.&amp;nbsp; Nos. 1, 2 and 4 do not fare so well but they appear to be very much better recorded here than they were on the single-channel disc.&amp;nbsp; Our main criticism of the original recording was that being made in a small studio the trumpets were made to sound hard and unpleasant.&amp;nbsp; They still do not make a captivating sound for they are not always perfectly in tune.&amp;nbsp; As a stereo recording No.4 comes off splendidly, especially in the Presto finale where the division of strings is effectively delineated.&amp;nbsp; Unequal versions these may be but there is still pleasure to be had from them."&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_kROXkz4fwrw/S7jx9U4-M-I/AAAAAAAAAbc/AKFO1E0f490/s1600/Brandenburgs+-+Dart+-+DPA577-8.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="191" src="http://2.bp.blogspot.com/_kROXkz4fwrw/S7jx9U4-M-I/AAAAAAAAAbc/AKFO1E0f490/s200/Brandenburgs+-+Dart+-+DPA577-8.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_kROXkz4fwrw/S_PVGIFy5EI/AAAAAAAAAfg/uhtDniLOuBU/s1600/Bach+2-1-6.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_kROXkz4fwrw/S_PVGIFy5EI/AAAAAAAAAfg/uhtDniLOuBU/s320/Bach+2-1-6.jpg" /&gt;&lt;/a&gt;&lt;a href="http://3.bp.blogspot.com/_kROXkz4fwrw/S7jynWTbrTI/AAAAAAAAAbs/mLr0QPbRvoc/s1600/Bach+3-4-5.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="234" src="http://3.bp.blogspot.com/_kROXkz4fwrw/S7jynWTbrTI/AAAAAAAAAbs/mLr0QPbRvoc/s320/Bach+3-4-5.jpg" width="320" /&gt;&lt;/a&gt;&lt;a href="http://3.bp.blogspot.com/_kROXkz4fwrw/S8gxfrCekzI/AAAAAAAAAdQ/yiwwjXzG-Q4/s1600/Screenshot.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_kROXkz4fwrw/S8gxfrCekzI/AAAAAAAAAdQ/yiwwjXzG-Q4/s320/Screenshot.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-6577138471281330227?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/6577138471281330227/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/04/thurston-dart-philomusica-6-brandenburg_04.html#comment-form' title='15 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/6577138471281330227'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/6577138471281330227'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/04/thurston-dart-philomusica-6-brandenburg_04.html' title='Thurston Dart / Philomusica - 6 Brandenburg Concertos - L&amp;#39;Oiseau-Lyre 1959 stereo'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_kROXkz4fwrw/TK7qawen0SI/AAAAAAAAAto/c-YzlcOQucU/s72-c/Bach+Brandenburg+1-2-6+Dart.jpg' height='72' width='72'/><thr:total>15</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5133566289887482688.post-3221214437141529734</id><published>2010-04-04T11:03:00.058+01:00</published><updated>2012-01-24T11:03:59.702Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Minneapolis SO'/><category scheme='http://www.blogger.com/atom/ns#' term='Chicago SO'/><category scheme='http://www.blogger.com/atom/ns#' term='BARTOK'/><category scheme='http://www.blogger.com/atom/ns#' term='Dorati -Antal'/><category scheme='http://www.blogger.com/atom/ns#' term='KODALY'/><title type='text'>Antal Dorati conducts Kodaly. Hary Janos -&amp;- Bartok. Miraculous Mandarin - Mercury 1954/1956</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_kROXkz4fwrw/S7hhfUlUG8I/AAAAAAAAAbE/Z7ppm32BJV0/s1600/Dorati+Bartok.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/_kROXkz4fwrw/S7hhfUlUG8I/AAAAAAAAAbE/Z7ppm32BJV0/s200/Dorati+Bartok.jpg" width="196" /&gt;&lt;/a&gt;&lt;a href="http://1.bp.blogspot.com/_kROXkz4fwrw/S7hhY7S7p-I/AAAAAAAAAa8/NbYd0zp0Oko/s1600/Dorati+Kodaly.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="199" src="http://1.bp.blogspot.com/_kROXkz4fwrw/S7hhY7S7p-I/AAAAAAAAAa8/NbYd0zp0Oko/s200/Dorati+Kodaly.jpg" width="200" /&gt;&lt;/a&gt;&lt;b&gt;&lt;span style="font-size: small;"&gt;Zoltan Kodaly:&amp;nbsp; "Hary Janos" - suite &amp;nbsp; &amp;nbsp; &lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://www.mediafire.com/?6byha86528fcj54"&gt;http://www.mediafire.com/?6byha86528fcj54&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Recorded in Northrop Auditorium, Minnesota - 17 November 1956&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Minneapolis Symphony Orchestra&lt;/b&gt;&amp;nbsp; (Toni Koves - &lt;i&gt;cimbalom&lt;/i&gt;) - &lt;b&gt;Antal Dorati&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: small;"&gt;Zoltan Kodaly: "Peacock Variations" &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://www.mediafire.com/?3zd7cda1mt0mjz4"&gt;http://www.mediafire.com/?3zd7cda1mt0mjz4&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: small;"&gt;Bela Bartok: "The Miraculous Mandarin" - suite &amp;nbsp; &amp;nbsp; &lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://www.mediafire.com/?fmycff5uqrjfffa"&gt;http://www.mediafire.com/?fmycff5uqrjfffa&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="border: medium none;"&gt;Recorded in Orchestra Hall, Chicago. 8/9&amp;nbsp; January 1954&lt;/div&gt;&lt;div style="border: medium none;"&gt;&lt;b&gt;Chicago Symphony Orchestra - &amp;nbsp;&lt;/b&gt;&lt;b&gt;Antal Dorati&amp;nbsp;&lt;/b&gt;&lt;/div&gt;&lt;div style="border: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="border: medium none;"&gt;&lt;b&gt;EMI / Mercury MMA 11072&lt;/b&gt; &amp;nbsp; (Kodaly) - originally MG 50132&amp;nbsp; / 50038&amp;nbsp; - 'FR' matrices &amp;nbsp; &lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;EMI / Mercury MMA 11068&lt;/b&gt; &amp;nbsp; (Bartok) - originally MG 50098 - mastered by John Johnson &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;i&gt;&lt;span style="font-size: large;"&gt;FLAC&lt;/span&gt;&amp;nbsp; files.&lt;/i&gt;&amp;nbsp;&amp;nbsp; &lt;i&gt;&lt;b&gt;Sleeve-notes&lt;/b&gt; &amp;gt;&amp;gt;&amp;gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://www.blogger.com/post-edit.g?blogID=5133566289887482688&amp;amp;postID=3221214437141529734" name="more"&gt;&lt;/a&gt;&lt;br /&gt;&lt;b&gt;Kodaly - MMA 11072&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Since 1905, Kodaly has collected some 4,000 Hungarian folk songs, yet few of these have actually found their way into his own music. In the Hary Janos Suite, for example, only the Intermezzo contains a folk melody - the Dance of Courtship, which dates back to 1800.&lt;br /&gt;First produced at the Budapest Royal Opera on October 16, 1926, the opera Hary Jdnos ' was an immediate success and from it the composer subsequently extracted an orchestral suite. In the latter form, it has become his most popular composition. &lt;br /&gt;The libretto is based on the story of a veteran hussar of the Austro-Hungarian army who sits in the village inn day after day regaling his listeners with such fantastic tales of heroism as the time he single-handedly shoved a house across the Austrian border and off Russian soil, and how he slew a seven-headed dragon. &lt;br /&gt;The orchestral suite contains four other incidents in the fantasy-life of this latter-day Walter Mitty, described in the composer's own words: "According to a Hungarian superstition, if a statement is followed by a sneeze of one of the hearers, it is regarded as confirmation of its truth. &lt;br /&gt;The Suite begins with a sneeze of this kind! One of Hary's group of faithful listeners, who sneezes at the wildest assertions of the old tale-spinner, is equal to the occasion even when Hary declares that he once had occasion to subdue Napoleon himself!&lt;br /&gt;With a suggestion of this sneeze, 'the tale begins '. (No. 1 of the suite.) &lt;br /&gt;The other movements may be described as follows:-&lt;br /&gt;No. 2 - Viennese Musical Clock. The scene is laid at the Imperial Castle in Vienna, where the ingenuous Hungarian lad is amazed and enraptured by the famous 'Music Box ' with its little soldier figures in their brave uniforms appearing at every rotation of the marvellous machine.&lt;br /&gt;No. 3 - Song. Hary and his sweetheart long for their village home, its quiet evenings musical with love songs.&lt;br /&gt;No. 4 - The Battle and Defeat of Napoleon. Hary, the General, in command of his hussars, confronts the French army. He brandishes his sword, and lo, the French begin to fall before him like tin soldiers! First, two at a time, then four, eight, ten, and so on. Finally, there are no more French soldiers left and Napoleon is forced to engage in person the invincible Hary. Hary's fantasy pictures a Napoleon made in the image of his own very peasant imagination, an immensely tall and formidable Napoleon, who, shaking in his every limb, kneels before his conquerer and pleads for mercy. The ironical French victory march is transformed into a dirge.&lt;br /&gt;No. 5 - Intermezzo ... of no special significance.&lt;br /&gt;No. 6 - Entrance of the Emperor and his Court. An ironical march of triumph in which Hary pictures his entry into the Imperial Court in Vienna; but it is not a realistic account, only a Hungarian peasant's way of imagining the rich happiness of the celebrated Wiener Burg."&lt;br /&gt;&lt;br /&gt;In 1922, Bartok wrote the following analysis of Kodaly's music. " It must be particularly emphasized that it is not ' modern ' in the current sense of the word. It has nothing in common with atonal, bi-tonal or polytonal tendencies: everything remains based on the principle of balanced tonality. Yet his musical language is entirely new and expresses musical ideas never heard before, thus proving that tonality is not yet completely exhausted."&lt;br /&gt;&lt;br /&gt;HAROLD LAWRENCE&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Among Kodaly's youthful compositions, his chamber music is outstanding in particular, the magnificent Sonata for Unaccompanied Cello. Among his later works, three are of major importance - the Concerto for Orchestam, written in 1940 for the 50th anniversary of the Chicago Symphony Orchestra; the Peacock Variations, composed in 1939 for the 50th anniversary of the Amsterdam Concertgebouw Orchestra; and the Missa Brevis in Tempore Belli, written during the harrowing days when the armies of Nazi Germany and Soviet Russia were battling amid the rubble of the once proud and beautiful city that was Budapest.&lt;br /&gt;&lt;br /&gt;The Peacock Variations were heard for the first time on November 23, 1939 with Willem Mengelberg conducting the Amsterdam Concertgebouw Orchestra. Antal Dorati introduced the Peacock Variations to American listeners over the Columbia Broadcasting System during August of 1946; and in November of the same year Kodaly himself conducted the first American concert performance with the Philadelphia Orchestra.&lt;br /&gt;&lt;br /&gt;The music takes its title from the Hungarian folk tune on which it is based Fly, Peacock, Fly, a song whose words would seem to make the peacock a symbol of freedom from the political oppression which seems to have been part of Hungarian life for the greater part of three centuries. The theme itself follows the pentatonic scale pattern common to many Magyar melodies - in this instance working its way downward over the compass of a ninth in such a fashion that two intervals of a perfect fifth around a common centre are the result. Thus, Kodaly has given himself extremely malleable thematic material with which to work, despite the restrictions imposed by the pentatonic pattern. After exposing this Peacock theme in several guises throughout the introduction - beginning in the lowest string registers, carrying it through the full string body in high register, then concluding with a pastorale treatment - Kodaly then exploits the expressive and colouristic potentialities of his theme throughout a series of sixteen variations and Finale. Since the music was written for the Amsterdam Concertgebouw Orchestra, it is not surprising that the tone-poetry, which is the essence of Kodaly's approach to his musical materials, should also include an abundance of virtuoso solo and colouristic elements which make this score a superb orchestral showpiece. In general, it can be said that Kodaly treats his theme along three different lines - the partando-rubato manner so typical of Hungarian folk and national music ; the folk-dance ; and the genre type of variation such as the chorale, funeral march and pastorale. Though the orchestra used is of normal classical make-up with only harps as extras, Kodaly extracts from it an astonishing wealth of colour, due in large measure to his extraordinary skill as a harmonist and the uncanny sense of contrast which has made him link the variations together in the most effective possible sequence.&lt;br /&gt;&lt;br /&gt;..........................................................&lt;br /&gt;&amp;nbsp; &lt;br /&gt;&lt;b&gt;Bartok - MMA 11068&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;From the standpoint of number and variety of forces used, Be1a Bartok's music for The Miraculous Mandarin is his most elaborate score for full orchestra, calling as it does for such additions as organ and an unusually large ensemble of percussion. Composed during 1918 and 1919 to a lurid Scenario by Menyhert Lengyel, The Miraculous Mandarin was banned time after time an stage work, achieving a first performance only in 1925 at Cologne. The concert version of the score recorded here was played for the first time in 1928 by the Philharmonic Society at Budapest. Not until after the second World War was The Miraculous Mandarin produced widely on the stage throughout Europe. In 1951 it was finally given in New York by the New York City Ballet with choreography by Todd Bolender. Despite the details of the scenario, which have been described as a horrible mixture of the macabre, the grotesque and the perverse, the essence of this work, particularly in terms of its music, lies in its searing delineation of the unconquerable power of human aspiration - even beyond death itself. The scene of the pantomime is a tawdry room in the busiest quarter of an unnamed metropolis. A street girl is forced by two hoodlums to lure likely prospects to the room, where they will be speedily divested of their money. Their first attempts bring in turn only a threadbare roue and a penniless youth, both of whom are brutally ejected. Formidable, but infinitely more promising of material reward is a sinister looking Chinese mandarin. The girl is frightened, but she seeks to attract him - timidly at first, then with dancing of unabashed sensuality. During all this the mandarin has remained outwardly impassive, only the burning glance of his eyes fixed upon the girl betrays the intensity of his desire. The reaction, when it does come, explodes in.the form of the mandarin's relentless pursuit of the girl, whom he finally seizes (here the music of the concert suite concludes); but the hoodlums break in and strip the mandarin of jewels and money. Determined now to kill him, they smother him with pillows; but he remains alive, trembling with passion, his eyes fixed immovably upon the girl. A rusty sword is thrust into his body, but still his eyes fasten themselves upon the girl with unfulfilled longing. He is hung by the neck from a chandelier. It falls and in the darkness the mandarin's body glows with a ghastly greenish hue, his eyes still glaring at the girl. With the instinct that is woman's, she at last allows compassion to hold sway over her and embraces the mandarin with utmost tenderness. His unquenchable longing fulfilled at last, his wounds begin to bleed and merciful death comes to him as the curtain slowly falls.&lt;br /&gt;&lt;br /&gt;The concert version of the music for The Miraculous Mandarin follows the scenario up to the climax of the Mandarin's pursuit of the girl. The ferociously violent opening pages not only set the mood for the lurid happenings on the stage, but also are meant to evoke the hurly-burly of street life in a modern metropolis. The episodes in which the girl entices passers-by from the street are three in number, each marked by a cadenza-like clarinet motif. The crude degeneracy of the roue and the shyness of the youth are unmistakably characterised in Bartok's music, as are the respective moments of unceremonious rejection. The approach of the mandarin is heralded by a pentatonic theme played by muted brass in augmented fourths; but it is the climactic sequence of chords for open brass and percussion which follow that tells us this mandarin is no ordinary mortal. The music depicting the girl's dance before the Mandarin ranges in expression from utter timidity to a wildly sensual waltz-like climax; and in the course of this, fragments of the motif associated with the Mandarin hint at the reaction which is to come. The music of the chase is of an overwhelming kinetic fury matched only by Stravinsky in his Rite of Spring (recorded by Antal Dorati and the Minneapolis Symphony Orchestra on Mercury MG50030). It is cast, appropriately enough, in fugal texture with a pounding percussion ostinato to heighten the rhythmic excitement which follows a virtually uninterrupted crescendo to its explosive end.&lt;br /&gt;&lt;br /&gt;Bela Bartok's score for The Miraculous Mandarin constitutes as challenging a test for high-fidelity listening equipment as it does for the recording engineer. The opening pages are not only extremely complex in texture, but call upon the most extreme dynamic resources of the orchestra, including organ pedals. There follow a series of episodes in which the solo clarinet assumes a role of major importance. The final pages again call upon the utmost powers of the orchestra, especially in the percussion and brass division. Mercury Living Presence has captured every detail of this score on this disc, ranging from the most overpowering climaxes to the most subtle nuances of the many instrumental solos.&lt;br /&gt;&lt;br /&gt;For its other choice on this record Mercury takes pride in offering a brilliant reading of music from the pen of the young Bartok; - his Second Suite For Orchestra, Op. 4, which was completed in 1907. The first three movements were composed in Vienna during 1905, the year in which Bartok, together with his friend Zoltan Kodaly, set forth to the remote rural areas of Hungary, there to mine the then virtually unknown riches of Hungarian peasant music (this as distinguished from the Gypsy music fostered by Liszt and others as Hungarian folk music). The final movement was written in Hungary during 1907 after Bartok and Kodaly had published their initial discoveries in the field of Magyar folk melody. The revisions made by Bartok to his Second Suite in 1943 (the year which saw composition of the Concerto for Orchestra) affected only the two final movements. A few bars were excised from the third movement, but in the finale the piui mosso and Vivo episodes which contain the most dynamic materials of the movement were almost completely recast (though from the same basic materials) and drastically condensed. The result, in the case of this final movement, was to achieve an effect of more striking contrast in dynamics and expression.&lt;br /&gt;&lt;br /&gt;In the autumn of 1908, Bartok himself conducted the Scherzo of the Second Suite in Berlin at the invitation of Ferruccio Busoni. The audience reaction was sharply divided, but the 27-year-old composer was delighted with the playing of the orchestra. The following year the complete score had its premiere in Budapest.&lt;br /&gt;&lt;br /&gt;The music of the Second Suite is scored for essentially a normal classical orchestra with three horns and the rest of the winds in twos. There are no trombones, but use is made of contra-bassoon and bass clarinet. The percussion section includes timpani, bass drum, cymbals, triangle, tambourine and gong. Two harps play an extremely important role in terms of rhythm and coloration throughout the music's entire course. A certain aura of Richard Strauss and of Debussy seems to pervade certain pages of the Second Suite (not exactly surprising!), but there are any number of places (in the Scherzo especially) where the young lion shows his claws and where we even sense a certain kinship between this work and the 1943 Concerto for Orchestra (Scherzo and Finale).&lt;br /&gt;&lt;br /&gt;A lyrical-pastoral tone is set at the opening of the Comodo first movement, as the harp sets a rhythmic pattern and the solo cello sings an idyllic yet intense melody against a commentary by divisi strings. All the subsequent musical events of the movement derive from the whole or part of this theme, and they reveal themselves in such varied and colourful fashion - now richly romantic, now mildly sardonic - that it is no easy matter on first hearing to trace the exact connection with the movement's opening pages. The second movement, Allegro scherzando, is singularly brilliant and dramatic. Dance patterns dominate the first section, and out of these is generated the figuration and sharp downward leap that is to become a thrillingly dramatic fugue -a fugue which calls to mind in some of its aspects that in the finale of Beethoven's Hammerklavier Sonata for piano. After the fugue has run its brilliant course, the dance materials of the opening re-appear and are worked up to a climax of overwhelming power. The Coda features the solo violin with an amusing Gypsy parody of the fugue subject. The Andante third movement offers the most sheerly romantic writing of the Second Suite. The bass clarinet sets the mood with a long cadenza-like introduction that reminds one irresistibly of an improvisation on the Hungarian peasant wind instrument called the tarogato. This is no mere cadenza, however, for it contains (like the cello solo in the first movement) all the thematic constituents for the remainder of the movement. Lyrical intensity together with a strong evocation of the spacious Hungarian countryside would seem to be the dominant expressive elements of these pages. The orchestral coloration, featuring as it does the harps and sharp contrast between woodwinds and brass in upper and lower registers, possesses an almost Debussyian iridescence. The Comodo finale is the most folk-like in atmosphere. Harps and timpani set a softly throbbing rhythmic gattern over which the solo bassoon sings a charming tune which is taken up by the other woodwinds in a harmonic texture dominated by thirds, fifths and sixths. The idyllic feeling thusy engendered is subjected to rude interruption of seemingly unrelated elements hurled forth pi4 mosso by the full orchestra; but the initial thematics re-assert themselves in the form of variation and development, which reach a peak of intensity, then subside for another violent and climactic interruption (vivo) of the elements heard first in the piii mosso. There follows in slow tempo (molto quieto) a coda of the utmost serenity, the orchestral colour of which is of the most gorgeous sunset hue.&lt;br /&gt;&lt;br /&gt;In company with the other Be1a Bartok scores cited above, this Second Suite from the pen of the Hungarian master, seems to have been ' made-toorder ' for recording; for it is characteristic of Bartok's music that the instrumentation should be of the most brilliant clarity, yet offer extraordinary range of colour. At the same time, the melodic lines stand forth like those of a fine woodcut. These are some of the qualities which make the music of Bartok such a 'natural' for Mercury's single microphone Living Presence recording technique. Together with this, Mercury is singularly fortunate in having Bartok's friend and pupil, Antal Dorati, to document this music on discs in truly authentic readings with the Minneapolis Symphony - an orchestra Mr. Dorati has developed into a virtuoso ensemble of the first magnitude.&lt;br /&gt;&lt;br /&gt;The recording of the Bartok Second Suite was done at Northrop Memorial Auditorium on the University of Minnesota campus during November 1955. The orchestra was arranged in normal concert set-up on the bare stage during the entire course of the recording; and the single microphone was also maintained in one position throughout. The master tapes, recorded on Fairchild tape machines, were not subjected to monitoring at any time. The transfer from tape to disc was done from a Fairchild tape machine to a Miller cutting head mounted on a Scully variable pitch recording lathe - thus assuring absolute fidelity of the finished disc record to the dynamics, frequency range and tonal balances recorded on the original master tapes.&lt;br /&gt;&lt;br /&gt;Ever since the meteoric rise of Eugene Ormandy to the coveted post of Musical Director of the Philadelphia Orchestra and the assumption by Dimitri Mitropoulos of the conductorship of the New York Philharmonic Symphony Orchestra, the post of conductor of the Minneapolis Symphony Orchestra has come to be regarded as a major stepping stone to world-wide acclaim and recognition in the conductorial realm.&lt;br /&gt;&lt;br /&gt;Antal Dorati, since he took over the direction of the Minneapolis Symphony Orchestra in 1949, seems to be running true to form in thi: respect; for his leadership of the major orchestras of Europe has been hailed as ' musical interpretation of the highest order.'&lt;br /&gt;&lt;br /&gt;Despite the fact that he is still in his early 40's, Antal Dorati has behind him 25 years of baton experience, dating to the time when as an 18-year-old he was directing opera in his home city of Budapest, Hungary. Indeed, Dorati was the youngest musician to receive a degree from the Academy of Music there, where he numbered among his teachers the celebrated composers, Bela Bartok and Zoltan Kodaly. His early years as a conductor encompassed work with Fritz Busch at the Dresden Opera, as well as experience on his own at Milnster. In 1933 began an association with ballet, when he joined the Monte Carlo Ballet Russe. He continued to work with this and other ballet companies until 1945, when he was invited to be conductor of the Dallas Symphony Orchestra. It was Dorati's ' ballet period ' which gave birth to most of his delightful orchestral arrangements from the music of Johann Strauss (Graduation Ball), Jacques Offeribach (Bluebeard, Helen of Troy). While at Dallas, Dorati also made a widely performed concert suite from Richard Strauss' Der Rosenkavalier.&lt;br /&gt;&lt;br /&gt;Although Antal Dorati had become known far and wide throughout America through his many brilliant guest appearances, it was his magnificent achievement at Dallas, where he reorganised and trained that city's orchestra to be one of the nation's finest, which led to the invitation to come to Minneapolis following the departure of Dimitri Mitropoulos for New York. In Minneapolis, Dorati is repeating on a broader scale the accomplishments of his Dallas days, bringing the Minneapolis Symphony to the highest peak of technical and musical perfection it has yet known in its nearly 50 years of existence.&lt;br /&gt;&lt;br /&gt;Among the major orchestras of America, the Minneapolis Symphony Orchestra has had a particularly distinctive ' personality' - in the sense that its style of performance and texture of sonority can be mistaken for no other. It is the zest of its rhythmic drive and the vital warmth of its lyrical playing which constitute the major factors in the collective personality of the Minneapolis ensemble. From the days of its founder-conductor, Emil Oberhoffer, through the period of leadership by Henry Verbrugghen, to the brilliant era of Ormandy, Mitropoulos and Antal Dorati, this 'personality' of the Minneapolis Symphony Orchestra has been maturing, deepening and gaining added refinement and subtlety. It is this last pair of qualities that have been the special contribution of Antal Dorati, who as a conductor has a particular flair for eliciting from his players wonderful blendings of instrumental colour and delicate dynamic gradations.&lt;br /&gt;&lt;br /&gt;With this and the other Living Presence recordings done by the Minneapous Symphony Orchestra for the Olympian Series, Mercury seeks to bring to the listening public a true representation of the Minneapolis Symphony Orchestra, both as a performing organisation and as a warmly vivid collective personality '.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5133566289887482688-3221214437141529734?l=themusicparlour.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://themusicparlour.blogspot.com/feeds/3221214437141529734/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://themusicparlour.blogspot.com/2010/04/antal-dorati-conducts-kodaly-bartok_04.html#comment-form' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/3221214437141529734'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5133566289887482688/posts/default/3221214437141529734'/><link rel='alternate' type='text/html' href='http://themusicparlour.blogspot.com/2010/04/antal-dorati-conducts-kodaly-bartok_04.html' title='Antal Dorati conducts Kodaly. Hary Janos -&amp;- Bartok. Miraculous Mandarin - Mercury 1954/1956'/><author><name>Tin Ear</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-P6FQdTmFNIM/TpsBkdPHG-I/AAAAAAAABWY/KiyFJ53Nuoo/s220/Tin-Ear.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_kROXkz4fwrw/S7hhfUlUG8I/AAAAAAAAAbE/Z7ppm32BJV0/s72-c/Dorati+Bartok.jpg' height='72' width='72'/
